The year is 2030, a remote TV station has been infiltrated by a Synthoid, a Terminator-like robot who is programmed to kill those who oppose the tyrannical Unicom organization.With B film execution Crash and Burn steals some concept elements from Class of 1999, The Terminator, Robocop, Blade Runner and The Thing to name a few. Although it's slow-paced there's room for a gratuitous shower, electrocution scene, shogun action and stop motion animation, anyone familiar with the studio offerings will appreciate the pace and tone. Oddly dubiously marketed as Robot Jox 2 or from the makers of Arena (don't expect the fights of Arena or Jox) as it contains less than a minute of giant Robot action. Director Charles Band (this generations Roger Corman) gives a tight little flick that benefits from being filmed on location giving it an almost cinematic feel. The shadowy setting gives it some atmosphere with a dusty desert setting bookending the film and the Synthoid is menacing at times - realised by some surprisingly good practical special make-up effects. Despite borrowing music cues from Richard Band's other Fullmoon film scores the music is effective enough.Lead Paul Ganus as Keen wields a shotgun well enough but he looks like he's just walked off a Danielle Steele TV adaptation. Co-star Megan Ward as Arren gives a solid performance considering the sparse script. Supporting cast include Jack McGee and veteran actor Ralph Waite, Eva La Rue gives physical performances (and like Ward went on to do bigger things). There's also some genuinely humours lines from Bill Moseley as Quinn who ensures the title of the film is uttered in J.S. Cardone's dialogue. Even though Crash and Burn doesn't pretend to be more than it is the casual viewer may be disappointed. All things considered, even with the future looking suspiciously like the 1980s, right down to the computer hardware, braces and hairdos it's one of Fullmoons better outings.

The year is 2030 and America is in shambles. Big corporations run the country and the ozone layer has been depleted. A group of folks find themselves inside a remote TV station run by Lathan Hooks (Ralph Waite), who is secretly a member of a resistance group. And hiding among this group of 8 is a cyborg with "crash and burn" orders to kill. This was the third release by Charles Band's Full Moon Entertainment (following PUPPET MASTER and MERIDIAN: KISS OF THE BEAST) and the second he directed (after MERIDIAN) for his new label. Revisiting this after 21 years, I'm surprised at how dated it now looks to me. It definitely fits into Band's world of futuristic desert wastelands also featured in PARASITE and METALSTORM. The acting is solid (co-lead Eva LaRue is now a CSI: Miami lead; Megan Ward makes her screen debut), but the plot is as flimsy as can be. The film also features the cheapest excuse to have a 80-foot robot (effects expertly done by Dave Allen and crew) on screen for a few minutes. It should also be noted that the DVD is an absolute mess with tons of ghosting issues. The source print used actually looks worse than the clips featured in the "making of" segment originally from 1990.

At least it doesn't live up to its title, which is a good thing. Crash and burnnnnnn. On the other hand it might have been more exciting if it did. I don't know, but I remember liking this straight-to-video b-grade action / Sci-fi fare by Charles Band when I saw it for the first time many moons ago, but upon my recent re-watch I was left slightly under whelmed. Boy did it take awhile for something remotely riveting to occur. My excitement early on arose from catching a glimpse of a movie poster of "The Angry Red Planet" on the wall. Not once, but twice. Outside a pouting Megan Ward and Jack McGee (in a truly offensive mood), everyone else acts robotic. Is this to throw us off…? I don't think so. Bill Moseley is the life of the party… as what starts off as uncharacteristic (in a slumber mood) later on has you thinking now I'm watching Moseley perform. Paul Ganus is your typical handsome, but stoic lead who catches the eyes of the ladies (young and old). He doesn't do much at first, other than look serious. All in a good days work. Actually I guess sex was on mind. Nothing else. Nothing more. As after getting that out of the way (about mid-way through the movie), while lying in bed (for about 10 seconds) his character was thinking straight (well its either that or he's considerably slow off the blocks) and it came to him that something wasn't quite right (during a "heart-pounding" test set-up to find out if everyone trapped in this remote TV station was who they said they were). Now that he knows who the evil corporate Sythnoid robot in disguise is. Although we the audience (and Ward) have already figured that out long ago. It's time to be a hero. Jump out of bed, break the emergency glass and grab the shotgun. Then get pummelled and shot. Talk about an effective hero. However this is when things do liven up. Nasty jolts, stupid one-liners, robots going haywire and Ward making everyone around her look like dummies. "Hey, kiss this!". Director Charles Band does an economical job with J.S Cardone's material and recycles Richard Band's music talents. Visually is works cementing a futuristic wasteland, as the setting is taut and the paranoid unease is felt. In the dying stages you can see where most of the money went to and the effects of the battery powered tinbot put those recent CGI drenched transformers films to shame. Mildly amusing low-rent Full Moon fodder.

2030: In the grim greenhouse effect ravaged future psychotic android Quinn (deliciously played to the fabulously freaky hilt by Bill Moseley; Otis in "House of 1,000 Corpses") kills a few people in a rundown old TV station because grouchy owner Lathan Hooks (a lively, although sadly brief turn by Ralph Waite; the father on "The Waltons") is secretly giving information to a group of underground fighters who are opposed to the oppressive authoritarian Orwellian "1984"-ish government. Although this film suffers a bit from a muddled script by J.S. Cardone (who also wrote and directed the superior "Shadowzone") and occasionally sluggish pacing, "Crash and Burn" still nonetheless rates as an engrossing and entertaining sci-fi action opus thanks to Charles Band's energetic direction, well drawn characters, solid acting from a sturdy cast (the lovely Megan Ward makes for an engagingly spunky heroine while veteran character actor John Davis Chandler pops up in a nice bit as a crusty gas station proprietor), nifty stop motion animation by David Allen, pleasingly grody make-up f/x by Greg Cannom, and a stirring score by the indefatigable Richard Band. Good, modest Grade B fun.