Runaway
Runaway
PG-13 | 14 December 1984 (USA)
Runaway Trailers

In the near future, a police officer specializes in malfunctioning robots. When a robot turns out to have been programmed to kill, he begins to uncover a homicidal plot to create killer robots... and his son becomes a target.

Reviews
callanvass

This movie had all the potential in the world. That being said, the execution was decent at best. The story is interesting enough, but I felt it lacked excitement at times. It can be pretty talky, making it difficult to maintain your interest at times. For the 80's, I was pretty impressed by how the robots looked. I also liked the look of the guns and the special kind of bullets they used. The effects were mighty impressive for the time. Some of them were outdated, but they impressed me for the most part. I didn't mind the explanation, about why the robots were evil, but I would have kinda liked to see them as "pure evil" I felt the explanation detracted a bit from the impact. I did like the tribute to Hitchcock's Vertigo. It was cool to see Selleck suffer from Vertigo. I thought that was pretty nifty. The acting is solid. Tom Selleck comes through like usual. He gives his typical "You behave" style when he's annoyed, but he does it more emphatically. Seriously, he was pretty good. Kirstie Alley isn't in the movie all that much. She was fun in her part though. Cynthia Rhodes is OK as Selleck's partner/love interest. I didn't think she was that special. Joey Cramer is annoying as the kid. Typical for the 80's. Gene Simmons acts with his scowl a lot as the villain. I thought he was OK at best. The finale is pretty exciting. Watching Selleck overcoming his fear of heights was intense. I'm picky with futuristic movies, but Michael Crichton did a relatively good job as the director. If he worked on the pacing and the story a bit more, this could have been a dynamite film. In lieu of that, we get a film that's watchable with flashes of brilliance. It's worth a watch, but that's about it. 5.8/10

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aforandromeda

Set in undetermined future society where robotics are a major part of everyday life, from performing household chores to construction and more, Runaway follows Officer Jack Ramsay (Tom Selleck), head of the so-called 'Runaway Squad'. His hi-tech unit deals with out of control robots, intervening where humans may be endangered by the machines' malfunctions. When Ramsay discovers a plot by criminal genius Luther (Gene Simmons) to sell advanced microchips and cutting edge weaponry to the highest bidder, he finds himself taking on not only Luther, but also the dangerous killer's deadly robotic creations.Written and directed by the late Michael Crichton, Runaway continues the theme of the dangers of technology affecting the lives of humans that had been previously visited in his previous works Westworld and Looker. Reviewing Runaway now, thirty years after it's original release, is a real eye opener to Crichton's foresight. Although the appearance of the technology in the movie is dated, being all microchips, clunky robots, switches and video tapes, there are things that have equivalents today. These include flying drones ('floaters'), tablet-like devices, the ease of gaining information through computer profiles of individuals, nannying by technology and the rapacious pervasiveness of the media. These features are integrated subtly and skilfully into the fabric of the film, helping Runaway maintain a surprising degree of relevance so far down the line. The movie is also notable for it's 'bullet-eye view' scenes, which were ground breaking in it's day and much imitated thereafter.There's plenty to enjoy here as proceedings are quick and unfussy, the plot is purposeful and the action comes thick and fast, with Crichton really building up the tension and thrills during several standout scenes. Although some of the effects are a trifle creaky looking nowadays, the robotics are imaginative and well constructed. The performances are as equally enjoyable, with Selleck and Cynthia Rhodes (as Jack's partner) working well together. The underrated G.W. Bailey (of Police Academy infamy) also does a great turn as Jack's Chief and even a sizzling Kirstie Alley makes an appearance. The only letdown is from KISS legend Simmons, as although can he certainly deliver menacing looks and thousand yard stares, his overall acting ability is somewhat lacking. A much better rock star than actor, that's for sure.While the movie is dated in parts, it's fast pace and inventiveness, along with Crichton's skillful direction helps Runaway stand up very well when viewed in the modern day. Whether revisiting or seeing it for the first time, Runaway is an oft-overlooked pulp thriller that's well worth catching.

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buckikris

I remember the first time I saw this movie I was at my cousin's house in Lexington, KY. She had been married for approximately 2 years and everyone decided to go and get some movies. I was about 12 at the time and picked this one out. I had no idea what kind of movie it would be, just that it had Tom Selleck and Gene Simmions from KISS in it. I just turned to my Cousin-In-Law and said this looks good. Out of the three movies we got this one was the best, not only was I surprised but he loved the movie. After all there years it still has that futurist appeal to it and to a point it makes you think. The movie came out in 1984; and it's about robots that have been altered to become dangerous and in some ways killers. In the beginning of the film you see Tom Selleck and his new partner Karen. They are apart of the police departments Runaway unit. A unit that gets calls about malfunctioning robots and they are the ones that go in to take care of the situation. One day a call comes in a 713 or something like that, a runaway call where people have been killed. Once on the scene Ramsey, Selleck and Karen, Cynthia Rhodes, get the info, that robot that helps with the house a lot has killed 2 members of the family. The baby has not been harmed, but the father on the scene knows more about what is going on than he is telling. Well Ramsey gets the baby out of harms way, but the father disappears suddenly. In comes Gene Simmons character,Luther, a robotics expert who is a homicidal maniac. Luther is partners with two other men, one being the father of the baby and another who is working with him to form genetically altered programming chips for robots, so they can be altered to become killing machines. Once the two partners ask for there share, they end up getting tracked down or killed after Luther get's what he wants. Luther also has engineered robotic spider's who are programmed to kill with acid.You will see this in the movie, and for anyone who has a sever phobia of spiders you have to see this, it will make your skin crawl. It's up to Ramsey, Karen, and Luther's girlfriend, Jackie, to stop this psycho before he wrecks havoc on everywhere. THX, Kris L. CocKayne

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kclipper

Rock band Kiss front man Gene Simmons, Tom Selleck, Kirsti Alley (when she was hot), and numerous elements of the Man vs. Machine genre highlight this low grade thriller based on a story by the visionary science-fiction writer Michael Crichton. This little movie is worthy of the typical 80s cheesiness due to it's predictable storyline and Simmon's good portrayal as the 80s TV villain. The set pieces are excellent. (when robotic engineering was taking off). One especially innovative scene has a horde of metal robot spiders equipped with poisonous needles attacking Selleck and his son on an elevator. Programmable bullets that turn corners and robot car bombs along with good pacing and suspenseful situations make this a good evening's fun. All of the laughable dialog and obviousness are played with straight faces by the cast, and the violence is pretty stiff for this not to receive an R rating twenty some years ago. You can't go wrong if Magnum P.I and Terminator were your thing back in the day, and Michael Crichton's realistic approach always delivers a story worth pondering over.

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