I've seen every film about the plight of the American Indian. I am not of the opinion that any Indian was innocent of being human--and therefore faulty and in need of personal communion with the Great Spirit. Real Christ Worshipers show the way to Life, always have, and always shall. It is indeed unfortunate that there have never been that many, but bright lights need few luminary companions. So, to the film. This is most likely the best piece of literary and historical film ever made to show the utter complexities of the American Indian/Caucasian tragedy which, sadly, continues today though not on the scale that it did in the 19th century or even in the 1970s on the tail-end of the Civil Rights Movement. But a subjugated people--in this case, subjugated peoples--eventually learn who is in power, right? Look, we are all human, we are all greedy to some degree or another, and we will all slander or even kill to get what we think we need, and in more and more cases even what we want outside of needs. But it doesn't have to be that way. Jesus and his transforming power is the answer. Wait--the crucified son of a carpenter of one of twelve tribes decimated and nearly extinct by the time he was born? That just makes no sense. Well, of course it doesn't, which gives credence to the idea that it just might be the truth. You take the most unknown people on the planet-- the Hebrews or Jews--and you bring forth the Savior of the World through them, thus showing that any tribe and nation is eligible for salvation. There's not a more brilliant plan than that. Weave in the lying so-called "Christians" of the good ol' U.S. of A. and the vengeful American Indians of many tribes across this huge continent, and you have quite a story. That's what this film is. It's all about looking at what actually happened in the late 1800s and before, and then forgiving the perpetrators--on both sides. Questions which surface for this film? How much identification should any person have with his tribe and family? How much land does a conquering people actually need? How can true Christians actually show their Christ to those who don't understand? How far do we take the commandment of Jesus to love one another, and lay our lives down for them? Should I actually conquer, or should I, like many of the Scotch- Irish settlers (Protestants who supported William of Orange, thus 'Hill Billys') in the Appalachians, happily intermarry and create a new ethnic group? See this film with an open mind, and an open heart.
... View MoreWhen the government of America's European settlers defeated the indigenous population, they didn't directly massacre or enslave them (at least, not in every case). The signed a treaty with the defeated Sioux that granted them land, and when they wanted some of this back, offered to pay for it. Senator Henry Dawes, architect of this deal, saw himself as a great friend on the Indians (as opposed to those who considered them sub-human); he was offering them civilisation. However, anthropologist Marvin Harris has suggested that the process of civilisation is not so much progress as a necessary adaptation to shortages of natural resources, especially land, and the truth of this is apparent when considering the Sioux; regardless of whether civilisation was truly in their interests, it was necessary to release their land to those who wished to exploit it. 'Bury My Heart At Wounded Knee' tells the story of this period, and the truth is grim and fascinating; but unfortunately, this is heavy-handed stuff, whose sympathies are always apparent, and marred by wooden acting and lumbering dialogue. In place of naturalism, almost every scene seems specially constructed to demonstrate a specific point of the history; and bizarrely, the story's natural climax is told, not as it happens, but in flashback, squandering the dramatic tension that should have been apparent. Yet in spite of its clumsiness, the film left me wanting to know more of the real history; in that at least it succeeds.
... View MoreIt's no secret that movies mix a lot of fiction with the facts. This film seems to have rubbed both history buffs and fans of the book the wrong way, but I thought it was a compelling, evocative film nevertheless.Starting off where most movies end, at a CGI created overhead shot of The Little Big Horn (!), this instead focuses on the final years of the Unions war against the Indian nations, culminating in the massacre at Wounded Knee.There's a really great role for Adam Beach, as a young Souix doctor, who's father turned his back on the native ways and sent him to live amongst whites at a young age, stripping him of his identity.August Schellenberg is excellent here as Sitting Bull, who's determination and pride stokes the anger of the powers that be, including Aiden Quinn, a sympathetic but patronizing Senator who has taken it upon himself to lead the Indians on a path to "civilization".Anyone who watched the myriad Cavalry pictures and Little Big Horn epics should see this and find out how the whole sad story ends.
... View MoreBURY MY HEART AT WOUNDED KNEE is a somber retelling of the events leading up to the massacre at (what is now) the Wounded Knee Memorial. But this isn't a documentary. This is a made-for-TV fictional retelling, and it is the "made-for-TV" bit that makes this important American event lose some of its composure.The entire production flags because of the TV aspect, many of the film shots losing their impact either because of lack of attention to detail or funds (or probably both). Either way this could've been an extreme visual recollection for most viewers but instead it lacks the depth I would've liked to have seen.Regardless, there are some stellar appearances and acting within it. August Schellenberg as Sitting Bull undeniably has the most impact. Recent movie viewers will probably remember him from his portrayal as Powhatan in THE NEW WORLD. The contrast between the character in The New World and here in Wounded Knee shouldn't be lost, either. Without Powhatan and Pocahontas, the white settlers at Jamestown would've perished within the first few winters. And now, in Wounded Knee, it is the white man who destroys what is left of Native American life; a terribly stark (and bloody) reality.The other notables are Adam Beach (FLAGS OF OUR FATHERS) as Charles Eastman, and Aidan Quinn as Senator Henry Dawes. They spend a lot of time together on film and they played against/off each other exceptionally well. Charles being the "new wave" Indian who melds into the white man's way of life until exposed to reservation life at Pine Ridge. Henry Dawes seeing himself as "The Great White Savior Of The Indians" by passing legislation that loops a few nooses around the necks of the Plains Indians' way of life without even realizing it.But other actors have little to offer. Anna Paquin (X-MEN) as Charles' white love interest (and eventual wife) is seen too infrequently so the relationship between the two has little impact. She does a good job of acting but the script stymied any possibility of real success. From here the acting dips into the drab and boring. I have to give mention to Senator Fred Thompson (currently a Republican runner for the U.S. Presidency) who plays President Ulysses S. Grant. We see maybe four frames of film with him in it and then he's gone. This surprised me greatly since it was Grant's administration that doomed Native Americans by rounding them up and placing them on reservations.Despite my misgivings about the script, cinematography and acting, this is a vital story that needs to be told, and it isn't something that is normally taught in grade school or higher. Europeans (us) conquered this land and its people, and pushed them into holding pens where they, to this day, await justice for our multiple treaty violations and massacres of their men, women and children (I will say that the scenes depicting large-caliber rifle bullets ripping through young kids was filmed well and was equally hard to watch).So the story gives this film a higher rating than anything within it, which is unfortunate, as this terrible moment in American history needs to be remembered just as much as Germany needs to remember its holocaust.
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