"The perfect blossom is a rare thing. You could spend your life looking for one, and it would not be a wasted life." - Katsumoto It is probably one of the saddest and most inevitable things in this world - war. And though war should not be tolerated at all, a civil war - when brother goes against brother, when those who share the same history, culture and language go one against another, this kind of war is the most horrible and painful. "The Last Samurai", an epic action movie directed by Edward Zwick, is enlightening the events that took place in The Land of the Rising Sun of the late 19th century. The main character, Captain Nathan Algren, a lonely tortured soldier who's been trying to redeem his life back from the atrocities and nightmares of war is being dragged into the whirlpool of a new one far away from his homeland. Times are changing fast, and dictated by the examples of other countries Japan is gradually but firmly going from the old native "samurai-like" way of life country to a modern technological western style of living. "Progress is a stepping stone of civilization" - some say, but it doesn't mean that civilization itself progresses. Samurais, as the eternal symbol of the Japanese culture and as its guardians protest against the changes that civilization brings. Railroads, western cloth and food, western buildings and technologies, firearms and war tactics - all this might seem to be building a strong country ready to enter the international arena, but these things also tend to consume everything that Japan represents of itself - dedication, discipline, spirituality, philosophy. Katsumoto - the last leader of the samurai clan is trying to convince the emperor in his wrong choice of blindly following all modern tendencies and letting the country be corrupted by capitalism that hides under the mask of industrialization. Allowing other nations to have influence over Japan can be a crucial decision that might lead it onto the road of full obedience and dependence from other "world players". But will his words ever reach the emperor's ears, will he ever be able to keep the legacy of his ancestors... is he alone in this fight? The movie focuses on the most important changes in the Japanese society in the late 19th century and tries to show it from the standpoint of the main hero, American captain, who happens to be very far from understanding everything Japan stands on at first, but ends as one who has found peace and comfort in a culture as distant as America and Japan are on the world map. The directors' work is great - displaying every bit of the eastern culture and lifestyle in a slow pace really makes us almost "taste" the spirit of the Samurai Epoch. Same can be said of the operators' work - paying much attention to details, whether it's a battle scene or a peaceful one, you will see the whole spectrum of events under different angles and from different points. Actors' work doesn't stop to surprise: Tom Cruise in the skin of Captain Algren - firm veteran of war, who has taken his part in suppressing the Indian rebellion during his war career and already has many sins haunting his mind making him be ashamed of who he has become; Ken Watanabe as Katsumoto - a true samurai by blood and by his heart, dedicated, strong and unbendable, the one who has the strength to follow his way of worldview and to lead others by his example; so different and yet so same, both are children of war, only, one saw it as a merciless, gruesome and unjustly slaughtering reaper, the other - as the way of ideals, morality, perfection, discipline, philosophy, virtue,.. and as the true way of the sword. Their distant roads have crossed to make them both understand what the destiny of a true warrior is. Secondary heroes like Billy Connolly (as Sergeant Zeb), Tony Goldwyn (as Colonel Bagley), Masato Harada (as Mr. Omura), Timothy Spall (as Simon Graham) and Hiroyuki Sanada (as Ujio) also deserve to be praised for building strong supporting characters and the background atmosphere of the movie. Writing is screaming of majestic delight, unique vision and philosophical beauty. You will probably never find another action movie which concentrates its plot around religion, culture and spirituality that much as this one, and not only concentrates, but depicts it in the most harmonic way possible. Costume design, sets and decorations, makeup, special effects, fighting choreography, staging, views and heavenly gorgeous landscapes of The Land of the Rising Sun - everything is on the impeccable level, interweaving with one another draws a picture of splendid beauty and strikes into your memory forever. Nothing less to expect from a "hundred-million-dollar" Hollywood movie with not only technical quality, but a lot of heart in it. The original score. Hans Zimmer. Not many words can describe this cosmic sublimity. It's like lying on a soft cloud with a cotton moon as a pillow, covered with blanket made of mild night with shining stars and angels are coming down from the sky singing lullaby and rocking you to sleep. It's a pure magic dream, where violin is a cloud, flute is a moon, trumpet is a blanket and the angel's voices are a mix of shakuhachi, taiko drums and other national Japanese instruments. Beautifully calm and violently stormy, starting with delicate koto melody, than letting the drums and percussions take over turning the mood from the softly-sweet to the battle-ready, the music emphasizes the spirit of every scene as it accompany the viewer through the film. Taking the breathtaking "Way of the Sword" track at the final battle scene - while bullets fly around, Algren holds dying Katsumoto in his arms and music becomes especially tender as though symbolizing his departure and a relief from all the hardships and duties he bared through his life. Fascinatingly crafted Asian-like music - "The Last Samurai's" original score will rightfully take its place among the Hans Zimmer's finest works. 4 Oskar nominees (Best Supporting Actor, Best Decorations, Best Costumes, Best Sound Mixing) and dozens of other awards and nominations... philosophical, touching, captive - "The Last Samurai" will forever be on the list of the most brilliant movie works of our time!

This is not a typical type of Tom Cruise's movies, this film totally based on early 1800 s culture of japan . i was totally surprised how they designed so carefully that environment father based family is a significant thing , and other things Ken Watanabe act side by side like in a real war , it makes more attractive and realistic feelings ,this has great message for everyone who forget there past and embrace future

The theme of honor and integrity run throughout this picture, with Tom Cruise portraying a former Civil War and Indian Wars soldier who's disillusionment with killing has stripped him of his humanity, leaving him a broken and dispirited individual. Aimless, Captain Nathan Algren (Cruise) accepts an offer to train the Japanese in the art of warfare to put down a Samurai uprising against the new Emperor's quest to modernize his country. What Algren comes to understand following his capture by the Samurai will change his life, one which will offer a renewed dedication to discipline and learning. For Tom Cruise, it's an intense role in a picture that calls to mind the 1990 Western epic "Dances With Wolves" in it's examination of a foreign culture and how becoming familiar with the unknown can be a life defining experience. Perhaps even more charismatic than Cruise is his opposite in the story, Ken Watanabe as the Samurai Master Katsumoto Moritsugu. From Katsumoto, Algren attains a spiritual view of life that he never had before, grounded in values deemed noble, like honor, loyalty, and personal integrity. When it comes time to test Algren's new resolve, he joins the Samurai quest to turn back the forces that would diminish or destroy an entire culture for the sake of elusive modernization and monetary gain. Perhaps most notable is the manner in which Algren earns the eventual trust and admiration of his Samurai hosts by learning the language and adopting their martial art tactics. The Samurai way is emphasized a number of times in the story with the ritual seppuku performed by General Hasegawa (Togo Igawa) following an early American defeat by the Samurai, and later on as Katsumoto accepts death as his spiritual reward on the battlefield. What influences the story most is the ever present honor among a people to maintain their traditions and way of life.

Movie Review: "The Last Samurai" (2003)This beautiful motion picture in story and striking-visual reception by cinematogrpaher John Toll and production designer Lilly Kilvert to lift and honor leading actor Tom Cruise directed by "war-movie" approved director Edward Zwick, who masterfully threads together an historically-altered Imperialistic War of a juvenile-faced Emperor of the heritage-abandoning Japanese government of 1870s, when further Hollywood-dramatizations and highest entertainment standards-written screenplay by supremely-polishing screenwriter John Logan, with constant collaborative input of director Edward Zwick in favors of a highly-sophisticated star-vehicle of a Best-Picture contender of business year 2003 with respect to Tom Cruise, who tends to share every cell of his body in a full-circle-character arc from a heavy-drinking ex-civil-war captain Nathan Algren to showcasing rifle shooting skills in front of life-endangered in-auditorium audiences before embarking on a double-crossing mission to the island of Japan, meeting a seemingly badly-adviced Emperor, eventually deserting the U.S. army ways of gun-violence, learning "The Way of The Samurai" in breathtaking remotely-located rebellion village scenes, alongside a sublime supporting cast ranging from match-making origin-inherited actors Ken Watanable, Hiroyuki Sanada and gently-received highlighted relationship between Tom Cruise and Japanese actress Koyuki as the character of Taka; when "The Last Samurai" hits story-telling high marks by self-indulged demon-fights to become sober in mind, body and spirit in order to choose "The Way of The Samurai" getting honored by the villagers in the process; Tom Cruise's character eventually allowed to wear a stellar deep-red ancient Japanese warrior uniform of Taka's deceased husband to a massive showdown of clashing, gatling-gun shooting imperalistic forces, led by nemesis playing actor Tony Goldwyn, against the highly-motivated never to surrender rebellion of masterless tribe of "Ronin", when self-proclaimed, reorganized "Army of Samurai" defying a vanishing Japanese heritage, battle to the death.© 2018 Felix Alexander Dausend (Cinemajesty Entertainments LLC)