Movie Review: "Defiance" (2008)Just rebounding from a highly-agile as face-pacing James Bond productions 22 "Quantum of Solace", leading actor Daniel Craig carries together with fellow support Liev Schreiber this differentiated World-War-2 action drama, concerning Polish Jews fleeing their Belarus ghetto neighborhood from invading National socialist-oppressors into the woods of Eastern Europe, when "Glory" (1989) director Edward Zwick stumbles over some inconvenient real-event thriller facts of left out local war crimson massacres by joining forces with overly-committed soviet partisans.Here must "Defiance" fight to stay relevant in retrospective, when professionally-shot machine-gun-action cinematography by highly-talented lighting cameraman Eduardo Serra, also responsible for shooting "Harry Potter and the Deathly Hallows" in season 2010/2011. The Editorial in roller-coasting lengthy 130 Minutes becomes a stony passage in overall-depressive décor, when even young and capable supporting characters played by Alexa Davalos, Jamie Bell and Mia Wasikowska can hardly spark the so-needed instant classic feature for WW2-story emotional injections that this Edward Zwick directed movie stays behind preceding, far superior "Last Samurai" (2003) expectations at initial viewings.© 2018 Felix Alexander Dausend (Cinemajesty Entertainments LLC)

Is Edward Zwick the dullest filmmaker in America? He's certainly one of the most infuriating--time and again discovering fascinating stories buried in the corners of history, only to completely botch their revelation. Zwick movies invariably balloon into lumbering white elephants, embalmed in the icky molasses of awards-season prestige and corny Hollywood contrivances.The Last Samurai could've been an absorbing take on ancient tradition colliding with a modern world, but instead devolved into a lovingly photographed tribute to the wind blowing through Tom Cruise's hair in slow motion.Blood Diamond had all the ingredients of a gripping, topical thriller, but instead played out as a morbid procession of Oscar clips, climaxing with the preposterous sight of a gutshot Leonardo DiCaprio making not one but two weepy farewell phone calls while in the middle of a gunfight.There's a specific sort of turgidness to an Edward Zwick film, an oatmeal blandness evident since his feature debut, 23 years ago, when he distorted David Mamet's scathing play Sexual Perversity in Chicago into a sitcom-like vehicle for Rob Lowe and Demi Moore called About Last Night ...There's obviously no material that this man can't flatten with his tedious middlebrow sensibility.Zwick does it again with Defiance, making a cheesy mess out of the captivating, little-known tale of the Bielski otriad. In 1941, four hard-drinking, rough-hewn criminal brothers headed deep into the Belarusian forest, building a kibbutz where they and fellow Jews could hide from Hitler's goons and wait out the war. The Bielski brothers saved hundreds of lives, but these wondrous facts don't provide enough nobility for Zwick. This is such a damned good story, he's determined to oversell it.Daniel Craig--the blonde-haired, blue-eyed 007 who apparently became an honorary Jew after Stephen Spielberg cast him in Munich--stars as Tuvia Bielski, and we can tell right away he's supposed to be the hero because he makes gaseous proclamations from atop a white horse, his every utterance underscored by a martial bleat from of composer James Newton Howard's trumpets. The rest of the people in the movie are always seen gazing upward at him in slackjawed awe.Well, everybody except for Zus, Tuvia's hot-headed little brother, played with a swarthy intensity by Liev Schreiber. Zus just wants to kill as many Germans as he can, but Tuvia insists that "living will be our revenge." These two have many tiresome parable-inflected arguments that play like bad knockoffs of the Talmudic debates Tony Kushner wrote for Munich.Meanwhile, the third brother, Asael (Jamie Bell), sheepishly stands off to the side, presumably wondering the same thing as the audience: What casting director in their right mind thought James Bond, Liev Schreiber and Billy Elliot could pass for brothers? Shot by cinematographer Eduardo Serra in that same digitally tweaked, washed-out color palate that's become the cliché for WWII movies since Saving Private Ryan, Defiance ignores what's most interesting about its own story in favor of a ton of stock scenes we've already seen; there are no surprises here. When the saintly elderly Hasidic comic abruptly coughs mid-quip, everybody knows what's going to happen to him within the next 10 minutes. There's even a gooey romance between Craig and Alexa Davalos, which arrives out of left field and seems to be motivated by a producer's decree that every big-budget Hollywood film must have a romance in there somewhere.Still hungry for vengeance, Schreiber's Zus takes off to fight with the Russians. Zwick and his co-screenwriter Clayton Frohman take a couple of jabs at the irony of Jews enlisting alongside a bunch of virulent Anti-Semites, but as is the case with any potentially interesting idea in Defiance, this one takes a back seat to the plot mechanics of a risibly inauthentic rescue sequence.By the time estranged brother Zus rides in like Han Solo to save Moses Skywalker's butt at the exact moment when things look hopeless, Zwick's done it again. He's made a true story feel awfully false.

What with all the stories told from every faction of WWII and how everybody trounced those pesky Nazi Germans, things can get a bit formulaic! Defiance is a war era drama that takes a different stance, in fact it takes two; standing with one foot in the campgrounds of the Russian Partisans and the other in the camps of the Jews who dared to escape into the woods of Belorussia and Poland to survive the Holocaust.It sports some finely crafted drama, though not perfect. It just does the best with what it has and thankfully it has authenticity and great acting on its side, despite some shortcomings and incidences of overstepping the mark.Daniel Craig and Liev Schreiber play the two older brothers of a slain Jewish Belorussian family who flee with their younger siblings into the woods, chased not only by Nazis but the police forces of their own communities who have sided with the enemy.One brother goes on to lead the growing number of escaping Jews while the other - ostracised after rising tensions - joins the Partisans.The story is sometimes sporadic in its delivery of drama and incidence, meaning that one theme is sometimes forgotten for the sake of a bit of action. Don't get me wrong, some of the action is superbly done, but I felt that there were some rushed scenes.While all very well executed, I feel that Defiance suffered an occasional conflict in direction and style, but most viewers might not even notice this.Craig and Schreiber's Russian is spot on and at times even seems playfully competitive, which adds much needed chemistry to such an ambitious tale of family. Jamie Bell is also on form.Overall a fine effort, even though I felt it might actually have had more impact were it half an hour shorter.

Through the Foggy Lense of History the True Story told by Survivors and Historians vary Wildly. Accused of Their Own despicable atrocities trying to Survive deplorable conditions in the Wilderness, the Bielski Resistance is Currently in Heated Dispute about Their Actual Fighting and Activities.Depending on what Source You seek out there will be an Enormous Amount of Partisanship and Opinions. The Film takes the Positive Nuggets Uncovered in the frustrating ability to Pin-Down the Accuracy of such a Tumultuous and Tragic Era of Human Suffering.Putting Aside the Historical Truth (if there is such a thing) and Reviewing the Film as a Film, an Attempt at an Enlightening Entertainment, it is a rather Well-Made, Interesting, and Inspiring Movie.The Director Edward Zwick is not Shy about using Modern Movie Flourishes of Action, varying Film-Speed and Camera Hi-Jinx to Heighten the already Dramatic War Battles. He uses this to accelerate the pulse.Also, with the Over-Use of Violins pulling the Heartstrings, Zwick spares no amount of Hollywood Ness to make the Movie Watchable amongst the Truly Depressing Suffering.Overall, Daniel Craig and Liev Schreiber, along with Jamie Bell make this a Well-Acted, Controversial Film, that is Worth a Watch. But to find out just what Really Happened might be as Frustrating as the Filmmakers Pretensions and in the Final Analysis only Guilty of what most of History is, "...a set of lies agreed upon." (Napoleon)