I didn't expect this to be such a good movie. Although I found this movie searching for club/rave movies, this is much more than that. At some points one could find similarities with the themes of "One flew over the cuckoo's nest": sanity and psychiatric institutions is defiantly one narrative theme.This film has great music too and I never got bored. I guess I should have rated it with an 8/10; but I was surprised by the quality of it. If you compare it of course with movies of Tarkovsky, Kubrick or Bergman of course it does not stand a chance, but for sure it is better than most mainstream American made movies.

I have to be honest, this film is realistic but for all the wrong reasons. Yes, the music is fantastic; yes, the venues are authentic (or appear that way). But I have met and befriended about half a dozen DJs whose behaviour fell within the spectrum of Icka's selfish, arrogant, immature world-view and I can tell you that their behaviour did not lead to the simplistically realised 'happy ending' (such as it is) which is portrayed in Berlin Calling.The ending scenes in particular left me feeling that the makers of this movie actually believe in the same gloriously-decadent vision that they condemn Ickarus for having. They really seem to be saying that minimal techno is an end unto itself;that all the drug addiction and relationship failures that play a part in its production are just a means to an end, a drop in the ocean of 'immortality' that comes from having one's name etched on a piece of wax. Ickarus' family, best friends, lovers and admirers are all portrayed as mere accessories to his dream; willing slaves to his quest for fortune and fame. Berlin Calling would have been a much better film if its makers had dared to question the greed (both emotional and material) which bound to it in the first place.Near the end of the film, Icka's Dad blames his son's behaviour on the fall of the Berlin wall. Personally, I found this to be a lame attempt to tack some sort of logic onto the pointlessly infantile behaviour displayed by Ickarus - who for all the world comes across as a spoilt brat. If only there was some proper character development in this film - either in Icka or his supporting (and tellingly, largely-female) cast, then his selfish behaviour may have made sense. But as it is, you come away thinking, this is a guy with too much money and too little brains to appreciate it. In other words, he's about as political as a silk Gucci scarf!

"Berlin Calling" is not a documentary of the fall of the Berlin Wall, that would be "Berlin Falling". Nor is it a documentary on the 80's New Wave extraordinaire band Berlin (smell a severe case of "biasism" since it is my all-time favorite band), that would be "Berlin Hailing". The "Berlin Calling" I am referring to is the powerful independent German film "Berlin Calling". Professional Trance Music Disc Jockey Paul Kalkbrenner stars as D.J. Ickarus, a passionate & talented German trance spinning musician who also spins too many methamphetamines, hallucinogens, and narcotics in his daily social tunes. D.J. Ickarus drug-addiction downfall lands him in a Berlin psychiatric center, which Ickarus finds too icky for his taste. Ickarus does cause havoc in the psychiatric center a la Jack Nicholson's character in "One Flew Over The Cuckoo's Nest". Rita Lengyel effectively plays Mathilde, Ickarus' devoted but gradually frustrated girlfriend who tries excessively to help Ick get out of the icky ills of his drug addiction while at the same trying to salvage his career. Corinna Harfouch psyches up her acting portraying Professor Dr. Detra Paul, the authoritative psychiatric center director who is a cross between Nurse Hatchett and Dr. Phil. She feels that Ickarus is a danger to others and possibly himself so therefore she pulls her own mental control spins on him. Kalkbrenner's performance as Ickarus was mind-boggling and put me in a trance of acting endowment. Moreover, the multi-talented Kalkbrenner's musical trance mixes caused me to want to get on "The Metro" and go "Dancing In Berlin" in Kalkbrenner's Tranceylvannia village! Writer-Director Hannes Stohr has many compelling and masterful plot lines & visuals stored for you in his imaginative film-making orchestration of "Berlin Calling". An innovative narrative of the music trance environment captured in film-making has been long overdue. I was elated that Hannes had the upper hand in its origination! "Berlin Calling" also called to my attention its chart-topping cinematography, art direction, and of course musical score. Hannes' "Berlin Calling" screenplay was also quite a comedic but yet gripping one that did not need "No More Words" to be regarded wordy adequate. I did have the pleasure to experience "Berlin Calling" at The Miami International Film Festival in March 2009. Hopefully, a film studio distributor will sign up the film so everyone could be in the mix to the surreal cinematic art form of the brilliant "Berlin Calling". ***** Excellent

Does a movie need to provide answers or is some room for interpretation sometimes the better choice? Berlin Calling does not take the bait to occupy the moral high ground. Instead it is an authentic movie about the music and party scene in Berlin, including its „dark side": drugs.In a way this movie does not have a beginning and no end, it is an ultimate extract of life – life in the electronic music scene in Berlin.The pace of the story is fast, almost like the rhythm of the electronic beats - an awesome soundtrack. Berlin Calling is authentic and entertaining movie with great acting and fantastic directing.The movie feels „(a)live" and to followers of electronic music this is a definite must-see. The only criticism that Berlin Calling may have to accept is that self-experiencing the Berlin party scene may still be better.