This Is England
This Is England
NR | 27 July 2007 (USA)
This Is England Trailers

A story about a troubled boy growing up in England, set in 1983. He comes across a few skinheads on his way home from school, after a fight. They become his new best friends, even like family. Based on experiences of director Shane Meadows.

Reviews
Alanjackd

What can I say after all these years ..if you have not seen this then you don't belong here!This is about growing up ( all of us have been there) and all the emotions that come with it..all the characters grow up right in front of your eyes.A lot of the scenes are hard viewing..not all of them for the reasons you might think..the kissing scene was very hard to watch...almost bordering on abuse...but as I said ..it's all about growing up.Forget Pacino...DeNiro...and anybody else with an Oscar..the acting from all concerned is outstanding..with special notice to probably Britain's finest ever actor Stephen Graham..this guy gives it all...totally mesmerizing.After watching this I put it away..then i discovered the T.V series..then I found it again..the BEST of British..it does NOT get better.

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tomgillespie2002

Shane Meadows' This is England, like the title suggests, is a bare- knuckled, fearlessly honest depiction of England. This isn't any old England, but Thatcher's angry, graffiti-ridden, skinheaded England, a time of needless war, poverty, and, key to the film, racial intolerance. Meadows' loosely autobiographical film lays it's anger out for all to see from the off, as the camera lingers on a council-estate wall scrawled with 'Maggie is a t**t'. But there's humour here also, and heart.We witness the majority of the film through the eyes of Shaun Fields (Thomas Turgoose - his character's name a thinly-disguised spin on that of the director's), a ragged, bullied loner, who lives alone with his mother after his father is killed in the Falklands. Walking home one evening from school, he is pitied by Woody (Joseph Gilgun), a Dr. Martens-wearing skinhead who, along with his friends, enjoys some harmless vandalism taken out on derelict properties. Woody takes him under his wing, even buying him a Ben Sherman and braces, and shaving his head. His mum doesn't approve, but at least he's being looked after. All is rosy until Woody's old friend Combo (Stephen Graham) is released from prison.His time in prison taught Combo that England is no longer what it once was, and is now overrun by immigrants taking away jobs from honest folk like himself and his bare-chested, meat-head friend Banjo (George Newton). He draws a line for Woody's gang - those who want to join him on his crusade to help restore England to it's glory days, and those who don't. Woody quickly points out that Combo is out of line, especially in the presence of his Jamaican friend Milky (Andrew Shim). But when Woody leaves, Shaun stays, and is sucked in by Combo's charisma, attending right-wing rallies in countryside pubs and smashing up the local shop owned by a Pakistani man.Like Elem Klimov's Come and See (1985), the child protagonist does the remarkable thing of ageing throughout. Not a physical transformation like Florya, but in presence. He evolves effortlessly from a boy whining at his mum in a shoe shop for not buying him a pair of Dr. Martens, to a foul-mouthed, brainless thug gobbling up everything that is fed to him by those around him. Meadows makes it clear that there are two types of skin-heads - those who embrace the style and image influenced by black music such as ska, and those bigoted, entitled types, channelling anger simply because it's there. Combo is obviously the second kind, but he has own dimensions too.Stephen Graham's performance is spectacular and genuinely terrifying. Anyone who has grown up in England will know the type; the type thankfully I've only ever come across when they get on a train and quickly draw attention to themselves. His words fly like scouse venom, his every line punctured by a swear word. But his protection of Shaun and his occasional child-like vulnerability means that there's sympathy to be given somewhere. Like all great child performances, Turgoose remains a child throughout, avoiding precociousness even in his most emotional scenes. And it's 12 year-old Shaun that remains the film's anchor, our wide-eyed window into innocence manipulated.www.the-wrath-of-blog.blogspot.com

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low_flying

This movie was somewhat tough to know how to take. On the one hand - as a movie about coming of age - it's a fairly straight-forward, effective film. Shaun's anger and depression about the death of his father fighting in the Falklands is slowly eating away at him, and his new skinhead friends don't help him learn to cope with that, but they do give him a distraction and a sense of belonging that he obviously craves. Shaun is easily influenced, and Woody becomes a type of father figure to him, helping him find his own place in the world around him. On the other hand, though, the movie in very insular. Combo talks about the money and jobs lost to immigrants, but aside from the Falklands, there doesn't seem to be any real link between this group of skins and the outside world. They never seem to actually exist in the real world, other than the mob's trip to the National Front rally and when Woody's girlfriend heads to work. So when Combo decides to espouse his political points of view to the rest of the gang, it feels hollow and almost disjointed; here is this group of skinheads who never seem to work and do nothing except sit around, drink beer, smoke pot, and listen to records. And as Combo has spent the last several years in prison, he doesn't feel like someone who would be in the know about the political situation in England at the time. However, the details of the movie are fairly accurate. The National Front did play a huge role in attracting skinheads to their cause in the 80s, and the fashions are pretty spot on, as is the music. Although I think that the movie doesn't make much of an effort to pander to the uninitiated. If you don't know skinhead culture, you're going to find yourself lost on occasion. But by and large, most of the movie can be understood and appreciated without knowledge of what it is to be skinhead. Overall a decent movie, if not a bit two dimensional.

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ultraviolence99

Shane Medows captures not only what it feels like to be an outsider but also what it feels like to finally be part of something. Both have their pros and cons. The young kid in the film finally gets accepted with the older kids and what seems like a change for the better in his worldview can also be a change for the worse - time to grow and see what the world is really about and it's not all unicorns and rainbows. I don't wan to sat too much about the plot because there is so much wonder and exploration in the film. But it has a theme that life isn't always fair and you may never really get what you want but be sure to hold on to what is important because it could be gone tomorrow.

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