'Addiction' as a genre of film is jam-packed with predictable content, but ABERDEEN is a cut above the rest. Stellan Skarsgards boozy downward spiral is a home-video into the real world of alcoholism. Too often the alcoholic is portrayed as if locked in some sort of heroic struggle, however, real drunks stumble, fall down, puke, and create emotional havoc in their own lives and everyone around them. This film also adds a fresh look at The Alcoholic Intervention Model. In this movie, the one who is spearheading the intervention is arguably in worse shape than the beneficiary. ABERDEEN is an unflinching look at the nature of addiction with a bold, well written abrasive script.

Aberdeen is an excellent character-driven film. It is one of the best films I have seen in a very long time (now that we have to slog through gargantuan archives of direct-to-DVD films just to get to the few good ones). Charlotte Rampling's line, "Sometimes ugly can be nice" captures the film's characters very well. Stellan Skarsgard, Lena Headey, Ian Hart and Charlotte Rampling are superb in this understated, European (English language) melodrama. Both the beautifully sparse cinematography and Preisner's "childish" score work very well subtextually. The plot is driven by destination and deadline, and this road movie uses every scenario to develop or reinforce character traits. The dialogue is equally sparse and terse, leaving the audience to fill in the blanks to diffuse the dramatic tension. I highly recommend this film, especially if you're not afraid of delving into some Scandinavian melancholy. I give it a 10 for being emotionally engaging and differentiating itself from a bevy of moribund films and/or lifeless protagonists whose goals are inconsequential; the characters in Aberdeen are tragically flawed, but one cares for them. Deeply.

I rented "Aberdeen" because I love Lena Headey and have been catching up on her work. The fact that Ian Hart and Stellan Skarsgard are also featured only made this film more attractive. I was not disappointed.All the acting is good, including Charlotte Rampling in a difficult, passive role, but Stellan's portrayal of a wrecked man is astounding. He nails all the outward attributes of alcoholism, but never overdoes it. His eyes tell us all we need to know as his character slowly finds some piece of his own humanity buried deep inside. Astounding, when one compares Tomas to, say, the smoothly lethal Gregor from "Ronin", or the monstrous Cerdic from "King Arthur". Stellan is one of those actors whose mere presence on screen is riveting.The story itself is simple, but this movie is all about the journey, literally. We are all damaged in some way, but holding on to bitterness and resentment for past wrongs will destroy oneself more effectively from within than any outside force can do.

"Aberdeen" is a road trip of a father-daughter relationship. But with raw, uninhibited performances by Stellan Starsgard (as an alcoholic Norwegian oil rigger) and Lena Headey (with a thick Scotch brogue).Charlotte Rampling is a very effective deus ex machina mother bringing them together with a goal and a deadline, while Ian Hart is memorable as the nice, normal guy thrown into their war, helping to restore their sanity. One of the most romantic scenes I've seen in the movies in years is him simply wiping her brow, while the dad looks on uncomfortably.The route and fine details of this picaresque film are unpredictable, as they find Aberdeen and themselves. (originally written 8/31/2001)