Could have been five, but missed a few details. First, the title doesn't describe the essence of the story. Second, the cover doesn't covey it either. OK, picky points over. Third, the ending (some directors are prone to this cutesy & nebulous non-creative trick) leaves the viewer hanging, e.g. wasn't clear who was on the phone. Fourth, we didn't get enough of the background of Mary's character and what sent her to jail. One of the central themes is the transformation of Mary which for some viewers to understand requires more background. The disfigurement of a person is not a trivial matter to not address. Won some awards at an Irish film festival.

The story to some extent is as simple as someone coming out of jail and finding out her friends have moved on and developed without her and her coming to terms with that.The search for a date is simply a way of showing her alienation and her fear of making new connections when her old ones lie broken. The acting is low key and first rate.Thoroughly enjoyed this movie, but in a melancholy way.

Yes great acting and great actors. Yes a very good soundtrack and some sharp writing and excellent dialog. The relationship depicted between mother and daughter was especially on target. But the the thing that really makes this film outstanding is the existential subtext. Take Irving Welsh and "Trainspotting" and its final last minute narration:"The truth is that I'm a bad person. But, that's gonna change - I'm going to change. This is the last of that sort of thing. Now I'm cleaning up and I'm moving on, going straight and choosing life. I'm looking forward to it already. I'm gonna be just like you. The job, the family, the big television. The washing machine, the car, the compact disc and electric tin opener, good health, low cholesterol, dental insurance, mortgage, starter home, leisure wear, luggage, three piece suite, DIY, game shows, junk food, children, walks in the park, nine to five, good at golf, washing the car, choice of sweaters, family Christmas, indexed pension, tax exemption, clearing gutters, getting by, looking ahead, the day you die."Becoming an adult is a con game. The con you pull is on yourself. Frankly I have spend the better part of 20 years coming back to what my true core is, and who I really am. Mary is at that "place", where everyone is settling and literally settling into the person that society dictates, that family dictates. Social mores and binding observance of societal "normality" are not for everyone. Sometimes the price is too high.

On her release from prison a troubled girl struggles to find a date for her best friend's wedding.Engaging coming-of-age story that balances romance with well observed character difficulties. The intro is nicely judged, and the pace carries us along at a good clip. A few comedy set pieces are underwritten, especially the stuff on the dating agency, so the humour misses out on a few laughs but maintains a light tone. And the direction keeps the simple moral of the tale from falling into soap-opera.The outstanding element is the performance of the lead actor - she's lively and brooding at the same time, with a gift for the close-up. Other performances are good, although the lesbian lover is not quite convincing.Music is a bit montagey. Editing good.Overall: Decent story elevated by a talented actor.