There was a time, from my childhood up until the mid-1980's, when shows such as the Lone Ranger and The Little Rascals filled week-day afternoon and Saturday morning TV slots. Old movies could be readily found on TV late at night and on Sunday afternoons. Ever since TV stations began filling every extra additional minute with infomercials and their own first-run productions and reality shows, as well as the beginning of the continuous news cycle, these old classics have not seen the light of day. This shows early years are on DVD, and if you ever get the chance to view the show, do understand that the TV show, at least at first, borrowed heavily from its radio roots.Also note that some of the first episodes are very short - in some cases only 11 or 12 minutes long. That is because sometimes the sponsor would put two short serials in the same half hour slot. The time really belonged to the sponsor back in those days, and thus early TV schedules looked a lot like radio at first.One of my favorite episodes was "The Silent Voice" towards the end of season two. The witness to a crime is a stroke victim who is completely paralyzed. The Lone Ranger comes up with a way for the woman to communicate by blinking in response to letters of the alphabet.The other episode from this early part of the series that sticks out is one in which the wife in a husband/wife crime team betrays the husband and shoots him. He is presumed dead and taken to the undertaker's. The Lone Ranger discovers that the husband is not dead, and the husband makes a confession as to what is going on before he dies as he lies on a slab about to buried - alive. The Lone Ranger tricks the wife by claiming that her husband is still alive. That's what I liked about the Lone Ranger - it really could be very dark. There would always be the happy ending with the criminals rounded up and jailed, but that didn't mean that some good people didn't fall along the way or that something really creepy or cringe-worthy wasn't part of the plot.Highly recommended if you ever get the chance.

There is only one Lone Ranger and only one Tonto. Clayton Moore and Jay Silverheels. They were both so ingrained in my childhood psyche as hero's, that they remain to this day to be just that. I have watched each and every episode, or at least I believe I have. In doing so it occurred to me that there was never really a gray area, there was right and there was wrong. There was good and there was evil...justice and injustice. Simple, yet powerful messages.As an adult and watching the earliest episodes, it occurred to me that Tonto, actually gave all the idea's for his partners image. It was Tonto that suggested the mask. It was Tonto that suggested the silver bullets, and it was Tonto that came up with the name for Silver..when he proclaimed that the horse the Lone Ranger saved from death was "Silver White"! At last, as Tonto stood with the lone surviving Ranger over the graves of the others, Tonto, proclaimed "You are all alone now..You Lone Ranger! Of course, the response was "Yes Tonto, I am..The Lone Ranger!The bonds of friendship and trust for the Lone Ranger and Tonto, was used 25 years later as an example of true friendship in an episode of Happy Days. In this particular episode, where Ritchie wanted to expose Fonzie for hating liver. The remark from Fonzie that typified what a true friendship should be was this "Many people tried to remove the mask of the Lone Ranger, but Tonto "never tried". All of America knew and felt that the truest of friendships would be to be like The Lone Ranger and Tonto.Clayton Moore and Jay Silverheels are beloved for more than just being actors in a great western that will live forever. They are symbolic of so much more and as I said..will always be my hero's.

I wasn't even born when this series was released in the USA. It took about another decade before British TV networks laid hold of it.In fact, I was fortunate enough to see the very first episode, in which The Lone Ranger was one of a posse who ran into an ambush and got slaughtered. TLR was the only survivor. Although badly wounded, he was saved by a passing Indian called Tonto. I believe he took to wearing a mask in order to hide his true identity for fear of reprisal. But instead he made himself all the more recognisable. Dunno if he wore it in his sleep.This was Saturday teatime staple. The fanfare bugles of William Tell's overture presaged a dash to the telly, food still in hand. Though it very quickly became repetitive, predictable hokum. Nobody ever unmasked him. Nobody ever landed a punch, nobody ever out-shot him. He was a little too good, and just a little too camp in his dress for most kids. Poor Tonto, on the other hand, became his Aunt Sally. He was always getting slugged and tied-up and kidnapped and stuff.And what did he keep calling The Lone Ranger? 'King Savvy' was the general consensus where I lived. It seemed to imply 'the big know-all' in Indian-speak. But is sounded like something else, as if Mr Silverheels had a speech defect. 'Kemosabe'; what the hell's that? A later, and less well-merchandised duo called 'The Range Rider' and 'Dick West' eventually won my vote. This featured a naked-faced Jock Mahoney who got beat-up pretty thoroughly in each episode and was altogether less camp, less super, and more believable.Still; even today I can't hear William Tell's overture without expecting the gallop of hooves and a hearty Hi-Oh Silver.Devine daftness.

Looking back on `The Lone Ranger' TV series as an adult is a strange experience. Watching episodes through an adult's eyes alerted me to flaws I didn't notice when I was a kid: the acting was sometimes on the B-movie level. The stories tended to be repetitive and simplistic. The Native Americans were generally played by Caucasian or Hispanic or Italian-American actors. The `outdoor' exteriors in a lot of episodes were obviously indoor sets. But there is a spirit and an energy to the show that you can't deny.Most of the credit for the show's success goes to its leads, Clayton Moore and Jay Silverheels. They became the Lone Ranger and Tonto, lived the roles as no other actors before or since. Moore, in particular, knew the Ranger was presented as a hero and an example to children, and from what I've heard, he tried his best to live up to that. He made the Ranger a fair and just man, someone who didn't judge, who gave people the benefit of the doubt, but acted correctly when the time was right. He used violence only as a last resort. He was a symbol of honor and integrity, the kind of person I wish I could be.As for Tonto... It occurs to me nowadays how great an actor Jay Silverheels was. Critics of the show always want to use Tonto as the stereotypical ignorant savage, but you have to look at all the things Tonto does. Tonto tracks, takes care of the Ranger when he's wounded, spies out information - you can tell from the expressions on Silverheels' face that there's a lot more going on inside Tonto's head than he lets on. Don't let the broken English fool you!The thing that really impresses me about `The Lone Ranger' now is how much of a partnership these two characters have. Tonto is not the Ranger's subordinate - they are friends, equals in their adventures. That, as much as any lesson taught in any episode, is what draws me back to the series after so many years: a tried and true friendship.Oh, if only the Lone Ranger could ride again.