I just finished to watch all the 96 episodes. I have to say that I loved it. I watched the English dub version and I have to admit they did a really good job. I never read the manga but I can say that comparing with other anime Maison Ikkoku does have a more European touch, leaving out all the strange Japanese characteristics of the genre. So, it is perfect also for a young audiences, and adults will love it too! Probably it is too long. Half of all the series can be cut out without losing any of the story line. Anyone can see how the last 15 episodes set the pace of the anime, at double speed respect the previous ones. This is not good for someone watching all the series in a long breath, but it is understandable for a series which was borne to be broadcast with weekly episode. The success of Maison Ikkoku meant to dilute the story in 96 episodes (quite a lot for a Japanese Anime).I do suggest to watch this anime and you should do it also with your family. I am Italian and I live in Ireland/UK. I never understood why there is some kind of ostracism about Japanese animation in the Anglo-Saxon culture. They are really dedicated and well-told story. It is like watching a film by Akira Kurosawa.You see, I already miss it now that I am writing. So much happened and I really missed it. It is like when Friends has been cancelled and I lost the track of time for a month. Bloody TV addiction.Get out and buy this anime!!!

Tokyo. Yusaku Godai is a wannabe college student who just found a new apartment where he can stay and study. But his new landlord is Kyoko, a young and handsome woman, and he falls instantly in love with her. Although she likes him too, she is hesitant since her husband died a not so long time ago. Shun Miataka, a wealthy tennis coach, is also in love with Kyoko. Complicating matters are Godai's weird neighbors; a middle aged and overweight lady Hanae, voyeuristic Yotsuya and always drunk and half naked red hair woman Akemi, who annoy him while he is studying. As years pass by Yusako gets employed as a teacher in Kyoko's old school… I'm shocked at how unknown and underrated „Maison Ikkoku", my new anime darling, is! It's great, and everyone should see it right now! Like with most of my favorite films or animes ( and that's becoming to get a bad habit ), I didn't want to see this because the 1986 animation wasn't perfect ( too thick necks, too big hair dues, weird animation of the dog's eyes ) but when I finally did I was richly rewarded. I call this „A romance under microscope" because it is. It shows all those deepest, hidden emotions most of the films or animes are either scared to show or don't want to show. „Maison" leaves you feeling great, energetic and happy like a little kid. The author, Rumiko Takahashi, already proved that she is a romance expert with the good „Ranma 1/2" and the great „Inuyasha", but this even tops them. Actually, It's even almost as good as my other anime darling, „Sailor Moon".---------------------- There are some fantastic scenes here. For example, Shun gives Kyoko an ultimatum – either she decides that she loves him or he is going to leave her, and she has only 1 week to decide. The following morning Godai approaches the apartment and spots Kyoko in the fog, who hides her rings under her eyes since she couldn't sleep the whole night from thinking about the ultimatum. In the other one Kyoko leaves her apartment complex for a vacation, but leaves a plan of her journey, hoping that Godai is going to follow her. But one of my favorite episodes was number 54, hilariously and adequately called „Attack with nudity!" in which Yagami, a teenage girl, fell in love with Godai who was the teacher of her class. In order to seduce him she tried everything, from staying after school with him up to placing a „heart" sign on his jacket. But when all failed, she managed to pursue her friends to lock Godai in a school basement so that she can try to seduce him with her body, wearing only a bra and a slip. Amazing stuff! The story spans 7 years and the characters change. True, there are some weak, annoying characters ( Hanae, Akemi and Yotsuya are sometimes unbearably disgusting! ) and episodes ( beware; the first 7 episodes are pretty bad ), but they are a minor point compared to some hilarious romantic situations ( see episode 17, where Kyoko first met her future husband in high school ). Understated, quiet, funny and deeply touching, this is one sort of anime that I wish I could see more often. Those who never saw this, missed something in their life.Grade: 10/10

It came before Please Teacher, before Love Hina, even before Kimagure Orange Road. I might be too young to say for sure, but I'll bet this is the series that started the whole romantic comedy movement. It's also one of the few with a mature enough storyline to keep post-teenagers interested.Yeah, it's the same plot that exists in every anime of the type: boy meets girl, boy and girl deny their feelings for the entire series (but hook up every few episodes), boy and girl finally get together in the end. As a consequence, the plot moves a bit slowly and is a bit too one-track-minded; more fun plot diversions would have been welcome. Still, it's a pretty funny series, and the characters are colorful enough to care about for 96 straight episodes. If you're into Rumiko Takahashi's stuff, Maison Ikkoku's probably the best place to start.

The anime version of Maison Ikkoku doesn't have quite so much of the sexual humor as the original comics by Rumiko Takahashi, and for some reason the actor who plays Godai tries to hard to be funny and ends up overplaying him sometimes. Actually, a lot; but there are times when he nails the character. Sumi Shimamoto (one of my favorite voice actresses) as Kyoko Otonashi is just too perfect. She doesn't come across sounding like her strong Nausicaa voice or her soft Clarice-from-LupinIII voice--she sounds like a young woman who is trying to live on.The animation, while it seems crude, was actually pretty good for back them (I think the Guyver came out about the same time--Maison Ikkoku is better). And every once in a while, the writers stretch a passing joke of Takahashi's well past the breaking point, until your willing to do anything if they would only stop for a minute so you can stop laughing.