Paul Gross stars in this self-styled Canadian political thriller which aired on CBC over the past few nights. The two-part series originally aired last fall but I forgot to catch it, and heard little in its aftermath. It's a rare thing - a Canadian political thriller... I'd describe it as vaguely similar to House of Cards (the exceptional 1990 British political black comedy), with hints of the ridiculousness of Canadian Bacon and even X-Files.Upon the death of his father, the Prime Minister in a suspicious canoeing accident, Tom McLaughlin-- a seemingly decent chap-- outwits rival and unlikeable snorer Marc Lavigne (right away, that name stuck out as bit too much like mass-murderer Marc Lepine) to become Canada's new PM. Backed by a media baron-- part of a trio of corporate bigwigs with mischievous smiles-- McLaughlin rides a wave of popularity to start hatching a subversive scheme. It becomes apparent McLaughlin is about to sell Canada down the river by exporting water through a far-fetched (or is it?) water pipeline from Northern Quebec. It's necessary, he claims, or else the increasingly parched United States will end up taking it anyway. But it turns out McLaughlin has a gun to his head, and is a mere puppet for a pseudo-Bilderberg all-powerful group of old men who control the world.Strangely this group seems to only have the resources for one secret agent: the elusive Daniel Holt, who is everywhere and nowhere. He knocks off cops who get too close to the truth, wiretaps the Solicitor General (Lavigne), tortures wrongfully imprisoned muslims, and recruits Cree youth in Northern Quebec for devious plots.Meanwhile, the head good cop Sgt. Leah Collins, played by Leslie Hope, is busy figuring out who Holt is and trying to establish what really happened to McLaughlin Senior during his canoeing trip 'accident'. Mild flirtations with PM Tom McLaughlin and finally a pact with Lavigne bring her closer to the truth.The opinions we form of the various characters are in a state of flux; with the burning question being: If your neighbour were thirsty would you not give them a glass of water? It would be nicer if the plot had a smoother flow - more a Saint Lawrence than Hell's Gate. But the film editing, sound and cinematography are luscious. Night time fly-by shots of Parliament Hill are interspersed with evil looking Gargoyles and the Rideau Canal.Gross by far steals the show, and I'm looking forward to seeing how the heck he's going to turn into John Diefenbaker in the upcoming Tommy Douglas Story.The conclusion is unsatisfying, but it's hard to say what would have been a happy ending. It's almost as if the inevitable, the unavoidable, the manifest destiny took hold. All in all, any political nut would find this at least mildly amusing. Somehow though even with the explosions, blackouts and murders this film doesn't rate with the 2002 mini-series Trudeau.Someone mentioned that McLaughlin could not have possibly become Prime Minister in such a short thing. Well, actually one doesn't have to even be elected to be Prime Minister, legally (remember John Turner, briefly 1984). And this movie does take place over a period of many many months. This is fiction, folks, and it's not bad. It's by no means a great film, but it's entertaining.

A taut and topical political thriller that, unfortunately, goes off the rails.In its defense, the basic premise is plausible, the writing is tense and dramatic, and the acting and direction are professional. Other posters have complained about implausibilities in the plot, and the wrong names used for things. A political thriller must have some unexpected twists or there would be no story, and we can assume that the "H2O" world has different names for things like the RCMP and War Measures Act.The series, however, goes off the rails in the third hour. We can accept one or two extremely implausible events if the story requires it, but when near-impossible events happen again and again, with a new one each few minutes, credibility crumbles. Worse, earlier crises are left unresolved before the next one hits.I'll give an example. An assassin is killing anyone, no matter how powerful or insignificant, who threatens the conspiracy. One of the major characters is a police detective who is about to unravel the plot. The assassin traps her, spills clues about the conspiracy, and then lets her go. This is an absurd Hollywoodism, like something from an old Flash Gordon serial. There are even bigger howlers in the series, and I know what happens later, but this is the one that made me want to throw something at the TV.The series plays like it was written by a committee, and each member wanted to get their plot twist in whether it made sense or not. The ending is a disappointment too; there is yet another plot twist in the last few minutes and the story just stops. All the viewer is left with is a huge number of unresolved plot twists.

After a few decent stabs at producing good Canadian movies, CBC has laboured mightily and brought forth a turkey this time. The scenario is absurd. The acting is overwrought. The production is pretentious. The facts are shaky. What is this "Canadian Federal Police?" Do they perhaps mean the RCMP? And what is this emergency power thing that this young whelp of a pm invokes. I thought it was called The War Measures Act. Nor does the office of "deputy prime minister" have any constitutional standing. He (or she) does not automatically take over as does the US vice president if the big guy dies in office. It would be a matter to be resolved by the Liberal party and/or the Governor-general. And a black US president??? Not in our lifetime! This is really a stupid movie that reflects our insecurity, our naivete and our incompetence at making movies. We're very good at snowmobiles. And beer. Not movies.

Paul Gross learned many things while playing a Mountie on US TV, I will grant him that. That is all, however, that I will grant him. This 2-part mini-series looks slick, but that is as deep as it goes. The attempts to portray a kind of unrequited affair with the female lead were pathetic. The portrayal that either the First Nations or Quebec would present a serious threat with actual violence (as seen in this film) is laughable; sorry, but Paul Gross is too much a pretty-boy to be taken seriously in this role. Bottom line: the premise is flawed (you cannot possibly be elected in a by-election, then become Prime Minister within the time-frame presented); and the enactment of such a thing as the War Meaures Act could not possibly occur within the context of this movie. Given what went on within Quebec the last time it was used (I was there), an enactment of it under the circumstances presented in this movie is an incomprehensible thing to anyone who lived there at that time. You want to create the situation for a referendum on sovereignty? That would be it, and sovereignty would win, with my vote helping! Second bottom line:way too slick overall to be taken seriously as any kind of drama/commentary on the world we live in in reality! 2 thumbs DOWN! Not even worth a re-watch.