First let me say that there are not enough movies made about WWI. Thats a shame.I didn't read the book, in fact I had never heard of this until one night in May of 2012, when I had promised to take my daughter to see "The Avengers" only to discover it was sold out when we got to the theater. We came back home and turned on the TV set and this movie was about to come on. Being a fan of WWI movies like "The Lost Battalion","Flyboys" and "The Trench", I thought that I'd give this movie a look.I was so glad I watched this movie. I was glued to my TV for both nights that it was on. I found the story gripping and moving. I didn't want to get out of my chair (not even to go get a soda from the refrigerator). I found the cinematography to be absolutely beautiful. The battle scenes were very moving, I felt like I was down in that crawlspace with them. I know that most people will call this a love story, but I would call it a human story. Amazing Story about coming of age, falling in love and going to war. I cant praise this movie enough.The acting is very well done, The Cinematography is amazing, the sets are very realistic, and the music score is good. I loved this movie. After watching a serious emotional movie like this, I wasn't in the mood to see cartoon-ish movie like "The Avengers" for a while.I loved this movie I purchased a copy on DVD

If you've read the book you may be one of those people who get it set in their mind 'as the book' and can't move beyond it, but the book is one thing and the movie another and if you've the ability to consider the worth of both then I believe you'll find value in both. In this review I deal with the movie as I loved the visuals of all of it from the setting of beautiful scenes with lush costuming and sets were magnificent. The costumes thought out each scene to the Nth degree in that they almost told a story them self. Eddie Redmayne costumes suit the scenes of the love story when the love story needs to have a special feel as do all the most extraordinary dress and skirts and blouses of Clémence Poésy. In addition she had a delicate beauty that was perfect for the role while Marie-Josée Croze was perfect as her not the not so beautiful sister, but never-the-less possessed her own sort of beauty with the need element of strength. The was scene were everything you'd expect of war in WWI in trenches that were literally a few feet apart with all the gore and horror and fear you'd expect. Also, the costuming there was amazing as it wasn't exact, as it wouldn't have been under the circumstances, but for the most part it was nearly as perfect as I'd want. Now I'd like to take a step back and talk about Eddie Redmayne. I'd not heard of him until I saw the name attached to the actor who would play Marius in the upcoming version of 'Les Mis'so I looked him up, found a movie he was in to watch and came away from seeing it wondering why him in either this story or in Les Mis. Suffice it to say he does not have you classical good looks. BUT, after watching the BBC version of 'Birdsong' he won me over. He is one outstanding actor, with the unbelievable subtle expression he makes using not only his entire face, but just his eyes alone. He was, simply put, beyond belief and will be perfect as Marius, but back to his playing Stephen Wraysford. He play the full range of the character to perfection. I even found myself finding him a beautiful man even though not typically so ... All things considered it may not be a perfect copy of the book, but it stands on its own and that's what counts.

I was expecting much from Birdsong. I had read the book three years ago for my English A Levels course, and found myself utterly transfixed by the poignant and gut-wrenching story. Since then, Sebastian Faulks' Birdsong has become one of my favourite books of all time. This series does have its good parts. It is photographed beautifully, exquisitely even, the scenery is wonderful in the whole part of the story before Stephen goes off to war, I liked the contrast between the lush pre-war scenes and the bleak colour palette of war itself the music is effective in its simplicity and there are two good performances, the scene-stealing Jack Firebrace of Joseph Mawle and the emotionally complex Jeanne of Marie-Josee Croze. Sadly, I never found myself convinced by the story and characters. This is not helped by a script that is largely incoherent, characters that excepting perhaps Jeanne are lifeless cardboard cut-outs(I know they are not likable characters to begin with but still there is a difference between that and the characters having no life at all) and sluggish pacing. I also found Eddie Redmayne and Clemence Posey miscast, Redmayne is handsome certainly but he was also wooden and uncharismatic while Posey has no chemistry with him and looks like twenty years younger than her novelistic counterpart. The story has scenes that are either condensed(naturally considering the time) or almost endlessly stretched out(not so much), but it was the lack of atmosphere and drama that really spoiled Birdsong. The intimate scenes between Stephen and Isabelle weren't that intimate to me as both actors looked in pain during those scenes, and the war scenes due to the poorly rendered battlefields weren't poignant, tense or gut-wrenching enough. Overall, does have some good things such as the beautiful photography, but the pacing and lack of drama made Birdsong rather dull in my opinion, sorry. 5/10 Bethany Cox

My main positive point is that this was a visually beautiful production from the title typography onwards. It would be hard not to manage effective monochromes in the khaki-and-dirt scenes in the trenches, but the subtle control of a limited color range extended to the scenes of opulence and rustic contentment as well. What else? The women were beautifully cast, especially the two sisters, who really looked alike. And I certainly share the acclamation for Joseph Mawle, who outshone Eddie Redmayne (a fine actor woefully miscast) in the main role.Nobody has mentioned the dreadful music: a three-note figure repeating endlessly in a vaguely minimalist texture, whether appropriate or not. My main quarrel, however, is with the adaptation of a one of my favorite novels of all time. I remember the book principally for the incredible reality of mining in tunnels under the enemy lines — something that interested me a lot since my father was also a lieutenant of sappers at the same place and time. Nothing of this came over in the movie, however, which took place almost entirely in broad, beautifully lit underground corridors.Faulks constructs his story in three time periods (1910, 1916-19, and 1978), interweaving in clearly delineated sections. I can understand the decision to omit the modern story, but the scriptwriter compensated by alternating the prewar and wartime scenes in short takes that combine to occupy an imaginary space in which nothing seems real. I must say, however, that I got a stronger sense of the prewar romance than I had from the book (and watching on American television, I was spared that anachronistic oral sex). But the main loss from the modern story was the wonderful way in which Faulks ties everything up; the television ending was so limp that I couldn't believe the movie was over.