Young AdultEven though being predictable and of a familiar structure, there are few surprises among relationship and their intense take on the simplicity and the sensibility of livelihood is what keeps the feature not only alive but helps it pump harder and faster. The technical aspects like sound department could have been a lot better but amazing camera work and cinematography saves the day. The writing isn't strong and concrete as the writers think but still there is a lot to explore upon especially in its own plain even though rudimentary trajectory of it. Jason Reitman; the director, is the real game changer of the feature as his keen sense of knowledge on executing the anticipate vision is apt for the tone of the feature which is supported by fine editing. There is no doubt on performance level especially from Charlize Theron who is genuinely convincing and is supported by a great cast like Patton Oswalt and Patrick Wilson. The feature fortunately doesn't spend on milking away the character's perspective which would have easily been possible; considering the premise, but instead keeps it perfectly balanced and independent. Young Adult is a mature approach to a juvenile script whose witty depiction and the work that went behind the camera, ups the ante of it.

It was really difficult to like Charlize Theron's character in this film. She was despicable. I don't know if I was supposed to care for her; but nothing in me did. I kept wondering if they were going to redeem her somehow, so I kept watching. "Maybe they'll reveal that this was all just an elaborate ploy to get some inspiration for her book." Sort of, but she wasn't pretending. And it didn't wrap up with her feeling super contended with the great story that she'd written.I think there were a lot of better ways this film could have gone. Unfortunately, the few moments that were enjoyable, were not good enough for me to feel comfortable recommending this film to any of my friends.

If your high school sweetheart was stolen by the prom queen years ago, this is a really feel-good movie to you.Young Adult is bold enough NOT to have a happy ending or silver lining, Charlize Theron is brave to take an unlikable, narcissistic and almost pathetic lead role. Diablo Cody's screenplays reminds me Tennessee Williams: the lead characters are shattered, ruined, and finally must face the broken mirror, their bad choices made and their own flaws.Back to the film itself, I like some of the brilliant touch-ups: Buddy is not Mr. Nice either, he does not care about what happened to Matt. Matt's sister may have flattered Mavis only for getting a chance to leave Mercury. Does Mavis still love Buddy? No way, it is not about the old flame, it is about desperately trying to get back her glorious teenage years and what she could have had. But eventually you would feel sorry for Mavis' loss and failure. C'est la vie. If Juno, the teenage pregnant girl written by Diablo Cody, turned 37 years old, she could be Mavis and this film just needs to add a scene: she watched her 20 years old son/daughter in a distance, turned around and left in the rain.

A writer of a young adult book series comes back to her old town to find her old boyfriend. I really didn't get this film. First I though it was about a woman with depression. Then that Mavis was just stuck to her past as a popular girl. In the end, the movie left me with mixed feelings. Did Mavis grow up? Was she really depressed? And if so, did she get help? The trigger for her break down is her ex boyfriend's newborn baby. Mavis is walking around with the photo of the baby before she rushes back convinced that she and him are meant to be together. There are some sparks of depth, like when Mavis admits that she is an alcoholic or when she starts pulling off her own hair, but it never gets deep enough. Her book heroin is Mavis herself, that's obvious enough, but who was really Mavis? And what was the point of this film? So 2 out of 10 only because of the performances.