I've just had a quick look through the reviews for this classic 50's sci-fi flick just in case someone had already covered the point I wanted to make. Having found no references to it I will press on. It seems obvious to me that Gerry Anderson drew inspiration from this film when he created his puppet TV shows. The launch system for the rocketship was used in Fireball XL5 and the landing sequence on Zyra is classic Thunderbirds. A great little film even if the science makes no sense whatsoever. Must have been quite gripping in a darkened cinema in 1952. Good special effects and a colourful new world. As for it being a white world in the film, well, it was a white world back then. I don't suppose they had room for a couple of maids and a shoe-shine boy never mind any pesky redskins.

There were some great science fiction movies coming out of the Fifties, "The Day the Earth Stood Still" (1951) and "Forbidden Planet" (1956) are ones that immediately come to mind. Contrary to what a host of reviewers on this board have to say, I don't think this was one of them. With a title like "When Worlds Collide", I expected a bit more colliding in the movie than actually occurred. Most of the story had to do with preparatory work to get ready for the eventual destruction of Earth by a runaway star and it's orbiting planet, or vice versa as the case may be. Inserted into the picture was a romantic triangle of sorts that managed to work itself out over the course of the story, but it's not something I'm interested in watching a sci-fi flick. Don't get me wrong, the movie isn't terrible by any means, for example it doesn't approach "First Spaceship on Venus" territory. But when you have a film that conjures up an image of destruction on a massive scale it ought to deliver something along those lines. If only the script had used the word 'azimuth' in any of the scientific calculations coming out of the differential analyzer, I could have thrown in a bonus point in my rating of the picture. Instead, Dr. Tony Drake (Peter Hansen) had this weird patch of brown in the back of his otherwise full head of black hair. Never mind, those two items cross each other out.

Though the great space race between America and the U.S.S.R. was still a number of years away, the fact that space travel was a real possibility fuelled audiences desire for sci-fi that was rooted in scientific theory. I emphasise the word theory as the science behind the Golden Age of sci-fi was generally rather loopy, though the films were happy to make heroes of scientists. They were no more self-isolated lunatics cooking up destructive experiments or digging up corpses to make a monster, but wise, goateed intellectuals, or square-jawed protégées capable of saving humanity from any potential threats. Of course, the 1950's mainly gave us rubber-suited aliens or giant, mutated monsters, but there were a few directors and producers that were aiming to give the audience a more satisfying, thoughtful experience, such as Rudolph Mate's When Worlds Collide.After scientists discover that there are a pair of rogue planets hurtling towards Earth, pilot David Randall (Richard Derr) is given the task of delivering the information to New York for further research. When Dr. Cole Hendron (Larry Keating) confirms the fear, the news is brought to the attention of the United Nations, where they are laughed out as crackpots. It is believed that the first planet will pass so close to the Earth, it will cause devastating damage, only return from its orbit of the Sun to destroy Earth completely. With the help of Sydney Stanton (John Hoyt), who provides the funds, Hendron and his colleagues begin work on a spacecraft that will transport a small band of survivors to the second planet, which they believe is habitable and will remain on a stable orbit.Rather than giving us special-effects filled set-pieces or killer aliens, When Worlds Collide entirely focuses on humanity's reaction to potential catastrophe. The story is an obvious parable of Noah's Ark, with God venting his fury upon the Earth he saw as fallen into sin, and this theme comes to fruition near towards the end as a lottery-system is drafted to choose who stays and who goes, with the inevitable violent rebellion of those facing death. This harsh depiction of the human race was the most intriguing idea the film had, which makes it sad that the film-makers failed to capitalise on it, instead focuses on a dull love story between Randall, Hendron's daughter Joyce (Barbara Rush) and Dr. Tony Drake (Peter Hansen).The film was successful and went to be hugely influential in the genre, but it is held back from being anything great by some gaping plot-holes, lazy plot devices, and some erratic special effects. It took home to Academy Awards for Special Effects, but the new world reveal at the climax is a rather hastily painted backdrop, ruining any sense of wonder the ending may have provided. There is plenty of fun to be had with When Worlds Collide and gave many future writers and directors to think about, but producer George Pal funded better and more satisfying sci-fi in The War of the Worlds (1953) and The Time Machine (1960).www.the-wrath-of-blog.blogspot.com

The box from the film features 2 rave reviews about this talk-talk mess. One is from the Apollo Movie Guide. (?) The other from a respected sci-fi publication.Granted, it was filmed at a time when 3 for a nickel sci-fi flicks were being mass produced, but many of them were still fun and somewhat exciting to watch.This one was cheesier than a Kraft outlet, a world populated by so-so actors, with the exception of Richard Derr, who I found interesting to watch. I would have thought he would be a bigger name.The pseudo-intellectual conversations sounded like a pie-eyed politician trying to impress his constituents with his knowledge.Technically, the film was nowhere. The flood scenes? They looked like somebody filled a tub and put in some miniature buildings. The water was stirred with a big spoon.I sat through it but, after I send off this review, it will be tossed in the trash can.I won't have to worry about who lives or dies. The movie was dead after the titles came on.Yuck!!