What a whirlwind of a movie! Rosalind Russell portrays a fast-talking movie-agent who discovers that a meek college professor wrote a racy book and that he looks like the major character depicted in the book and she gets him to try out for the part in the film.While this is going on, Brian Aherne, as a magazine writer, pursues Russell continuously.The best part of the film is when after being at a Turkish bath with Aherne, the college professor experiences a total change in personality and goes after Russell since he has really fallen for her.Movie made during World War 11. What a great way to get everyone's mind off,if but temporary, from the real world.

Rosalind Russell stars in What A Woman in one of her career girl parts, that of a literary agent and one high powered agent she is. She's the daughter of a US Senator Edward Fielding.That's enough to get free and easy free lance writer Brian Aherne interested enough to do a profile. Especially since Russell has a new project. She wants to get one of her authors reserved English professor Willard Parker to shed his pseudonym from the steamy romance novel he's written and become an actor.She operates under the thesis if you can write it, you an emote it. As it turns out beneath the shy exterior of the professor lies a budding Errol Flynn.Russell's high powered agent complements beautifully the slow paced and unhurried pace of Brian Aherne. Her big problem is she might just have fallen for her own creation in Parker.The ever wise Aherne realizes that Roz will inevitably grasp they are meant for each other.It's all a bit silly, but the leads do carry it off. After over 70 years What A Woman still holds up beautifully.

seductive against the air of period. Rosalind Russell as axis of a nice comedy about success , a project and love in a mixture who respects classic rules of romantic comedy. that could be all. but it has a special dose of charm and that does it interesting in not ordinary manner. the strong woman, the charming , wise, sarcastic reporter and the innocent Prince Charming, the chaos and the silence, the feelings and the duty as ingredients of a story, like many others, about the metamorphose and real happiness. the mark of period, the brilliant Russell, the splendid performance of Brian Aherne are pillars of a film who , far to be memorable is an inspired choice for remind the flavor of a lost time.

This mildly preposterous riff on the by now standard Rosalind Russell comedy -- high powered woman executive meets easy-going, mildly contemptuous bohemian and falls into frilly love by the end of the fifth reel -- winds along its well-greased way in a mildly bemused fashion. Long-time pro, Irving Cummings directs this well enough, but only Miss Russell puts any oomph into her role and the visuals mainly seem concerned with her head, making sure that she has an odd looking hat or hairdo that seems to change with every scene. She wears some dynamite dresses also; credit Travis Banton for the dresses. He seems to have specialized in gowning Carole Lombard in her movies.Everyone seems to be giving it the old college try, but by now the formula had grown pretty tired, sustained only by war time movie attendance and some hope that all those Rosies out there, busy riveting together planes and battleships would be able to spend their times in silly hats once the war was over and men like Brian Aherne would be free of the restrictions of bow ties.