is was the worst film I have seen since Tree of Life. If you saw and liked The Tree of Life we have nothing in common.This filmmaker deploys state of the art technology to produce a film that might have some interest in an art gallery; but only you after you have walked your feet off and need a place to rest for 5 minutes. You could fast forward the film, see all the images and make a connection that that we have heard time and again.There is no story and no talking though I would love to have shouted out comments (preferably with expletives).The images were clear and there was music. The film can be deemed to possess artistic merit(almost anything not massed produced can be described this way) but hardly worth a dime, let alone the $16 I paid.
... View MoreFirst of all, 'Visitors, The' is not a common thriller. Far from that, the movie tells us a story about the rendezvous of a young yacht-woman (Mitchell)in a solitaire voyage around the world in a little boat with her own problems, griefs, fear and misunderstandings of a whole life. In this process, her mind derived away in a dangerous way, in which she is confronted with hallucinations involving her deceased parents, a strange lover and even her only companion in the trip - a cat named 'Taco' - starts to 'talk' to her. Good premise, even an intelligent one, but the movie lacks an indispensable deepness that the story must claim. Because of that, the result is a bit too contrived, not passionate or challenging. In fact, after some time in front of the TV, you'll feel a certain disappointment because a good idea was just mistreated. Radha Mitchell is good but her competence and her beauty are not strong enough to make this one a remarkable movie.
... View MoreGeorgia Perry is an ambitious and independent minded Australian woman determined to sail solo around the world. The first several weeks go off without a hitch but as the weeks of loneliness take their toll so do the strangeness. All matters of weird goings on occur such as having conversation s with her cat and dead relatives. But is this just a case of cabin fever or is their something else at play here, maybe something otherworldly? I'll give the authors credit for coming up with an original SciFi / Drama / Thriller hybrid that works on several levels. The direction and photography is pretty dynamic considering that 90% of the running time takes place on a sailboat. On a film like this the lead actor is a core part of the film since they will be the one holding the ship together and Radha Mitchell fits the bill perfectly. She takes us through all the emotions, from familial tragedy to terror; she does a bang up job. Surprisingly there are even some good tension and a boo or two."Visitors" is an excellent mostly-drama that stays interesting and engaging due to a good script and an excellent lead performance.
... View MoreThe general premise of this film is a time-worn reliable gimmick: the lone woman in jeopardy. In this case, an interesting slow-build up to the main plot device keeps audiences engrossed: a 25 year old adventuress embarks upon a solo sailboat journey around the globe. While suffering through an extended period of being becalmed in tropical waters, she begins to believe she is being visited by ghostly apparitions who intend to kill her. Initially, the plot is intriguing as we wonder whether these nocturnal fears are real or imagined. However, as the film progresses, it deviates from being a straight forward thriller and introduces a lot of awkward goobledy-gook in which our heroine is visited by ghosts of her departed parents, menacing pirates, long dead relatives, and ultimately some over-sized spiders! Before long, the tiny vessel is as crowded as the S.S. Poseidon. The acting is very credible and the photography is also admirable, but director Richard Franklin makes the cardinal sin of showing us far too much of the mysterious visitors and their omnipresent status eventually makes them no more menacing than party guests who refuse to leave even though it's the wee small hours of the morning. The cumbersome screenplay degenerates into a confusing mess, and a completely unsatisfying climax that betrays our expectations that there will be a "sting in the tail" ending that explains most of what has preceded it. In all, a noble effort, but a failed one.
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