The title and the poster says everything you need to know about this movie.There's a trouble brewing in town, and extras are fighting all over the opening credits, and this is before there is any of the key cast introduced.Cue Vincent, a widow with a daughter who is dating Victoria Principal. Life is good.Kristofferson turns up and joins the local force as there is too much trouble for the existing troops as the fights are getting more and more insane, and the extras are starting to smile in the background.It isn't long before Blades sidekick goes the way of the dark side and starts to bat for both sides, much to the irk of Bernadette Peters.Air wolf catches on and it all ends with an exploitation special 4th of July and Kris doing his best top of the world Ma impression.It's not very good, the action and the dialogue is pretty bad, but Kris is sadistic in this, and he really makes the film worth while.If you liked movies like Gator and Hillbilly seventies action, this is for you.

Vigilante Force (1976) ** 1/2 (out of 4) A small town comes under attack from a group of rednecks so a man (Jan-Michael Vincent) decides to talk the Sheriff into letting his Vietnam vet brother (Kris Kristofferson) and his four vet buddies clean things up. The plan starts off good at first but soon the five vets decide to do a few illegal things of their own. VIGILANTE FORCE starts off as a pretty good exploitation flick but it slowly begins to fall apart as the story for some reason switches directions. The beginning of the movie is the type of over-the-top actioneer that you'd expect to see from producer Gene Corman. The start of the movie features a greatest hits package of redneck damage, which includes bar fights, shootings, a stabbing and more violence all of it in drive-in camp fashion. Kristofferson arrives on the scene much like Sam Elliott would in the later cult classic ROAD HOUSE and the movie is still doing good at this part. The actor is very fun in the part and it's entertaining seeing him and his vet buddies walk around putting an end to the trouble. Where the screenplay really lost me was in the second half when they turn these fun guys into coldblooded killers. For the life of me I couldn't understand why they wanted to go this direction but my closest guess is that they wanted the brother versus brother showdown between the two stars. The eventual showdown really doesn't pay off and it also doesn't cool the bad taste left in your mouth from some of the actions that the Kristofferson character does. I won't give any spoilers but some of the murders just make you hate the guy, which completely goes against the feelings they build up early on. Kristofferson is very good in his part as is Vincent as his brother. The supporting cast includes Victoria Principal, Bernadette Peters, Charles Cyphers, Andrew Stevens and John Steadman who is best remembered for Wes Craven's THE HILLS HAVE EYES. As is, the film works good enough in its first half to make it worth viewing but one wishes they had kept up with the fun times instead of doing something different.

The title sums it up. Vigilante --- yes experienced hired man to clean up a town. Force --- they become a powerful opponent that succumbs to own personal gain. "Anybody having a good time. Gotta be breaking the law. Let's bust them". This is what they were cracking out during the period, as "Vigilante Force" is purely a rough and ready exploitation slice out of the 70s drive-in market. A small rural Californian town is skyrocketed by crime and violence due the boom of their nearby oil reserve. Ben Arnold turns to his war-hero brother Aaron (who doesn't have a great past with the town's folk) to lead a vigilante force to rid this problem by restoring law and order. At first this is what he does, but soon his back to his old ways as he abuses his power and becomes what he was their to rid. Ben shakes it off at first thinking that the town's folk aren't giving Aaron a fair go, but eventually they come to blows when Ben finally realises what Aaron is really up to. Typical fodder, but accommodatingly well done and shining through its material is a traditional old-west build-up with an operatic closing between the brothers. Lined up is a bang-up cast of Kris Kristofferson, Jan-Michael Vincent, Bernadette Peters, Victoria Principal, Brad Dexter and David Doyle. Kristofferson ideally fits in the role as Aaron, rugged but with a dark underlining and Vincent is sympathetic as the well-meaning, clean-cut Ben. A doll face Peter is charmingly angelic as Aaron's squeeze and Principal is spirited as Ben's flame. Andrew Stevens shows up, as well as Charles Cyphers and Dick Millar appears in a throwaway cameo. Director / writer George Armitage's sufficiently tight and hardy handling keeps it moving at a fast clip, where the sharply bright narrative (it's all politics -- involving greed) is always busy (maybe a little too so at times with its tit for tat and scheming with a touch of corruption) and the intense action is nothing but brutal and chaotic. It really does get outrageous towards the dying stages. It's war! Bullets, explosions and leaping stunts galore… where it does go out on a bang. Just can't get enough fire power. The lean photography likes to invoke that guerrilla style when it wants to get up and personal, but also it establishes the sunbaked backdrop accordingly too.

This is a pretty strange movie. It does comes across as an exploitation film with over-the-top violence and unrealistic situations, but unusual for being constructed around rural characters at war with each other, as opposed to an invading 'other'.The movie is an excessive stereotype of Vietnam veterans, in a long line of films that portrayed the vets of that war as dangerous psycopaths. Kris Kristofferson's last line is 'I ain't lost a war yet', as he meets his demise after wreaking a long trail of murder and destruction, including the town's chief of police and his brother's girlfriend in a particularly chilling scene. However, Kristofferson is a good enough actor, and charismatic enough, to carry this villain with a surprising depth. Vincent is clearly the golden boy, but with enough intensity layered over his clean cut goodness. The movie bears some plot resemblance to Winchester 73 where Jimmy Stewart tries to tolerate a criminal brother until being forced to act against him.The movie has b-movie grade action, though the presence of Kristofferson, Vincent, a gorgeous Victoria Principal and Bernadette Peters give it an A-grade lineup.I give it a 7 for being a long lost view into an American psyche of post-Vietnam/pre-Reagan introspection, paranoia, and confusion, and a movie industry that was willing to address such topics at that time.Seen on the THIS channel, a great network that keeps playing lots of old movies of the 70s through 90s, regardless of political bent.