Van Helsing: The London Assignment
Van Helsing: The London Assignment
PG-13 | 11 May 2004 (USA)
Van Helsing: The London Assignment Trailers

It tells of the events before the film, in which monster hunter Gabriel Van Helsing travels to London to investigate a series of horrific, and decidedly supernatural murders, being committed by the mad scientist Dr. Jekyll, in the form of his evil alter-ego, Mr. Hyde.

Reviews
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The character of Abraham Van Helsing is quite common among horror enthusiasts. Being that he has been portrayed in several live-action films along side his arch foe Count Dracula; he was bound to be focused on at some point. As for animation, this is probably one of the very few he's been seen in. As for why this particular production was made, remains to be understood. In some ways it runs along the same lines as Hellboy Animated: Sword of Storms (2006) and Hellboy Animated: Blood and Iron (2007); they have continuity with their live-action counterparts but aren't clear in their target audience. There's enough to enjoy on this little feature for 30 minutes but as for setting up a universe for itself is a totally different problem.The plot starts with mysterious bloody off screen deaths of young women walking around the streets of London at the wrong hours of the night. Turns out that Dr. Jekyll (Dwight Schultz) and his alter ego Mr. Hyde (Robbie Coltrane) are up to no good. During the day Dr. Jekyll plays doctor to an ill and elderly Queen Victoria (Tara Strong) and secretly loves her. However in order to cure the Queen of her sickness, the likes of Mr. Hyde is needed to harvest the youth of other women. Enter Van Helsing (Hugh Jackman) and his partner Carl (David Wenham) to search and find out all that has happened. For what it's worth, this half an hour feature gets to the point quickly. It literally feels like a Saturday morning cartoon. In some ways this is good and others not. The pro of it being 30 minutes is that the plot, written by Garfield Reeves-Stevens and Judith Reeves-Stevens is clean cut and gets to the point. The con to this is that the introduction to Van Helsing and his partner come out of nowhere. Plus, the side character of Carl feels even less familiar because he just feels like some nobody.Direction was headed by Sharon Bridgeman (her first time) who normally works in the animation department and has been apart of projects like Shark Tale (2004) and How to Train Your Dragon (2010). With those kinds of projects in mind, Bridgeman probably had a good idea of what she wanted to have in this short. Combine that with Jeff Starling as the visual development artist and there is something unique to see. The overall animation is all right for the most part. There are some areas that look somewhat choppy but that's mostly on the scenes that do not involve as much movement. When it comes to action the animation becomes much better. This is not only in fluidity but also in 3D rendering effects. For these key scenes the blending isn't the strongest, but it is that uneasy blending that makes it interesting to see because it is 2D on top of 3D. Most of the time this really wouldn't be a thing to praise but it's intriguing enough to look at so there must be something to benefit from it. It's not distracting at all.Along with the animation, the actual action sequences entertain. Helsing has his weapons and can maneuver around with ease. There's a nicely paced scene that involves a chase between Helsing and Hyde on an old subway (which also includes that 3D rendering mentioned before). That looked like fun. Surprisingly for action, there are also some pretty graphic images. If this were a live-action film it would've been rated R. The way the women are killed by Hyde are not clean and there is blood shown. See how it parallels the Hellboy animated films? Who exactly is this animated film made for again? Obviously not all animated films are made for kids but if the live-action sequel has a rating of PG-13 what's going on here then? Why is Universal Studios not budging their nose in on this production but can do it for the story that comes after this? Let's be consistent guys.The voice acting is well casted. Hugh Jackman has his moments of some funny one liners as Helsing and has acceptable chemistry with his lesser skilled companion Carl who also has moments of quirkiness. Tara Strong as Queen Victoria appropriately plays the role like any actress would. Dwight Schultz as Dr. Jekyll is an excellent choice considering Schultz has a lot of experience in voice work and has voiced numerous characters ages old and new. Robbie Coltrane as Mr. Hyde was another suitable casting decision. Taking into account the actual size of Coltrane seems like the only legitimate actor to take on Hyde due to his brute strength and deep voice. Even John DiMaggio has a small role although I'm curious if DiMaggio could've topped Coltrane as Mr. Hyde. The music composed by John Van Tongeren was okay but anonymous. It had all the sounds of orchestra but lacked a main theme or any cues that were memorable.It's music and writing is a little above average only because of the amount of time given for this whole feature being a half-hour. There isn't much for background to the main characters and the violence is questionable when it comes to audience viewing. However, the digital renderings mixed with animation is unique, the voice-over work is good and the action is fun.

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Horst in Translation ([email protected])

"The London Assignment" is an animated short film that runs for roughly half an hour and came out almost the exact same time as the movie about the title character Van Helsing. Hugh Jackman also does the voice acting in this one here and there are a couple more familiar names such as Robbie Coltrane from the Harry Potter movies or Tara Strong who has been extremely prolific in voice acting for a long time now. Unfortunately, I was not impressed really by any of the aspects in this film. That includes the story, the characters and the animation. The only thing that director Sharon Bridgeman sort-of succeeded with was making this a fairly atmospheric watch and it was an interesting combination of the supernatural aspects and very traditional aspects history-wise such as Queen Victoria. But that's pretty much it. I would recommend this only to the most hardcore fans of Van Helsing. Everybody else does not need to see it.

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Glenn Neyts

I have seen "The London assignment" and it is a pretty good movie but i think that it is too short. if they worked out the story just a little bit more and took out some of the action (not that i hate action in a movie, but because the movie would been better if the story was more developed).For the rest this movie rocked, and is a very good prequel to "Van Helsing".There are also a few anachronisms between the to movies: like Van Helsing already has the gass-powered crossbow in "The London assignment" but in "Van Helsing" he still got to get it.But I would give this movie a big thumbs up.

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Victor Field

It occurs to me that Universal missed a trick with "Van Helsing: The London Assignment" - this animated featurette may as well have been released with "Van Helsing" as a supporting feature. On the other hand, that might not have been the best idea, since this is considerably easier to get through than the overblown and underinteresting movie... if only because there's less of it.Essentially setting up the Parisian showdown between Van Helsing and Mr. Hyde that kicks off the live-action extravaganza, the short subject indulges in the same advantage-taking of famed fictional characters as the movie - like the appalling Anthony Perkins vehicle "Edge Of Sanity," writers Judith Reeves-Stevens and Garfield Reeves-Stevens take the characters of Dr. Jekyll and Mr. Hyde and add a bit of Jack the Ripper to the mix - and the same over-the-top action, only with plenty of Asian-flavoured animation in its scenes of violence and murder. Having Hugh Jackman, David Wenham and Robbie Coltrane repeating their roles from the movie (our hero, his assistant Carl and Mr. Hyde respectively) helps, and it's dramatically done, but the movie's biggest plus is that it's more straightforward and less determined to throw everything into the mix than the movie. It passes the time, but with the necessarily abrupt ending and the feeling that this is little more than a(nother) tie-in, it's hard not to be relieved that there won't be a sequel or a followup TV series. Then again, there's a sequel to "Baby Geniuses"...

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