Nothing happens, woman running down the sewers, some gory images but nothing too serious. Wasn't worth the watch.

Yeah that is a weird explanation but I guess the unique British style of the 70s is no more and we may have to settle for the Hollywoodized horror films nowadays. Not that it is a bad thing.There is no character development at all. I don't mind that, I care for the atmosphere and the scares rather than the characters. Still, the movie could have spent some time building some atmosphere. But then it might be a really long film.On the positives, the movie has a capable and menacing villain. That must be the best part of the movie overall. Good makeup too. The movie has quite a few scares especially the scene where they show his face for the first time(WOW). I was impressed. But maybe showing the guy might not be the right idea but he was impressive enough so that didn't bother me. Another positive is the ending. No Hollywood style last second jump scares. At least they spared us on that one.There is quite a bit of violence too but that is common in current day horror movies. There is a mutilation scene that might be a little much but to the Saw generation, this might not matter.Regarding Franka potente...she looks a little bigger, I thought, for the role. Maybe they could have got a smaller actress for this role? She looks like she could take on any monster who comes her way.Overall I was entertained but this seems like a run of the mill Hollywood horror film rather than a movie like Triangle.

Getting stuck after-hours in the London subways, a woman finds the underground area is the hunting grounds for a deranged, demented killer and must find a way out of the nightmare before falling victim to it's rampage.An incredibly enjoyable, if only slightly flawed, makes this quite an entertaining effort. One of the better efforts here is the absolutely creepy locale used here, as the subway system is effectively milked for all it's worth here as the long, dark corridors, hallways that feature hiding places for the killer to jump out of and really builds up in the film a rather creepy air about it. The action-packed chases are quite fun, from the abandoned train encounter to the platform stalking scene and even the treks through the tunnels inside the darkness all create a thrilling, non-stop pace that moves this one along quite nicely and rarely letting up. While there's not a whole lot of potential victims on display, one of the few minor flaws, there's enough bloodletting to be unleashed that there's a sense of satisfaction for the gore-hounds. While the low body-count is one such flaw, the main one here is the relatively lame killer, who has no back-story and doesn't seem to really offer up much in the way of believable behavior here once the film shifts into the final half which is where it's really lost overall. Otherwise, this one turns out to be quite entertaining.Rated R: Extreme Graphic Language, Graphic Violence, an attempted Rape and drug use.

It was laughable and, for that reason, entertaining. Watch it if you like to make fun of bad horror movies.This movie has potential, a good setting and a seemingly scary monster. But instead the director decided that he wants to make the movie as schizophrenic as possible and then, for laughs, tack on lousy commentary.The movie is centered around an obnoxious German brat, who passes out in the subway after a half shot of vodka, and is trapped inside. She quickly finds out that she isn't alone, but rather she shares the tunnels with several drug addicts, a drug dealer, a monster, and probably a hundred other subway customers who closed their eyes for a couple minutes and got abandoned in the tunnels by clueless subway guards.After the monster kills several of these characters (and in doing so prevents rape), he captures the German bitch and locks her in a cage with the drug dealer. The duo quickly escapes the cages, and run through an abandoned surgery ward...in a subway station...connected to the sewer...? I guess the director figured he would explain the origin of the monster, by throwing a ton of loose ends at the audience. Our dumb heroine and gutless drug dealer, then fight the "monster," and our heroine walks out of the subway tunnels with a dog. The director then slaps the remaining audience in the face with a sad attempt at social commentary.