Truth or Dare is one of those films that you'll never see anything else like it. Everything is completely over-the-top. The gore, action, comedy - the extremely catchy synth score - Everything is done in a way that's a complete parody within itself, but Ritter doesn't do it in an obvious form. He's poking fun at the film, but does it in a serious way. (Is that a paradox?) Nevertheless, this is an experience you'll likely not forget very soon. I'm sure Ritter was working out some hidden feelings or agenda's during the time this film was released. I had no idea that Ritter was only around 18 or 19 when he made this film - MAking a competent film at 19 - Hitting the top of the video rental chain - All before he was 20. I'm not sure how JR Bookwalter gets all the credit for revolutionizing indy film making. Tim Ritter certainly deserves more credit in regards to the straight to video market that kick started home entertainment.I'm not saying Truth or Dare is a masterpiece, but what it is is a competently made horror film (now a cult classic) that was virtually written and directed by a teenager! Luck may have had something to do with it, but craftiness (not only in the directing department, but craftiness in the marketing department) has made his name a very welcomed sound to the old school horror fan.BTW, the old man who played one of the mental patients deserved an award. At times, I'm not so sure Ritter didn't actually have the guy cut off his hand. Of course, I'm an idiot, but after one grasps how young the director was, they'll gain a whole new appreciation for this movie.

WOW.....I knew this was a low-budget trash film, but going into it, I had no idea just how completely inept TRUTH OR DARE? A CRITICAL MADNESS would turn out to be in every possible way. Claiming to be one of the first films ever produced strictly for the video market (big accomplishment there guys...so you're basically saying that you knew right off the top that no one would pay to see this mess in a theater, right?...) - TRUTH OR DARE? has more problems, plot holes, inconsistencies, horrible acting, atrocious music, juvenile Special FX (except for the few explosion scenes - those are cool...), and all around poor overall execution than any single film I've ever seen. Writer/Director Tim Ritter attributes many of these issues to personal problems between himself and the financiers and 2nd Unit Directors - who he claims all failed to film or support whole sections of the plot that should have made the final product make more sense. But unfortunately, that's pretty much the same as me saying that I set out to paint the Mona Lisa - but due to personal problems, all I came up with was a stick-figure. As the Writer/Director of this mess, I hold Ritter responsible for his work and can only review the final product - not his unfulfilled "vision". Now that all being said - TRUTH OR DARE? does have a strange charm and entertainment value for such a fundamentally flawed feature, that does keep it from being a TOTAL waste of time. It's relatively fast-paced and there are some pretty amusing moments...Mike Strauber is a guy who's had it pretty rough. He was picked on as a kid, had a nervous breakdown as an adult, and just when things start to look up for him - he catches his wife boning some joker in his bed. This causes Mike to crack, and he goes on a nice little drive to clear his head. Along the way he meets an imaginary hooker that he takes camping (!?!). She talks him into playing truth-or-dare, and cutting his finger off and pulling his tongue out (?!?!). this lands mike in the loony bin for a while - but he's released 13 months later (with tongue and finger mysteriously intact...). He immediately goes and kills his ex-wife's lover, and attempts but fails to kill her too...which lands him back in the psych ward. Somehow, Mike sneaks in two knives and a hand-grenade (???) and plays a hilarious and bloody game of truth-or-dare with two wackadoos that he's locked up with - culminating in some gory but goofy self-mutilation and head explosion. Mike manages to escape the facility, steals a car, and "magically" has access to assault weapons - all while wearing a retarded looking bronze mask that he made in machine class at the psych facility (as I'm sure that most respected psychiatric treatment facilities offer top-notch machining classes which gives mentally disturbed patients the opportunity to play with heavy and dangerous machinery...). On the loose - Mike goes on a rampage: running down a baby, chainsawing a kid, machine-gunning innocent bystanders - basically being an all-around nuisance - all while avoiding the "best" efforts of the local cops to catch him. One such attempt results in one of the brighter cops mistakenly immolating an innocent man, and is immediately allowed back on the street by his superior to join in the investigation (????????). Eventually the police chief sets Mike up and brings his violent spree to an end...Unbelievably, this film actually spawned two sequels which I haven't yet seen, but judging from the trailers, would venture to bet that they're equally, if not more lacking (if that's possible) than this entry. But again - with all the ridiculousness that goes on in this film - TRUTH OR DARE? A CRITICAL MADNESS is still pretty entertaining and may be worth a look to low-budget 80's-style horror fans. If the director is to be believed from his commentary - this film seems to have a pretty big "cult" following - and may even be able to be classified in the "so bad it's good" category of films. I can't say that I enjoyed this one that much due to the glaringly obvious problems that seeped their way into every pore of this work's production - but I'll settle on a 6/10 for what it tries (and often fails miserably) to accomplish...6/10

This film is truly one the crown jewels in the kingdom of So Bad It's Funny. This charmer was shot in the mid 80's and it follows the exploits of Mike Strauber, a schmuck who has the worst luck with women. Upon returning home from work he finds his big-breasted hottie wife doing the nasty with their best friend, he obliges them with a hilarious dramatic reaction before taking off in his gold Firebird to, uh, drive around for a long, long time. As the story unfolds, we see poor Mike suffer a nervous breakdown that results in hallucinations and self-mutilation. It's all the more tragic because this poor slob can't even get an IMAGINARY girl to score with him! Anyway, we spend the rest of the movie finding a masked, disfigured, murderous Mike out to exact revenge upon his good-for-nothing cheating wife with the great tits. Of course along the way he manages to kill a number of innocents including: a group of old people at a Bus Stop, a little leaguer, some cops, a couple of "punk rockers" and even a baby in carriage using a number of weapons including a submachine gun and a battle mace! "Truth Or Dare" showcases some of the worst acting, wrting, and music ever committed to film, and believe me, it all works in this film's favor! If you're looking for 90 minutes of sick, jaw-droppingly bad horror hilarity, this is the film for you!

Truth or Dare is a campy, sadistic, truly warped horror movie. Shot on videotape and transferred to film, it actually benefits from its amateurishness, resulting in a genuinely disturbing experience that really packs a punch. This is one of the very few movies where video photography actually contributes the atmosphere instead of destroying it. It's incredibly gory and shows things that mainstream films wouldn't even imply. Where else are you going to see a baby run over by a car and a little boy chainsawed? And what's really interesting is that you never know where it'll go next. You think it's going to be a standard get-out-of-the-asylum-and-terrorize-the-ex-wife stalker plot, but things take a series of unexpected twists, with the bloodbath getting more and more demented. There are many moments where you don't know whether to laugh, scream, or get sick.There are the usual bad-movie routines. The acting is variable--Kerry Ellen Walker, as the frizzy-haired hitchhiker chick, seems to have been plucked directly from a high-school production of Bye Bye Birdie. At the climax, the copper mask pulsates when the killer breathes. Still, it's all so numbingly brutal and unsettling that you can suspend disbelief ("hmm...very thin copper, apparently") and get dragged along on the bloody joyride. Kay Reed sings the hyper-dramatic theme song, "A Critical Madness," which is the source of my summary quote. Truly unforgettable, and not for the faint of heart or those concerned with "taste." As if children are immune to death!