Trace
Trace
NR | 12 May 2015 (USA)
Trace Trailers

A group of friends experimenting with EVP (Electronic Voice Phenomenon) accidentally open a doorway allowing a powerful demon to enter our world.

Reviews
suite92

The Three Acts: The initial tableaux: First, the film flashes back to a Soviet research facility in the Kuril Islands, 1992. The well-funded ongoing work concerned paranormal activity and EVP (electronic voice phenomena). During the economic slide of the USSR, the research was officially abandoned, but a few scientists continued research while keeping to the underground parts of the facilities. While supposedly in contact using EVP, one scientist, Victor Konski, is assailed and killed after hearing from 'Abigor.'Second, we flash forward to Los Angeles in the current day. Three couples plus Duffy discuss EVP after consuming a number of drinks at the audio studio run by Duffy and Nick. They go to the basement to listen to this and that, such as the website 'Voices in Static' which mentions Abigor and Professor Konski.Delineation of conflicts: The fools try to recreate the calls to Abigor. Soon enough they get a reply, plus more than they bargained for. Can they close up this process?Resolution: This movie is from the 'How do I close the Hellgate?' subcategory of horror. The resolution is about how well the remaining humans do at constructing a solution once they figure out a solution needs to be constructed.

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sigynnez

It is unusual for me to like this kind of movie. They usually get me bored. It is slow, yes. An it has just small amount of jump-scares. It is for me most like Supernatural Thriller than Terror, I found it a good exercise in suspense built with paranormal dyes, needless to say with psychological dyes or para-psychological. Convincing performances must say, except for "Parker" whom I found something bland, but he is supposed to be ... I think. Now, "Rebecca" was less than nothing, in what she is seen, only her voice convince me of something (when you see it you will know what I mean). The end worth the movie, really , especially for the effects, I liked that part. Surely some (as I did) will find something "illogical" in the actions of the character at the end (I had run, and you will realize what I mean) and the post- credit scene, apart from not being strong, it's a little useless there. I give it 7.5 / 10, for some things I did not like and that could be polished, but would be 8/10, and I repeat that I liked the end. See the movie and rate it (or do not see it if you hope horror o more action and gore)

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namaGemo

This movie is not even close to a 10/10. It's not as horrible as "Eaters", but 4 stars is about right. It had some tension, but wasn't really scary nor was there gore if that's what you're into. As to jeffstanding and his review, let's see, he joined right after this was released and what a shock, only has one review and it's for this film which he gave 10 stars and claims is the greatest film of the year. It's obviously he worked on this film in some capacity. This film is somewhat entertaining and probably more so if you actually buy into the ridiculous idea that evp's are actually paranormal, despite all factual evidence proving the opposite. It's a typical cheap horror film made with non actors for the most part on a low budget. If you know this going in and just have to see the latest at red box or Netflix, take a watch, but just don't expect to be too impressed.

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jeffstanding

you have to see this film the story and cast are great I think Maddie McGuire as( Heather) will get the best supporting Oscar for her work in this film. I hope to see a lot more of her on film. as for the rest of the cast they all shine. The special effects and story line draw you in and keep you guessing. I cant wait to buy this when its for sale. Director writer Ryan Bookhart will be the next Hitchcock I hope to see more from him soon. And Jesse Pepe as Parker was scary . this young man is going places. Maddie McGuire again I cant say enough about her extremely talented as I said before I cant wait to see more of the actor. She has a command of getting in to her character and making it hers.

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