This fairly typical formula Western of "Town not trusting a gun man", in this case a gun man who has a history with the town.Sterling Hayden is the stone faced lead, and that's not unusual. In many cases, it is a stone faced lead who goes through the motions, surrounded by more likable characters. Here, the supporting characters aren't "likable", but are credible.What I like best about this Western is the "bad guys". They are dirty, unshaven, sloppy, and imperfect even at mayhem. Quite believable. It is this group of ravaging skunks, flea bitten mongrels, that makes this Western superior to the modern idiotic spaghetti garbage in which the bad guys are demi gods.The townspeople are credible once one gets past the few stereotypes, like the uppity young gun. Ironically, this most ridiculous cliché has one of the biggest names of the movie portraying him (Rod Taylor).Just a few more assets than detriments make this a decent Western.

A High Body Count and a Decent Cast Highlight this slightly Above Average B-Western. Sterling Hayden is a Laid-Back Gunslinger trying to Outlive His "Top Gun" Status. Returning to His Hometown seeking something Memorable He finds Animosity and Trouble but manages to make Amends and Help out. The Bad Guys are on Their way to Take Over. Said to have Killed 36 People in Their Last Rampage, this is a Gang to be Feared.There's an Early Role for Rod Taylor as a Cocky Squirt and John Dehner is Slimy as the Gang Leader. The Ending Shootout with Guns Blazing contain come Good Stunts and the Whole Thing is Over before Much Happens.Overall, Worth a Watch for Western Fans, but there isn't enough to attract Anyone Outside followers of the Genre.

I'm a big fan of Westerns but this one.... whew, what a stinker! I think what turned me off almost right off the bat was the inane dialog. I think I could have written better dialog than this when I was in eighth grade. And the poor actors! Given this terrible dialog, none of them came across looking anything but ridiculous. Really, I'm not kidding. Some of this is little better than what you'd get in an Ed Wood film. The biggest tragedy is Sterling Hayden. He was probably THE "big" star in this movie which if you called it a B-Western, you'd be lavishing praise upon it. This is what should be called a B-minus Western perhaps. Pity Sterling Hayden, who appeared at other times along with Joan Crawford, Bette Davis, Frank Sinatra, and other major talents. For him to appear in a vehicle this poor must have been something he tried to downplay for the rest of his life.One annoying thing about this movie is all the men look like they haven't shaved in a week and their faces are all greasy. I know in the old West guys weren't always well groomed but to a man this is a movie that makes you want to just go 'EWWWW!' Really, this is a crummy Western. Denver Pyle also had to live this one down, especially after appearances in so many great Westerns. Bad, bad movie.

What a shame that a really competent director like Andre de Toth who specialized in slippery, shifting alliances didn't get hold of this concept first. He could have helped bring out the real potential, especially with the interesting character played by William Bishop. As the movie stands, it's pretty much of a mess (as asserted by reviewer Chipe). The main problems are with the direction, cheap budget, and poor script. The strength lies in an excellent cast and an interesting general concept-- characters pulled in different directions by conflicting forces. What was needed was someone with vision enough to pull together the positive elements by reworking the script into some kind of coherent whole, instead of the sprawling, awkward mess that it is, (try to figure out the motivations and interplay if you can). Also, a bigger budget could have matched up contrasting location and studio shots, and gotten the locations out of the all-too-obvious LA outskirts. The real shame lies in a waste of an excellent cast-- Hayden, Taylor (before his teeth were capped), Dehner, Reeves, along with James Millican and William Bishop shortly before their untimely deaths. Few films illustrate the importance of an auteur-with-vision more than this lowly obscure Western, which, in the right hands, could have been so much more.