Third Person
Third Person
R | 01 December 2013 (USA)
Third Person Trailers

An acclaimed novelist struggles to write an analysis of love in one of three stories, each set in a different city, that detail the beginning, middle and end of a relationship.

Reviews
dostromjaye

I give this movie a solid 9 out of 10 because it's not clear about the ending, now that being said I loved the ending. My husband and I discussed this movie for at least an hour and will watch it again. I won't spoil it for anyone but give this one a chance. Sometimes reviewers don't 'get' a movie so give it poor ratings.

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Ruz

Interesting movie mainly about sacrifices and feeling guilty. 3 different cities, different stories with the same meaning- Everything in life need some sacrifices. In 3 stories people struggle, try to change something and don't want realize that nothing can be changed. 3 mistakes, 3 worse feelings and 3 interesting stories that keep you not breathing during watching the movie. Most of all I liked musical arrangement which was awesome. Strongly suggest to watch this movie

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stock-1

A Pulitzer price winner spends 1000 Euro's a day in a Paris Hotel suite to write a novel which is actually a biographic diary of a women who has a ongoing sexual relationship with her father. The movie director received around $30 million to complete the movie with its stellar cast (Kim Bassinger and Liam Neeson amongst others). After a long sit through of 2 hours and 10 minutes I decided to send a two week notice to the funding corporation Corsan, warning that after watching Third Person, the viewer can only judge this movie as a veiled attempt to slush millions of dollars into shady bank accounts of Unknown Persons. The end result can only be seen as a loutish expose of rats on a Euro carnage spending spree, both inside and outside the movie. The entire cast and film crew of course were staying in the same hotel as Liam Neeson, where a routine day of shooting could be witnessed on the top floor with the rolling of the main camera on wheels from the Director's hotel room into Mr. Neeson's hotel suite.

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William Dietrich

It's the oddity of this movie's tone that makes it memorable. And it's a film that tempts a second viewing to see how everything fits. The central character, a struggling novelist, is in self-imposed exile in Paris trying to come to grips with a horrible family tragedy, keyed by a child's whisper at the very beginning and end. Other stories begin in Rome and New York, seemingly unconnected. Episodes are in turn baffling, horrific, or frustrating in that dream-like way in which a goal is always horrifyingly out of reach before waking. The clue here is the odd detail. An impoverished gypsy woman who inexplicably shows up with a different car in every scene. A hotel room fantastically filled with flowers. A young child agonizingly out of reach to a woman who is chronically late to critical appointments. A journal put in a hotel safe that winds up on a used book table. And so on. It's a puzzle playing out in one man's head as he tries to come to grips with reality that, unlike a novel or a dream, can't be changed. I think the director could have made the final puzzle pieces clearer at the end and created a much more popular film, but the acting is brilliant (especially when you go back over the scenes) and the storytelling unique. Not a popcorn movie, but one to think about.

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