They Knew What They Wanted
They Knew What They Wanted
NR | 19 October 1940 (USA)
They Knew What They Wanted Trailers

While courting a young woman by mail, a rich farmer sends a photograph of his foreman instead of his own, which leads to complications when she accepts his marriage proposal.

Reviews
drednm

This is the third filmed version of Sidney Howard's play. Previously this was filmed a THE SECRET HOUR (1928) with Pola Negri and Jean Hersholt and as A LADY TO LOVE (1930) with Vilma Banky and Edward G. Robinson.Here, Charles Laughton plays the Italian Tony, a successful grape grower in Napa Valley. He goes to San Francisco and is smitten with a waitress named Amy (Carole Lombard) and decides to marry her. Back home he gets his pal (William Gargan) to write a letter. She answers back. Eventually they send a picture and invite her to Napa.Unfortunately they send a picture of Gargan. But Lombard has nothing to go back to but her dreary and demeaning job so she stays. Despite her best efforts she falls for Gargan right under Robinson's nose.Basically a love triangle story, there's enough humor to defuse the slightly clichéd story. Lombard give a great performance as the feisty Amy. Laughton is hammy and loud but a pleasure to watch. Gargan won an Oscar nomination for the hapless Joe, torn between his devotion to Tony and his love for Amy.Supporting cast includes Harry Carey as the doctor, Frank Fay as the priest, Victor Kilian as the photographer, Janet Fox as Mildred, and the film debuts of Karl Malden and Tom Ewell.Good location shooting in Napa Valley opens up the film and adds a nice touch.

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slaphappy5000

even taking into account the context of its time, this is incredibly dated, morals-wise. also, it strains credibility that the female protagonist (amy) would stay initially, stay later, stay longer, proclaim her love for (the wrong guy), and then leave w/o getting together w/who she wanted all along. just seems really dopily contrived. "she DIDN'T know what she wanted" would be a more apt title. also, the whole plot revolving about her pregnancy just comes from out of nowhere and dominates the proceedings as if it was 1750 in puritan new england. i really wanted to like this film; i'd heard it was good - - but it's really pretty hard to take. as for tony; he's similarly unbelievable, a 1-dimensional character, until he explodes, and then he becomes 2-dimensional (still 1 short). OK i'm done

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a-n-g-e-l-1

Charles Laughton, even more annoying than usual, full equipped with glued on beard and Italian accent, is a simple-minded farmer somewhere in napa.(wearing a pair of dungarees most of the time, which look like they might burst any second) having seen the waitress Carole Lombard only once, he's already very much in love with her and after writing some letters, proposes to her. being the coward that he is, he sends a photograph of his pal joe(equally unattractive William Gargan)to lure her to his farm in the desert. after a terrible accident(in which he falls off a roof while being completely wasted)Carol, his wife to be, finally gives in to her urges and has some fun with farmhand William Gargan.will their relationship survive this tragedy?? believe me after 96 min, (wich felt like 2 hours) you wont give a rats ass about those little lost souls in the middle of nowhere.and of course the upright local priest Frank Fay, who has such important lessons on life and love that you really wonder how one man alone can acquire such deep and meaningful knowledge is truly unforgettable.(pun intended)on the other hand, if you're into 400 pound guys imitating Italian farmers(badly) and pretending to be 3 years old(with baby talk and all)than this is the movie for you.i really wonder how Carole Lombard ever got into this nonsense. i got some (unintented) laughs out of this one, but overall its a real waste of time. if you wanna see gorgeous Carole Lombard in a good serious part watch Made for each Other.

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RondoHatton

Charles Laughton goes sort of over the top in this little movie. The plot is reminiscent of "Postman Always Rings Twice", i.e. sweet lil' immigrant meets girl & loses girl to employee, but without James M Cain's violence. Laughton's Tony really is a most happy fella, & Lombard is as usual, steamy. Totally by chance, I happened to do a double bill of this and the 1935 Mutiny On The Bounty. I should have added Ruggles Of Red Gap, Hunchback, Hobson's Choice, and Witness For The Prosecution for a total Laughton immersion. This was filmed on location in an incredibly rural Napa Valley, and if you're familiar with Napa Valley, you may recognize what is now the Calistoga Inn/Napa Valley Brewing as Tony's local cantina/bar. I'd like to see a cleaned up version of this, as the print I saw was verrry dark. Good little movie.

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