I feel this movie was an unusual look at tolerance, greed and peolpe's willingness to stick by each other, and how outside influences can kill a tribe , much like the missionaries did to the native populations in certain areas of the world.

Dropped from a theatrical release and shown late on BBC2, 'The Tribe' iso one of the 150 films made each year in Britain which fails at the distribution hurdle. Which is a shame, because as an experience there are few films as strange, tingly and beautiful.A reluctant Northam finds himself in the position of having to evict a long standing cult from a fabulous piece of real estate. He is amazed to find a group of people who seem to be happy to live within on the edges of society, who are happy with their own company but happy to use the world around them from nature to people as they see fit. As he is drawn into their world he finds that he can only be the agent of its destruction.It's a theme which in many ways was covered a little more successfully in 'Pleasantville' and in countless films about rain forests. Working better in this film is the theme of the outsider in society - the twist being how much like them we would like to be. Years before 'The Matrix' we have people in long black coats striding arrogantly through their landscape, through city parks and the inner city. The bystanders look on with a mixture of discust and envy.Richardson offers an enigmatic performance, as do the other 'are you in it too?' members of the tribe. Like Northam we don't know who they are and its at only very infrequent moments that we see the cracks below their reserve. By offering such understated performances, we find ourselves trying to reflect into them. Our imaginations try to work out their former lives.Whilst we know the ending is innevitable, like the lead character we are happy to be taken along for the ride . . .

Stephen Poliakoff is a true genius and this is him at his best. The Tribe, in my opinion, succeeds on many levels. On one level it is a simple tale of seduction and cultural repression but on the other hand it can be seen as a statement for the state of society today. It represent what society does to those people who seem different towards them. They are no threat towards anyone but as they decide to go their own way in life the rest of the world seem to feel that they need to do something about them. Poliakoff's use of startling colours and majestic sweeping settings help to create a world which is the one we live yet so distant and alien like it doesn't seem to have any connection to ours at all. I feel this is one of the greatest T.V programmes of all time and highly underrated for what it is. As the BBC never felt fit to release this on any format, in any country it is very hard to get hold of. But it is worth checking out if you can lay your hands on a copy.

Normally I'd regard the critical mindset that a film is crap, but at least actress XYZ gets naked in it, as prehistoric, sexist bilge. But, for this one, I'll make an exception. Talented people (Eve, Costigan, Richardson) ambling about like zombies for two wasted hours. The BBC sat on this for about two years, then marketed it in a cold, calculating manner with tantalizing shots of Ms Friel about to disrobe. And disrobe she does. Pert, firm, frisky, if a little skinny for my tastes. Sorry, but if the script and/or direction was any better, we might not have had to go down this alley... Was Jeremy Northam actually PAID for his performance?