Francis (Cory Knauf), the central character in The Butcher Brothers' The Thompsons (the sequel to their 2006 movie The Hamiltons), is something of a tortured soul, a vampire troubled by his bloody lifestyle, searching for a meaning to his existence. Having fled the US with his bloodsucking family, he now wanders the UK looking for others like him so that he can learn about his heritage and perhaps even find love among his own kind.The photogenic cast; the oh-so-serious emo sensibilities; the romance between vampire clans; the film-makers desperately striving for a sense of cool: The Thompsons might easily be confused for an installment of the Twilight series if it wasn't for all the graphic sex and violence on display. I doubt very much that Bella Swan would ever get it on with an absinthe addled Parisian whore, or whether Edward would savagely tear the throat out of his victims, drenching himself in blood in the process, but the vampires in this film have no such qualms, narrowly preventing it from being another worthless piece of PG-13 horror-lite and just about earning it a recommendation from yours truly.

I haven't seen The Hamiltons so I can't comment on its relationship to this movie. The story of The Thompsons isn't told linearly but it starts more or less in the middle and then backtracks. I'll summarize the story linearly.An American family of vampires (one girl, 2 guys, 1 kid) try to mind their own business and are driving around the desert when the kid gets shot accidentally when a bunch of thugs hold up a diner. Now the family is seeking help. Someone tells them to go to Europe and also gives them a name. One of the guys, Francis, travels to the English country side to look for this person who can help them. The twins (guy and girl) end up in Paris having fun. While the other guy watches over the kid.Francis drives around, his car breaks down but he makes it on foot to some family pub where he draws the attention of the locals. The daughter who works there is attracted to him. But it turns out the owner and their two sons are vampires. They take him to the main vampire who offers to help if Francis calls his entire family to meet him in England. They make the trip but things turn ugly. The main vampire and his family don't have the Thompsons best intentions in mind.A lot of the movie is told in Francis' voice overs. The filmmakers know how to put the creepy small town English country side to good use. I really enjoyed most of the movie, but when things become physical near the end, the movie loses steam. The main problem is that Cory Knauf who plays Francis (and co-wrote the script) is just too laid back. Even when he's being attacked and his life is at stake, he never loses his cool. He does a good job with the voice overs, but acting in dramatic situations is entirely beyond him. A huge plus is the attractive girls, and there are many here- all of them actually. Elizabeth Henstridge is particularly lovely, attractive and hot. What a gorgeous girl. She basically steals the show. There's some nudity too. The special effects despite being CGI are pretty good and the fangs for once look convincing. There's a lot to like here, the creepiness, the English locations, the story overall, the women. There are some plot holes and details that make no sense. I look forward to the third one and will have to check out The Hamiltons. This movie is a good effort and a very good entry into the vampire genre which has been so mercilessly abused.

I'm not sure if this movie is British or American or a mixture of both. But whatever it is, it's the biggest pile of rubbish this side of Transylvania.The story begins at the end, with the central character telling a yarn about how he managed to wind up in a box. His story begins with two young people attempting to have sex out in the open in the English countryside. This seems to be a theme of this movie: bouncing boobs, naked bodies and a touch of lesbianism, all mixed with vampirism.But the young couple are interrupted and murdered. No explanation other than their killers are two crazy young guys with knives.We then move to an English village pub, where the central character, Francis Hamilton, gets involved in a fight, just after killing a British policeman.There's also a phone call to an incestuous brother and sister who are having a threesome in France. Kinky and vampires - they end up slaying the female participant in their three-in-a-bed romp. Oh, and they also suck the blood out of a black guy who knocks on the door.All this done in DAYLIGHT. Hang on, I thought vampires were supposed to hate the daylight. Or have hundreds of years of mythology been wrong? The story then switches again, to an 'earlier time', where there is another fight, but this time in America. It's daylight here too and there are vampires.Does this sound very boring? Well, it is, and trying to maintain an interest in this trash is like trying to swim in a river of treacle.And it continues in its merry way, until the end. None of it interesting. None of it scary. Acting is atrocious. A complete waste of time.Please, don't bother. You'll never get that 90 minutes back.1/10.

Where to begin? This movie doesn't do anything right.The main character is a whining emo sun walking vampire. After slaughtering a bar full of people he and his too dumb to breath sister and brothers vampires manage to set themselves up in Europe somehow. There they meet up with a family of uber-vampires who have killed gazillions of normal people and vampires like them but who fail to kill a single one of these retards, they just like to push them and play with them. They do this while being, like, super-serious. The retards then kill them using vampire-skills against vampires who are as superior to them as they are to normal people. The end.Did I mention the 'lovestory'? Well, for no reason the youngest of the uber-vampires rescues the emo vampire and kills her brothers. Probably because he is so cool or something.It tries to hide the lack of story by jumping around in the time line every 5 minutes. OK, moron is in a box, how does he get out? No, how does he get in. No suspense. It's like watching a sad Monty Python killer bunny for 80 minutes without it trying to be funny.I have no idea what kind of audience will be entertained by this crap. Even stoned retarded goth kids in puppy love will vomit.