A woman experiences a premonition about a devastating plane crash in the suburbs. This turns out to be accurate, when a plane crashes next to the home of a photographer- who is one of the first responders on the scene. A pilot is the sole remaining survivor of the wreck. He manages to walk away from the disaster virtually unscathed- suffering only from retrograde amnesia and survivor's guilt. He becomes obsessed with piecing together exactly what happened.A few days after the crash, the photographer becomes haunted by premonitions of a young girl with burns all over her face. Meanwhile, the pilot does his best to follow the investigation...but it's getting him nowhere. His most solid lead is a mysterious woman who claims to have advanced knowledge about the incident.When he tries to get information from her, however, she suffers from a hysterical fit and attacks him. Despite the fact that it was her that approached him to help...while looking for some help herself.Eventually she comes around, and claims that she was present at the crash...but not in a typical way. She seems to be a psychic medium through which victims of the crash (or something) are (is) trying to contact the pilot.Subsequently, when the photographer leaves his photographs to develop, his wife looks at them...only to discover they are filled with ghastly images of some sort of demonic entity. Obviously she dies.The psychic woman then approaches the pilot for a second time, now suggesting he trigger regression by returning to the site, with hopes that it will evoke his lost memories. He agrees to participate.Together, they seek help from a local priest and return to the cockpit, where his memories begin to return...to her.By now, the photographer has stumbled upon the crime scene that used to be his darkroom...and gotten himself killed- slasher style- in the process, just like his wife.It's at this point that the pilot gets a chance to meet the demon responsible for all of this death and destruction face-to-face...and he's coming for his soul! This film is short and sweet. Packed into 1 hour and 15 minutes, it's an Aussie flick that seems like it was made-for-TV. At first I thought it was going to suck hard, because it has what is probably one of the most hilariously bad plane crash sequences in cinematic history (it literally looks like a camera tracking in unison with a plane wing that is moving through a movie studio). But that aside, the ending really redeems this awesome little film.It's quite evident that ---SPOILER--- The Sixth Sense stole it's twist from this screenplay. With this one being a bit more supernatural, overall. I particularly love the way the filmmaker denotes our entrance into and exit from the "Other World". Great little flick that is definitely worth a watch.6 out of 10

Director David hemming worked with dario argento on deep red one of dario's masterpiece's. you can see his influence all over this movie. all though this is no argento classic if your like his work you really should check this out. it contains the creepy mood, the scatological narrative and very good use of sound that is unsettlingly.even though it.s over long and a bit of a let down in the end, i enjoyed the journey much like a argento films, it not the end but getting there that counts.you would not no this was an Aussie movie but i suppose it does not matter for the story is universal. dean seale was cinematographer on this and he did a master job creating a mood for this ghost story.as a piece of Aussie history in cinema when we made a wide variety of genre movies unlike today. plus i had forgot how lovely jenny agutter was i think its time to watch an American werewolf in London again.

Produced by the South Australian Film Corporation and filmed on location in Adelaide, The Survivor in many ways foretells the Lockerbie disaster many years before that tragic event. The film was a huge commitment at the time - a full scale 747 was made at a local car manufacturing plant and transported to the 'crash site'. I remember visiting the set after the shoot - it was still littered with suitcases, seats, clothes and the engines were windmilling in the breeze. The haunting music makes the film, similar to Picnic At Hanging Rock, the actors believable, the cinematography honest and the storyline compelling if a little slow. Take it for what was cutting edge at the time for a small film studio and you have an enjoyable slightly disturbing thriller. Take time and watch other productions by the SAFC - they're a refreshing change from the big studios mass produced entertainment.

For some reason this film never won the affection of either its peers or the viewing audience at the time. It played to half empty theaters, barely covered its production cost and was unceremoniously tossed out of everyone's subconscious. Yet its not even a bad film, I would venture to suggest a most interesting study of the paranormal and well directed by former BLOW UP star David Hemmings.Robert Powell is Captain Keller who's 747 suffers a bomb explosion just before take-off and 300 odd passengers are incinerated as the plane explodes in flames. A short time later Keller is found wandering from the burning wreckage unharmed and quite unable to fathom how he has survived. The mystery deepens when a rapidly convened investigation concludes that there is no possible way ANYONE could have survived the explosion and heat blast, wherever they were in the plane.As Keller embarks on his fateful odyssey, he and the audience are taken down lanes that both THE SIXTH SENSE and UNBREAKABLE may have trodden..and this was almost a generation earlier! The viewer needs to suspend belief and take things for what he sees (or thinks he sees) A really intelligent Aussie flick that you will get as much out of as you are prepared to put in. Always good to see Joseph Cotton and Jenny Agutter!