Anything to get the word "spy" into the title! Actually I think this was the only "U.N.C.L.E." "movie" I'd not seen so it was a welcome watch for me. A fine colourful romp it was too, taking in the two main locations for 20th Century criminal activity in the western world, Sicily and Chicago and a fun plot involving an ex-Nazi inventor, a group of veteran Mafiosi and best of all, Hollywood stars Jack Palance and Janet Leigh who really enter into the spirit of things as top T.H.R.U.S.H. operatives. Solo and Kuryakin are as debonair and efficient (respectively) as ever, while Mr Waverley as ever is a soft-centred grouch. Starting off in sunny Sicily, the dynamic duo get separated when attempting to intercept the Nazi professor, Solo, typically ending up in a pretty Sicilian girl's bedroom and Kuryakin chained up and on the end of shock treatment administered by Leigh in a Rosa Klebb type role. The action shifts to the States taking in a shoot-out at a Chicago night-club, before the usual beat-the-clock climax at bad guy Palance's weapons depot. As ever, it's lightweight, knockabout stuff, although there are hints of some more risqué direction than usual not only in some unusual camera-shots from above and below, but in the campy, kinky depiction of Leigh's knife-toting Miss Diketon (what's in a name?) and Palance's campy, excitable boss Strago, while some scenes, like Solo's peeping-Tom initial meet-up with Letitia Roman in her bedroom, Leigh seemingly getting aroused when either massaging Palance or administering death by flying daggers and most outré of all, a table-top fight between the two women seem more out there than previously, perhaps riffing of recent, racy spoofs like "Our Man Flint" and Dean Martin's Matt Helm misadventures.With some good jokes thrown in too if at other times a bit too much Italian stereotyping, this was a highly entertaining caper and probably the best of the five movies adapted from the original TV series.

The men from UNCLE are at it again.A fine movie.I agree with others who say that this is more movie-like than some of the other UNCLE films. The studio sets are indeed very pleasing to the eye and the dialogue is very good. I always remember the bad guy, Jack Palance, from his wonderful performance in the Batman (1989) movie and his classic role in a two-part Buck Rogers (1979) episode. I am sorry to say, I find him less pleasing in The Spy In The Green Hat. But we have other things to enjoy.You will notice that the film is scored by 1966 Batman composer, Nelson Riddle. This composer was employed for season three of UNCLE to give the series a Batman-feel. His music for UNCLE is okay but the guy was more in his element with Batman.

Others here have covered the storyline most adequately, I'm just going to pose a question about 'The Spy in the Green Hat'! In a 1967 Australian movie magazine, which has a 2 page spread on this film, it states that unlike the other U.N.C.L.E. films, this one was made specifically for a theatrical release, therefore had a bigger budget than usual ,and may also account for it being a bit more 'risque' than the others? If this is so, was it filmed in widescreen? Although the IMDb states the films were in 1.85 aspect, this is clearly not so for the ones made up from 2 part television episodes, and the five that have been put out on DVD, are only in 4.3 aspect! If this film was indeed made for a cinema release, could it be the only U.N.C.L.E. film actually filmed in widescreen? Guess we wont know until they see fit to release it on DVD? Perhaps the mooted big screen remake of 'The Man From U.N.C.L.E.' starring George Clooney, will renew interest in the originals? Here's hoping!

I'm a huge fan of "The Man From U.N.C.L.E.", both the classic TV-show and the movies. None of the U.N.C.L.E. movies are bad, but there's a couple of them which could have been a lot better. For example the last movie "How to Steal the World (1968)" which was basically just a couple of TV-episodes thrown together. It was terribly unfunny and the Robert Vaughn and David McCallum just seem embarrassed to be there. Then there's "Karate Killers, The (1967)" which was one of the funniest but with a very weak plot, it seemed as though they came up with a plot in five minutes which was merely content with laughable scenes and quirky situations."Spy in the Green Hat, The (1966)" on the other hand, is both exciting AND funny. Especially the scene where Napoleon Solo (Robert Vaughn) hides from THRUSH agents under a young woman's (the incredibly cute Letícia Román) bed and is caught by the woman's grandmother (Penny Santon), who is forcing Solo to marry the young woman. He successfully escapes, but is hunted by a legion of stereotyped Italian gangsters. Now that's comedy.All the actors, including among others Janet Leigh and Jack Palance, give wonderful perfomances. Particularly Palance who probably is the only actor in the movie business who can overact in a good way.The 60's in a nutshell, don't miss it for the world.