Whether or not money can buy happiness (or just rents it) is a question still being pondered millenniums after the appearance of the first gold diggers. Today, having tons of money may get your name in the paper or most likely just pay for a good therapist, but in the depression, if you were lucky enough not to have lost your shirt or skirt in the stock market, you had to wonder if the broke heir or heiress or the dashing young man or sexy chorus girl was after you or your bank roll. Real life heiresses Barbara Hutton and Doris Duke had their prestigious but sometimes lonely lives documented in T.V. movies, even appearing together as pals in the 2001 Doris Duke bio, "Too Rich".Their fictional depression era movie counterpart is introduced as the orphaned daughter of wealthy parents who went down on the Titanic, and to avoid unwanted publicity, she has lived in seclusion all her life. The audience learns early on in this light screwball comedy with dramatic moments that the real heiress (Miriam Hopkins) has switched places with her secretary (Fay Wray) in the hopes of finding a husband who loves her, not her status or bank account. She's actually a very lovely young lady, fun and caring, yet definitely insecure over her ability to attract a man. Along comes handsome Joel McCrea who makes a bee-line for Wray but also enjoys spending time with Hopkins whom he considers a "buddy". Wray goes along for the prank, yet unlike in the badly remade "Bride By Mistake", is always prepared to relinquish her status should the plan backfire.A well-written and complex comedy, this is a film without a real complete conclusion, but that gives the audience the opportunity to determine how they would like the revelation of the truth to come out. Hopkins and McCrea share a nice chemistry and prove that true love does usually start off with the two being more pals than lovers. Wray's character is never really developed beyond just being an agreeable part of the scheme, but Henry Stephenson is excellent as Hopkins' adviser. Droll Reginald Denny and loyal Beryl Mercer round out the supporting cast for a comedy that doesn't answer all the questions about what it takes to be a happy rich person, but then that answer needs to come from the person whose life desire it is to be wealthy.

"The Richest Girl in the World" is reclusive Miriam Hopkins (as Dorothy Hunter). She attracts men, but wonders if it is possible to find true love. After breaking off an engagement, Ms. Hopkins meets attractive Joel McCrea (Anthony "Tony" Travers) in her regular guise, pretending to be pretty secretary Fay Wray (as Sylvia). Hopkins uses Ms. Wray to switch roles, so she can play pool rather than attend business meetings. When Mr. McCrea meets Hopkins, he is quite taken, but winds up on a canoe date with Wray, instead. Hopkins and Wray's husband Reginald Denny (Phillip "Phil" Lockwood) knock their boat over. Hopkins decides to test McCrea by encouraging him to pursue "fake" heiress Wray. It sounds silly, but everyone manages to make it mildly engaging. Norman Krasna's script even received an "Oscar" nomination. Mentor Henry Stephenson (as Connors) and maid Beryl Mercer (as Marie) are also good.****** The Richest Girl in the World (9/21/34) William A. Seiter ~ Miriam Hopkins, Joel McCrea, Fay Wray, Reginald Denny

I'd like to recommend this because I like the cast and director but I found it rather dull. It's not quite funny enough to be a comedy and the romance is improbable and unengaging.Miriam Hopkins is the richest girl in the world and finds it hard to attract men, because the men don't want to be seen as opportunists. (That proposition is funnier than any of the gags in the movie.) So she switches places with her secretary, the good-natured Fay Wray.In this guise, she meets Joel McRea, an honest, ordinary sort of bloke. One of Hopkins' staff looks into his background. Not a great deal of money, but the scion of an old Boston family, a broker on Wall Street or something, and a graduate degree from Yale. "About average," says Hopkins' adviser, the avuncular Henry Stephenson, in all seriousness. That's funnier than any of the gags too.Hopkins decides to put McRea to the test by pushing him in the direction of Fay Wray, who McRea still believes to be the richest girl in the world. Will McRea give up Hopkins (who is REALLY the richest girl in the world) for Fay Wray (who is only PRETENDING to be the richest girl in the world but is already married to King Kong)? Are you kidding? Actually, I would have given up the smitten Miriam Hopkins for Fay Wray in an instant. Wray is better looking, unwittingly sexy, and even as a secretary, she still makes a lot more money than I do. If Fay Wray didn't swoon once within my cloud of pheromones, if she didn't fall for me immediately, I'd have beaten her into it.

Though the Academy presented an Oscar nomination for the screenplay of this movie, the story does not make a lot of sense. In order to find a man who loves her for herself instead of her money, Dorothy Hunter (Miriam Hopkins) switches identities with her secretary. Yet when Tony Travers (Joel McCrea) persists in pursuing the "false" Dorothy Hunter (Fay Wray), the real Dorothy continues to want Tony for herself.Right up to the end, when Tony has finally popped the question to the false Dorothy, the real Dorothy continues to love him. It is only a last-minute switcheroo that causes Tony to end up married to the real Dorothy--and even then she is still disguised as the secretary! Why Tony persists in chasing after the woman whom he thinks is the richest girl in the world is a mystery. Does he really love her? No sign that he does. Does he want her just for her money? This seems to be the case, though even that is never made clear in the movie.The situation is not helped by the performance of Joel McCrea. In some films, such as Preston Sturges' "Sullivan's Travels" and "Palm Beach Story," McCrea's deadpan demeanor actually plays into the humor of the situation, particularly when he plays opposite a talented co-star and comically gifted supporting cast. But in this movie Joel McCray borders on the inert. He comes across as a mere hunk, dense and single-minded in his pursuit of the false Dorothy.