Oscar and Lucinda
Oscar and Lucinda
R | 31 December 1997 (USA)
Oscar and Lucinda Trailers

After a childhood of abuse by his evangelistic father, misfit Oscar Hopkins becomes an Anglican minister and develops a divine obsession with gambling. Lucinda Leplastrier is a rich Australian heiress shopping in London for materials for her newly acquired glass factory back home. Deciding to travel to Australia as a missionary, Oscar meets Lucinda aboard ship, and a mutual obsession blossoms. They make a wager that will alter each of their destinies.

Reviews
blanche-2

"Oscar and Lucinda," made in 1997 by Gillian Armstrong, stars Ralph Fiennes and Cate Blanchett in the title roles. The film starts out one way and becomes something else, and then something else again - it's quite a saga, and very beautiful to look at.Fiennes plays an Anglican minister, Oscar, who is a compulsive gambler. On a ship to Australia, which he took explicitly to get over his problem, he meets Lucinda (Blanchett), a free-thinking businesswoman who owns a glassworks factory. She, too, is a compulsive gambler. The two get together and start gambling, Fiennes justifying it by stating that faith is a gamble as well. After all, one stakes everything on the fact that there is a God.The two arrive in Sydney, and Oscar finds himself down and out before he even starts. When he and Lucinda are caught playing cards, his ministry goes out the window. If Lucinda weren't so wealthy, she'd probably have to leave town, but she's tolerated. Upon arriving in Sydney, Oscar promptly wrecks his ministry before it even gets started when he's caught playing cards with his new friend. Oscar then makes a bet with Lucinda that he can deliver a church - made of glass - to her minister friend Hinds, which means it has to travel across the continent. If he can do it, it will be proof that he loves Lucinda.The vision of the glass church going down the river alone makes this movie worthwhile - truly stunning.Blanchett gives a beautiful performance, very organic. Fiennes is very good, just not quite as impressive as Blanchett. The narration is given by a great-grandchild of one of them - I won't say which one.I found this an odd story, full of symbolism, and what a credit to the director that she was able to pull of the elements together. The very last scene in the film pulls it out of what could have been a real downer.I can't say I loved it, but there are some wonderful elements in this movie. If you have a big screen TV, it is a glorious watch.

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evil-kencat

I believe this movie was quite splendid indeed.I especially enjoyed the part where Oscar said "The" It really was quite smashing.Coming from England I believe this movie was very accurate.My mates and I had a wonderful time watching this film; We believed it was "Sexcii" as the "hip" kids call it these days.Well I must be going now.Chereo! Toodaloo! Right Oh! Goodbye Chaps! Good Evening And Etc.p.s. It was exciting.p.p.s. It was also romanticp.p.p.s It also was a tab bit sadp.p.p.p.s It had a nice plot i say!

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ragne

I love Cate Blanchett and also admire Ralph Fiennes's acting skills. They are both superb actors and i was thrilled to see them together in a film. But i do wish they would've picked a more interesting project.This movie was so mind numbingly slow and boring that it's a disgrace to their careers (in my humble opinion).Sometimes movie can be a bit of a bore plot-wise, but it might have something in it that makes it worth your while. Actors do a magnificent job with character development; music score is specially outstanding or cinematography very good etc. Well, this movie was completely average. Acting was OK etc, but all in all i consider these two hours a waste of time. The movie left me no emotions - except maybe perhaps a pressing wish to go to IMDb.com and write a warning review.5/10 points

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KatharineFanatic

There are many films that are so controversial yet so beautiful, they appeal to only a select number of individuals. "Oscar & Lucinda" is one such triumph. It manages to border on heresy and yet sustain profoundness. Altogether a masterful piece of work from one of my favorite directors (Armstrong also filmed "Charlotte Gray," and "Little Women"), with an absolutely stunning, star-studded (before they were "big") cast.You simply cannot comment on the film without considering the two leading cast members. Cate Blanchett is stunning here. She was beautiful, aloof, and impressive as "Elizabeth," but her role as the uncertain yet adventurous Lucinda is extremely memorable. Note her childish transformation into womanhood -- the discovery that not all tales have happy endings, that love eventually leads to sorrow. Her scenes with Ralph Fiennes literally crackle with intensity. These are two actors who manage to convince us they're not acting. The passion and devotion put into the role gives the film it's sparkle beyond the stunning cinematography and absolutely breathtaking musical score. Ralph Fiennes is rapidly becoming one of my favorite actors. He's extremely versatile and never shies away from challenging roles, whether it's a heartless Nazi in WWII, a Cambridge professor caught up in the throes of a quiz show scandal, or the impassioned Evgene Onegin. With "Oscar" we see him literally at his finest. The appropriately-nicknamed Academy Award should have been handed to him the day this sweet little Australian film premiered. His Oscar is passionate, guilt-ridden, complex, and utterly sweet. If you're not in tears by the end, you've not managed to give your heart over to one of the most fascinating literary characters ever created.The sub-roles are all very good (Richard Roxburg in yet ANOTHER 'villainous' lead, but no one minds his untimely demise; Cirian Hinds in the upper-crust role of a minister shocked by his lady friend's gambling habits, even Geoffrey Rush as the unseen narrorator) and lend themselves to a highly romantic atmosphere. I love a slowly unfolding, deep love story but dislike superficial attachments. In the course of this film you believe Oscar & Lucinda actually get to know one another. They're involved in a series of "narrow hits and misses," which make the ending all the more tragic. They "connect" in a way other people cannot; in a world full of round holes, two square pegs make the perfect match.The religious aspect of this film is also highly interesting. As a Christian myself, I regard anything bordering on heresy with wary suspicion. At first glance, the film borderlines on blasphemy, as Oscar so prudently considers in a key scene ("... unless it is blasphemy to consider mortal pleasure on the level of the divine!") when comparing eternal salvation to gambling ("It's all a gamble, isn't it?"), but if you take the time to explore it more fully, there are very realistic truths tucked in with the uncertainties. Oscar eventually does find Truth and clings to his beliefs to the bitter end. The rivalry between different denominations is also notable.Older viewers seeking enthralling but not necessarily uplifting entertainment will find "Oscar & Lucinda" an excellent way to spend a couple of hours, particularly in a group. There is one scene of sexual content that is offensive (although clothed and necessary to the plot; for my own enjoyment, I always skip this provincial scene) but otherwise the film is surprisingly light in content. But it's a movie you shouldn't enter lightly. Out of the group of friends I showed it to one weekend, two out of five found it "depressing." But the rest of us were enthralled.

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