Socialite (Dorothy Mackaill) takes flying lessons from a pilot (Humphrey Bogart) who has invented a new kind of plane motor. The two begin a romance but, despite caring for him, she proves to be a bad influence and his career suffers. When she suddenly finds herself broke, she decides to marry a man with more money so she can help Bogie with his dreams. Lackluster pre-Code drama of interest only for an early starring role for a fresh-faced Bogart. He does a decent job here but doesn't give any indication of his future superstardom. There are some scenes where he plays awkward and a little shy. That's not something you saw much of later in his career. Dorothy Mackaill is lively and less stagy than the normal style of the time. The supporting cast is adequate with no standouts. Best parts of the movie are the flying scenes and one scene where Mackaill is speeding in a car. Also some pre-Code elements some viewers might get a kick out of, such as suggested premarital sex. The story and romance are flat, even by 1932 standards. For Bogie completists and airplane enthusiasts only.

Love Affair (1932) ** (out of 4) Predictable and rather boring love story about a rich social girl (Dorothy Mackaill) and a hard working man (Humphrey Bogart) who hopes to build airplane engines. The two of them start up an affair but he slowly begins to lose sight of his dream while falling in love with her. She also has other things on her plate including a rich man (Hale Hamilton) who has his own plans for her. I was really looking forward to this small drama mainly because it was the first major role for the young Bogart. I must admit that I found a little entertainment in watching him play the clean-cut good guy but the screenplay is so predictable that one will quickly lose interest in the film. To make matters worse, the films runs a brief 68-minutes but it feels double that. The screenplay really doesn't do a thing right as it's never really romantic, it features no laughs and in the end it seems as if you've really not even watched anything at all. I'm really not sure what the purpose of the movie was as the screenplay is so confused in what it wants to say that we never really know if we should care about Mackaill's character or if we should see her as some sort of villain. Even worse is the ending that really comes out of nowhere and amounts to nothing more than silly melodrama. What keeps the film watchable is Bogart who actually manages to turn in a nice performance even if it is a tad bit strange seeing him act without that Bogart persona, voice and attitude that we'd see even in his smaller Warner roles. Bogart plays the happy-go-lucky role pretty well and he doesn't seem to have a problem with the smiling and charming. I must admit that he has one of the strangest ways of standing around (with his arms behind his back) but this too is rather funny. Mackaill isn't bad in the film but she's not all that good either. I think she has a little charm but the role of the rich spoiled girl has been played so much better by so many people. It does seem she has a rather bad timing as there's one scene where it appears she accidentally hits Bogart in the face (the driving sequence) and then another where she walks straight into a chair (when their going to get her a cup of coffee). In the end, this isn't a horrible movie but it's not a good one either and without Bogart it would have been totally forgettable. I think even Bogart fans will find themselves bored so this is certainly only recommended to those who want to see everything he's done.

"You were on your way up and you tripped on a skirt !" Gilligan says to Jim Leonard. That sums up the plot of this story of up and coming Leonard (a YOUNG Humphrey Bogart) when his dream gets sidetracked by the bombshell heiress Carol, played by Dorothy Mackaill. Leonard has been working on a new and improved motor, but now his love life and motor company both have their ups and downs in this 68 minute shortie. Bogart hadn't developed the quiet, brooding style yet. Good performances by most of the supporting characters - her butler, his co-workers, a sister, interlopers along the way. Some adult themes, since it was done just before they really enforced the film code, but it's still tame compared to what is on TV today. Directed by Thornton Freeland, a year before Freeland directed the incredible "Flying Down to Rio".

Humphrey Bogart in his first starring role looks very young, acts well, but has a pronounced lisp only hinted at later in his career. Still, he's very good and very appealing as the idealistic young inventor of a new airplane motor.Dorothy Mackaill is the real star here, playing a once-rich woman who's torn between her real love for Bogart (he's broke too) and the comfort and security of marrying an older man (Hale Hamilton).Along for the ride are Astrid Allwyn as Bogart's trampy sister, Bradley Page as her would-be producer, Barbara Leonard as the cosmetologist, Jack Kennedy as Gilligan, and Halliwell Hobbes as the faithful (and wise) butler).Both Mackaill (whi had been a star in silent films) and Bogart were trying to gain a toehold in talkies in 1932. Bogart was a slow-rising actor from the Broadway stage; Mackaill was slipping and would soon appear in skid-row production like PICTURE BRIDES. Yet they are both very good here. Mackaill wasn't even 30 when she appeared in this film!