No, this is NOT the famous 1951 black and white masterpiece that we all know and saw many times. This is a 1974 TV film, which I never heard of and never saw before. Many people criticized that take fiercely, which laves me totally shocked. Why? This full color take is not bad, this is a very decent try, a nice effort that depicts war as it is - cruel, miserable, sad, bloody, ferocious, wild, wanton, merciless, panicking, awful, bad and horrid. The movie is short, so it doesn't drag or get on your nerves. The plot of the book is depicted very vividly and it does not glorify violence, it shows it as a real terrible and blood-chilling affair. This rare film is certainly worth watching if only for educational sake and also for a fresh view of a classic
... View MoreIt's not a badly done telling of Stephen Crane's story of a young man being blooded in the Civil War. The performances are up to par. Richard Thomas by this time had outgrown his usual appearance of a recent graduate of Choate, yet still looks innocent enough to be the young soldier. The writer and director have added a few touches of their own to the tale. During the final charge into the Confederate lines, one soldier accidentally impales an oak tree and is stuck there for a moment.It's mainly when this version is compared to John Huston's 1951 version that the weaknesses are apparent, even though the budgets must have been similar. Huston had his improvised moments too -- a general riding from one regiment to the next, telling each to fight like hell and save him a plate of beans for when he joins them for supper that night. The same phony speech over and over, which the soldiers recognize and ridicule.But Huston's version is superior in many other ways. Here, the dying soldier tries to climb a tree before falling flat on the ground. In Huston's film, John Dierkes' death is horrifying rather than sad.There's something else too. In subtle ways, the direction by Huston is more effective than Lee Phillips' is here. Not that Phillips is inept but the way Huston manages the camera, the direction becomes part of the story. It's difficult to pin this down but, if you have a chance, watch the way Huston first introduces us to the young soldier, Audie Murphy, who gives the best performance of his career. As his buddy, Private Conklin, Bill Mauldin, a non-actor who was a famous cartoonist in World War II, is thoroughly believable, with his goofy face, whereas the same character here, Michael Brandon, looks and acts like a Hollywood actor. In Huston's film, the lieutenant in charge is of moderate height and slight build, with a scant but hopeful blond mustache. He's as young, vulnerable, and uncertain as his men. Here, it looks as if someone said, "Get me an infantry lieutenant from Central Casting."Well, it sounds as if I'm being harsh on this movie but obviously a good deal of effort and money were put into it and, as I say, the results aren't bad. It's rather that Huston did so much more.
... View MoreRichard Thomas was just right back then; portraying a guy who was scared and ashamed, but too proud to keep running, everything..he got it just right. I think Stephan Crane would appreciate this version better than the 1951 movie.It's confusing enough being that age, then finding yourself in the middle of one of those huge battles- you couldn't pull me away from that TV way back when. It didn't need all of the high tech special effects, Henry Fleming(John boy)and his fellow soldiers brought you into the story as well as the book did. It was a great movie and should be available to high school kids, history buffs, or anybody who enjoys a good flick. But is it available to anyone? I can't find it for sell online anywhere. What a shame. The scene showing fixed bayonets charging, one sticking in a tree trunk accidentally, was artistic license no doubt, but classic! Classic I say! Where are the rerun Gods when you need them? This would be great for my school age son...I'll keep looking.
... View MoreI remember watching this movie on a rainy Saturday afternoon as a kid. It really struck me with its emotive power. Especially notable was one of the battle scenes that was shot adroitly from the young man's point of view, that really made me anxious, as if I were in his place. I would like to see this movie again to see if it is as effective while viewing it as an adult. I always keep an eye out to see if this movie will be shown on late night TV, but it seems as if only the original is ever shown. Does anyone know a way to obtain a copy of this or for that matter any made for TV movies that are not released on video?
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