The Presence
The Presence
PG | 04 August 2010 (USA)
The Presence Trailers

In this darkly romantic ghost story, a woman travels to an isolated cabin where she is stalked by an apparition who inhabits her space as his own. With the unexpected arrival of the woman’s boyfriend, the dark spirit’s haunting grows obsessive. Soon the woman begins to exhibit weirdly irrational behavior as the thin line between sanity and possession begins to unravel. Is she battling her inner demons, or is a much darker presence threatening them all?

Reviews
Kim Tomlin

I wouldn't say I put tons of weight on other people's reviews but I will if the issue is consistent. When this came on this afternoon, it sounded interesting but I came here and the negative comments made it sound as if it would not be a movie I'd like while the positive weren't really helpful--for me.So, I don't know how helpful this will be but I'm so glad I didn't listen to the negatives. Was it a slow start. Yes. Was it "quiet" for 15-20 minutes? Yes. Was it a bad movie? Not even close.If you are looking for movies with lots of action, gore and in your face scares, this isn't for you. I happen to like both and this one delivered in terms of spooky but not the in your face kind. It's a story about a woman's growth past what happened to her as a child--something I can relate to. The betrayal of someone she loved and trusted and how does one get past that? Not easily. It was also a story of forgiveness and I believe the ghost was who many people believe it was; otherwise, why would he have asked for her forgiveness? Certainly the other suggested identification would have had no reason to ask for forgiveness--he didn't know her.The movie had some chills but that really wasn't the movie. If you want a tender story with your chills, by all means, check it out. If that doesn't appeal to you, I would recommend you not--you'll not like it. But for me, I will watch and enjoy this one again.

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gpeltz

Unexpected, and very moving. Very nice, simple and understated, beautifully shot and well acted, It had many layers; How we deal with our own demons, and how in truth, we are not alone. We are influenced by our own personal ghosts, memories of things past,and events that shape us. I had never heard of this movie, but it deserves a lot more attention.I recommend the watch, Do not expect a horror show, although it does have some spooky moments, Let the mood sink in, The pacing is slow and deliberate. That's the way it was meant to be. Just let the story tell itself. I do not believe there is a need for an explanation, the events seem straight forward. One would have to be rather dense to miss the point, and for that matter, the beauty, although symbolism abounds.What you will not find is; Over the top Paranormal Activity cliché's, Evil Dead bloodbaths, or Cabin in the Wood's boogie men. If that is what you are looking for, look elsewhere. The spoiler ? If the spell works, you may find it uplifting. 

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Michael Lane

This feels like a film with a lot less money than they must have had, given that the cast includes Justin Kirk and Mira Sorvino. The camera work is remarkably amateurish, save the rare shot that any film fan can quickly recognize as directly lifted from other movies. Inappropriately scored, too, with sappy, upbeat romantic comedy music playing behind scenes that are meant to be chilling. Plot-wise, it's full of holes, leaving much unexplained. I wouldn't call it boring -- I was mesmerized, in fact, but for the wrong reason; I really still can't believe how bad this movie is. Felt like I needed a shower afterward to wash the stench of it off of me. Watch this movie with discerning film fans for a fun point-and-laugh experience.

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ynoel-2

I went into this film innocently, I came out finding it ...stupid, grotesque. I found it interesting, daring. That lack of dialog (not forced but due to solitude of characters), that ambitious music which pretty much works (almost fully fledged 'old- style' organic symphonic orchestration), the beautiful photography, some eery feeling that went beyond what I expected of this film, and given its very low votes. I was, I could even say, 'into' the film. Which is not bad at all considering I am a difficult film spectator, not least because I have directed 5 features. But then... . The whole things came tumbling down with one stupid, stupid stroke of narrative stupidity: once again, ONCE AGAIN, just at the crux of when we are to understand the curious, if not downright ...stupid behaviour from the protagonist, just when things are starting to have to start making sense, we are thrown into the most trite, basic narrative trick, the most North-American over-used audience manipulation, the simplest way out, the easiest way to trap people's attention and trick them into 'empathy' for the lead character, yes, you guessed it... we discover the lead was raped by her father as a child. Yawn, yawn, triple yawn. What a waste, what artistic dishonesty to fall prey to such easy crass tricks. When, when will American films learned to go beyond that plain manipulation? When will they realize that for one 100% of people have not been raped in childhood, and that it just doesn't work anymore to use an over-used socially fashionable (for the last 20 years) cheap artifice. As a film teacher, I would say 'oh, for God's sake! What do you think you are doing? Do you take all viewers for imbeciles? Go back and re-write the story, work on it like you were paid to do so, and stop taking the easy way out of a narrative dullness'. Film director's should NOT have to be lectured to, they are supposed to be professionals.

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