And Lee Tracy's thing was playing fast talkers. He was the original Hildy Johnson in The Front Page on Broadway.Here he's Brad, a fast-talking reporter again, looking into the murder of the Special prosecutor. A gambler is suspected, but he has an air-tight alibi. The publisher of his paper sends Brad to cover the murder along with his son Guy (Tom Brown).It's evident to Brad that the gambler, Moroni, did the murder. But he can't prove it. Moroni tells Brad that the prosecutor was getting a payoff, and that his assistant killed him. The assistant's daughter (Tina Thayer) says that her father is in danger from Moroni. Moroni is murdered. Brad knows there is someone above Moroni.This is one of those one-hour-plus second features that seems like it lasts a lifetime. It was no surprise who was above Moroni either, thanks to the dialogue.It wasn't great, but Tina Thayer was very pretty.Lee Tracy was a big Broadway star who, though a character actor in films, played a lot of leads. He went back to Broadway after a scandal diminished his film career, but returned to win an Oscar nomination for The Best Man in the '60s, for which he won a Tony award. Nowadays, of course, the scandal would have garnered a ton of publicity. There really isn't much of a mystery here, but if you like this type of film, which was common in the '40s, you may enjoy this.

Lee Tracy once again returns to the role of the fast talking newspaper reporter for PRC's The Pay Off. Tracy could do this role in his sleep, but fortunately put a great deal of conviction into his performance.The murder of a special prosecutor and the disappearance of his assistant with $100,000.00 in pay off money is the kind of story Tracy can sink his teeth in. He's also got an assistant in this story, young Tom Brown has been told by his publisher father Robert Middlemass to learn the newspaper business from Tracy.The Pay Off falls into Tracy's hands in the form of a key to bus locker terminal. As for the assistant, Tracy uses it for bait to flush out the bad guys including the mysterious Mr. Big. By this time Brown and Tina Thayer the daughter of the assistant have fallen in love.As for Tracy he gets to out fox a sly fox of a hit woman in Evelyn Brent. His scene with her when she thinks he's dying of a gunshot wound is the best in the film.Jack LaRue has a good part as a lizard like gambling club owner who will make your skin crawl.Tracy's career took a downward skid when he got fired from MGM off the Viva Villa set. For the next dozen or so years he caught on with a lot of low budget studios, but I will say he gave as much conviction to his parts with places like PRC to those films he did with MGM in his top years.The Pay Off is a good example of that.

I agree with many of the previous comments about "The Payoff", although I'm just not that enthusiastic about it.The film is a page straight out of the part-crime-mystery / part-comedy genre of the day. It's true that the dialog is snappy and if you're in the mood it can be quite engaging. But it's also true that "The Payoff" is really more of a theatrical-style of presentation than film. Lee Tracy immediately goes over the top, and stays there, with a very stage-style performance. Too loud, too gestural, too self-entertaining, just plain "too". The other characters are mostly cliché, too.I wouldn't avoid The Payoff if you enjoy 40's urban crime features. It's a terrific feature if you're home sick and need to fill an hour. But I wouldn't go to any extraordinary measures to see it, either.

Lee Tracy was huge pre 1934 but by the time of "The Payoff" bad behaviour and a drinking problem had just about finished his career. He may have looked older but this film certainly benefited from his peppy delivery.Chief Prosecutor Lloyd Pearson is gunned down by an unknown assassin. Brad McKay (Lee Tracy) "the best newspaper man in the country", becomes involved in the Pearson murder after police come after one of his poker buddies, Moroni (John Maxwell). He gives Moroni an alibi, but Moroni, (who is the real killer) sends him on a wild goose chase by telling him the killer is Hugh Walker - Pearson's assistant, who was disbarred for taking bribes. He also says Pearson was taking a payoff of $100,000. When Moroni is found dead, Brad meets Phyliss Walker (Tina Thayer), her father mysteriously goes missing and they find themselves at a gambling club run by John Angus (Jack LaRue). Evelyn Brent makes an extremely brief though very welcome appearance as Alma Dorn - a mystery woman, who doesn't seem to have much to do except to give Tracy a big kiss at the fadeout. Tom Brown, who never seemed to age - maybe that was the reason his career never took off - he always seemed like an over eager cub reporter which is what he played here.