Svel Hassle has written a lot of books about his war experiences as a Dane in the German Army in WWII. Most of these fictional accounts but based on real-life events), the books have been widely released in Europe, but from time to time are available in North America as well (Corgi Press).This is the one and only movie made from one of his books, a shame really, since Swen Hassle portrays way in a most realistic manner; neither making light of what is happening, not glorifying war, but emphasizing the "Kameradschaft" - the effects of the war's events on Swen and his friends.The movie unfortunately has some flaws that keep it from being really great. Foremost of these is the casting of David Carradine as a German officer. Too bad, since his performance in this film is sub-par at best.The casting of Bruce Davison as Porta is a great choice, and he really shines in this movie, and along with David Patrick Kelly (as "The Legionnaire") gives realistic performances.One of the major reasons this movie didn't receive wider distribution was protests from a number of groups who thought the movie - although they probably had not seen it - glorified the Nazi regime. It doesn't - it portrays war as brutal (on all sides), with no leaders to rely on, rather only one's fellow soldiers to depend on for your life.A side-note - Swen Hassle is still alive (at this writing) and until relatively recently, has still been writing (although not writing fiction any more). Two of the three major characters in his books (Tiny, Porta and the Legionnaire) survived the war as well.

If you fell in love with the books of Sven Hassle, you might think this is a movie not to miss. Sorry, have to bring your hopes down.The movie doesn't catch anything from the books! The characters are nothing like in the books. Can it be so that they couldn't find any actors to resemble the characters in the books or was the directing so terrible? I don't know but I was SO disappointed after seeing this movie that I was sorry I bought it.As far as I'm concerned, this movie shouldn't have been done, at least not in the 80's! They probably had a very small budget which may be the reason for the terrible style of the movie and the story, that doesn't remind me of the exciting and cruel stories in the books of Sven Hassle. Skip the movie and stick to the books!

I just saw The Misfit Brigade / Wheels Of Terror and I loved it. This is American style entertainment, simple and plain, all traditional, unsophisticated, popular, more quality of a TV series than a movie - and GOOD I could just eat the disc. This is America, so horribly underrated by high-nosed Europeans - and by Americans themselves! The film is based on a Sven Hassle novel about a German tank crew on the Eastern Front in WWII. So American in style and quality. Those typical easygoing toughs fixing everything with perfect, soundly unrealistic ease.An unpretentious, slightly silly film with lots of action and solid humor, and I already know this will be one I will frequently see again. In short: Banality At It's Best.

For almost two years I successfully resisted renting this movie. That resistance was certainly aided by the cheap looking case of the video, and the fact that director Gordon Hessler is known (if at all) in the US only for a trio of cheap, British, AIP horror flicks, "Scream and Scream Again" being marginally the most watchable of the lot. But the desire to see what Hessler and his mostly American TV actor cast would do with such material, and the need for relief from a recent diet of "serious" indie film viewing, pushed me over the edge to spend the whole one dollar rental fee. Obviously "the Misfit Brigade" is no masterpiece, but it was far better than I expected, and, as others have pointed out, occasionally rises to the level of pretty damn good. I loved, for instance, the sequence in which the misfits watch a Soviet propaganda film projected on a large screen across the front line. I don't know if this ever happened, and if it did, I doubt he films would have had the big studio production values of the one presented. The bordello sequence was also funny, and reminded me of the humor in some of the better Italian westerns. There was also the occasional visually striking shot. I particularly liked the long tracking shot that begins on a Russian peasant coming to a road, then follows a Russian military vehicle through the gates of a compound, then swoops up on a crane to the roof, where a German soldier is observing the vehicle. Then, in subtitled Russian, someone yells, "There's a Kraut on the roof," and we cut to a shot of the rest of the misfits (some distance away) as we here automatic weapons' fire on the soundtrack. This is damn good sequence. I've read in his mini biography here on Imdb, that Hessler worked for Hitchcock's TV unit at Universal before directing features. This long tracking shot is certainly similar to one of Hitch's, and even shares a bit of the master's dark humor. But, OK, this film is not art. It is somewhat choppy (at least in the U.S. video version), and the low budget shows in some of the action sequences. Still, it's a fun little movie if one can accept its limitations. Even David Carradine seems to be enjoying his minor role as an uptight German officer. Oliver Reed is not on screen very long as a pompous German general who arrives at the end of the film to decorate the misfit heros. I cannot agree that his attitude during the air raid which follows detracts from the film's "realism." This is all slapstick anyway, which accounts for the film's final cut, before some graphic violence would have betrayed it's lighthearted mood.