It's 1964 in Lexington, Kentucky. Dr. David Henry (Dermot Mulroney) drive his pregnant wife Norah (Gretchen Mol) to the hospital. He and nurse Caroline Gil (Emily Watson) deliver healthy son Paul. They are surprised by twin Phoebe who turns out to have Down Syndrome. He lies to Norah that she died and gives the baby to nurse Gil. He instructs Gil to put her in an institution expecting her to die but Gil decides to raise the baby herself due to witnessing the draconian conditions.It's a Lifetime TV movie. It tackles an interesting subject and a girl with Down Syndrome gets to act. These are solid actors but the story doesn't have enough tension. I don't find the Henrys that compelling. Their part of the story feels meandering. I like Gil's side better but that isn't the most dramatic either. I would rather have a bigger time skip like 12 years later. The story could easily pick up when the two sides reconnect. It's more compelling that way because the danger of discovery is heightened.

Giving one of the most amazing performances of her incredible career, Emily Watson brings compassion, love, and beauty to this otherwise mediocre film. As is almost always the case, Watson rises above the material and essays a character that in unforgettable in its depth, realism, and passion. There is no debate as to Emily Watson being the finest actor of our time and this film serves as another showcase for her astounding talent and artistry. In even minor roles, Watson captures a film and makes it her own to the extent that other actors in a piece strive to give exceptional performances themselves. Anyone who truly appreciates cinema and recognizes genius when they see it will see Emily Watson's name in the credits and make a point of seeing the film. Watson is a divine gift to any director and an artist that touches the very souls of audiences whenever she graces the screen with yet another masterful moment of cinematic greatness.

It was understood this would be a sorely depressing film, considering the unpleasant subject. I never read this novel, but any screenplay it contained would have tended toward low expectations. Even in this era of cloned flops.--Spoilers coming: Here we see nothing uplifting, not even the growing children. I've known some wonderful kids with Down's Syndrome. A sweet Downs child is usually more than able to capture your heart by sheer innocence and good will.Here the daughter Phoebe has that responsibility thrust on her because all the other characters are dreadful. They only convey grief and/or ignorance of the subject matter. Ostensibly because this novel all occurs in unenlightened days when Downs babies were referred to as "Mongoloid idiots." But in this plot there can be no excuses. Because her father, this "Memory Keeper" is a practicing physician. Yet, from panic he condemns his baby girl to an institution that seems nothing more than a zoo. Emily Watson's role is supposed to show love and compassion. She's this plot's lynch-pin. But what she acts out is deadpan worry. Both the mother who was deceived, and her boy the twin brother, are played with less nuance than her Downs-afflicted daughter emotes.Indeed, she carries on cheerfully. The plot, however, sags in all the important places. Except for some tearful expressions by Mom and Dad in early development, hardly any acting of significance is filmed. IMHO, the director of this movie ought to bow out of the profession and let others take the blame for depressing, bad films.

Someone asked about a song that the son was playing on the guitar...It's called: "Romance: Juegos Prohibidos." The composer is an anonymous Spanish guitarist.However, you can find the song on iTunes played by other musicians.A few scenes later, Paul and his son are in the truck arguing about music and there's another song playing.It follows the son as he's running on the beach.It's called "Asturias" by Juan Quesada and it's on the Vicky Cristina Barcelona soundtrack.From the little bit I saw of the movie, I really enjoyed the soundtrack! Wish it were available to buy.