Adaptation.
Adaptation.
R | 06 December 2002 (USA)
Adaptation. Trailers

Nicolas Cage is Charlie Kaufman, a confused L.A. screenwriter overwhelmed by feelings of inadequacy, sexual frustration, self-loathing, and by the screenwriting ambitions of his freeloading twin brother Donald. While struggling to adapt "The Orchid Thief," by Susan Orlean, Kaufman's life spins from pathetic to bizarre. The lives of Kaufman, Orlean's book, become strangely intertwined as each one's search for passion collides with the others'.

Reviews
sakram

It doesn't have to be some action movie, some obvious drama, or some comedy to lead you into liking a movie. My friend told me, "Hey this is a good old, well it's underrated, please grab a sheet note and write down everything you notice, and focus.". And so I did, I noticed many, many things no one else without the slightest concentration would know. It really would seem pointless if you watch it mindlessly.This is a movie for grown-ups, who will to give their all to understand such a genuine and original movie. Give it a try.7/10

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TheHaratashi .

What a waste of time and a waste of NC's talent. This role didn't fit NC at all. He just wasn't believable in this role of playing, or should I say over playing, a pathetic socially timid dufus. The movie itself was boring as can be and I didn't care about any of the characters. It's ironic that NC goes to a writing seminar in the movie - I think the people that wrote this movie should have gone to a writing seminar. It's boring, slow, dumb, and about as uninteresting as it can get. Awful movie from every angle.

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guedesnino

The kaleidoscope of metalanguage presented in the film, are presented and used with mastery, either at the beginning of "Adaptation" which is linked to the term "Being John Malkovich", both directed by the distinguished Spike Jonze. Still on metalanguage, which is about an adaptation of a book to a cinematographic script, which is created simultaneously with the film itself, ie a film about itself, as a joyfully self-referential exercise of self-deconstruction. But it is also, more profoundly, a film about its own non-existence - a narrative that confronts both the impossibility and the desperate need to tell stories provokes our expectations of coherence, plausibility and fidelity to the reality lived.There are variety of games presented in the film are dominated by the restlessness of knowing what is real what imaginary, what in fact thinks Charlie Kaufman, movie roter and what in fact thinks or thought Susan Orlean, when writing the book "The Orchid Thief "that inspired the film. What script rules are actually followed, ignored, and subverted? And that in the film are presented and worked through the figure of the writing twins Charlie Kaufman / Donald Kaufman (Nicolas Cage) and scriptwriter Robert McKee (Brian Cox).So well adapted to this story are the actors, who in addition to acting are guides who invite us and lead us to organize the fragmentary data of the film. If in the figure of the twins writers we have two sides of the same man, and that in "Adaptation" is referenced like the opposites of the same figure of a policeman and a bandit, where both are complementary. If the script uses these two men to present the diversity of the same man, we have in Susan Orlean (Meryl Streep) the perfect adaptation of the divergences that fit in a single person, of how human and fragile and volatile and how the process Of adaptation of a person is not necessarily followed by completely philosophical or psychological questions, are in the measure, impulses of an immediate action. The character Susan surprises with her abrupt change in the end and unpredictability of her attitudes, though consistent, without script or construction failures.The use of the pace in "Adaptation" is undoubtedly an important and necessary point to tell this story, Jonze with his experience in clips and series for MTV, was able to absorb the freshness of a stormy pace that assists in the complexity of moments lived by Charlie and Susan or in moments of lull and mockery of Donald's life as well as in the great final Match Point, a frenetic, accelerated jab of actions and images, but which unfortunately comes out too much, unnecessary, in trying to present solutions that lead to an outcome.At first, Charlie's overly self-conscious and pseudo-intellectual crises are fun as we recognize the same tendencies in ourselves. So we also feel his yearning when he is so touched by a book that it looks like it could be the catalyst to kick him out of his narcissistic lifestyle. That is, until Kaufman reveals his great epiphany - that even after enlightenment, life is still cheap and dirty. What is not true or absolute lie, but turn into two hours of a film, where director and screenwriter apparently dialogues with each other and the public is the passive stance to accompany their discussions.

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nadrojh

Adaptation is a brilliant movie about a passionate man, a book, and a script. Spike Jonze and Charlie Kaufman did an incredible job directing and writing. The script is a masterpiece flawlessly layering one story on top of another. I also likes the use of voice over. It is well shot, especially the scenes in the swamp. I also like the use of scenes of the Being John Malkovich set. It has a wonderful cast with incredible performances by Meryl Streep, Chris Cooper, Brian Cox, and Nicholas Cage who plays dual roles. Adaptation is a brilliant movie. It is a fun adventure in the art of storytelling. It is one of the best movies to come out of the 2000's. It is one of my favorite movies, I can watch it over and over. It is a movie anybody interested in movies should see.

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