The biggest point of irony in Frank Whaley's The Jimmy Show is that, while the film concerns the ideas of a standup comic and his standup comedy routine, it is not funny or comedic in the least bit. In fact, it's one of the saddest films I've seen all year. It tells the story of Jimmy O'Brien (Whaley), who slogs at his redundant day job as a supermarket clerk, ripping the company off of its twenty-four packs of Pabst Blue Ribbon every single day and talking to his only friend, a stoner named Ray (Ethan Hawke). By night, Jimmy finds some sort of neurotic solace on stage at seamy comedy clubs, where he doesn't really tell jokes (well, attempts to but is met with not a single chuckle), but hold a therapeutic venting session for himself as the audience blankly stares or tunes him out. After watching him theoretically "bomb" a couple nights, we wonder why he keeps doing this. It isn't until we hear him tell Ray that he loves how people have to listen to him, whether they like it or not.Right then and there, we get a sense of how lonely, desperate, and tired Jimmy really is. He's tired of not succeeding, job-hopping trying to find what he likes, but managing to find a way to screw it all up, whether it's stealing or simply not being cut out for the position. Jimmy lives with his wife Annie (Carla Gugino), whom he married right after he got her pregnant, and takes after his disabled grandmother, buying her her expensive medication and trying to make sure she sees another day. It doesn't take long for us to realize that Jimmy is sad and kind of a pathetic character, but even if some of his problems are brought-on himself and some of his actions aren't necessarily the right ones, especially if you're trying to build yourself a better life, it takes about fifteen minutes into the film before we start seriously feeling for the character and waiting for his break - like Jimmy himself is known to do.Frank Whaley is tremendous as Jimmy, quiet, unassuming, but an incomparable knockout of a performer here, effectively conveying the many moods of his character through numerous different interactions with people or through his standup performances. Jimmy's standup performances are some of the most original things in the film, as they effortlessly structure and mold the character into a less-content and more quietly-disillusioned person than we could've ever imagined. His standup performances are occasionally interrupted by hecklers, to which Jimmy has no problem putting them on the spot in a unique and original way. Even though they may lead to him getting attacked on stage, at least he finds something resembling the power to defend himself spontaneously.One of Jimmy's darkest insights is when, after Annie abruptly tells him she wants to part ways, he gets up on stage one evening and says, "One minute, you're falling in love over an ankle bracelet. And the next minute, you're dividing up the furniture. And in the middle of them two minutes, you make a baby, who's gotta learn it all by themselves." Piercing insight like that is what keeps the film afloat in a thematic sense, and blends fittingly with the film's great performances and slice-of-life focus.The lengthy final scene in The Jimmy Show, set to a memorable and somber piano tune, makes for one of the most upsetting scenes in the film, regardless of how cliché it may seem. This is predominately because we see it happen in other films but, at the end of the day, there's still a chance for the main character. By then, we realize the character has not only run out of chances but has never really had one in the first place. "I've had a tough year," he says one night at a comedy club, but the audience, at this point, feels like heckling and saying, "you've had a tough life." For those who have a difficult time imagining what this film is like, imagine an episode of Larry David's Curb Your Enthusiasm that isn't funny but deeply heartbreaking.Starring: Frank Whaley, Carla Guigo, and Ethan Hawke. Directed by: Frank Whaley.

In order to be a good critic one has to rise above one's personal biases. Period. If one cannot get past hating love stories or action films, then one should not practice the craft, because there are good films that are mere love stories or action films. It is the excellence of the film, and how it achieves its excellence, that is more important than what sort of a film it is. This basic lack of understanding how to separate one's likes from the objective ability of art to effectively communicate, is why most critics fail in their task. On a related plane is the inability of many critics to distinguish between when a film is something, and when it is merely about something. A good example of this is the 2001 independent film by actor/director Frank Whaley, called The Jimmy Show (nothing at all like the Jim Carrey vehicle, The Truman Show); his second directorial effort after 1999's lauded Sundance Festival film Joe The King. It is a very good, albeit not great, film about the depressing life of a working class loser. Yet, the film itself is never depressing, despite its being damned to obscurity by critics for that very fact. Again, the point is that film critics claimed something about the film that is about what the film portrays, not how it portrays it…. In many ways, Jimmy O'Brien is like George Bailey, from It's A Wonderful Life, save for two things- the first is that he's a miserable person whose own misery has cost him everything. He has no Mr. Potter as antagonist, and although George Bailey's choices also result in his depression at the end of that film, all of his choices have been selfless, not selfish. Jimmy O'Brien, on the other hand, has been behind all of his failures, because he has tried to please no one but himself. The second is that Jimmy O'Brien is beyond help and hope. Even were a guardian angel, like Bailey's Clarence Oddbody, to intervene, Jimmy would never pay attention long enough to learn. He has no need for others' counsel, and cares not to hear it.In this way, The Jimmy Show is the ultimate realist film, for there are far more Jimmy O'Briens in the world than George Baileys. But, it is the life of the fictive Jimmy O'Brien that depresses one, not the film about him, for this little film can make one feel much better about the lives they've lived, not only because how well the portrait of him is crafted, but if only because a viewer is not as badly off as the lead character. How many DVD viewers lead lives that have far too much truck with aspects of the characters from this film? I would say too many- most of whom would not want to admit it, which is the answer as to why this film was so unfairly panned upon its release. Looking into a mirror, when one does not like what one sees, is always a downer, and The Jimmy Show is a filmic mirror for far too large a portion of an American audience for it to have ever had any great financial nor critical success. But, it is the failure to look at what the mirror reflects, rather than what the mirror is, that was the cause for much of the hostility that this good little film engendered. But, with that knowledge in mind, take a second glance into the looking glass of The Jimmy Show, and Jimmy O'Brien's life. It's worth a bit of redemption, if not for him nor you, then for art.

I found it more depressing than funny. I was looking for more humor than sadness. It's it turns out to be very very sad. Everything turns for the worst for Jimmy. Everything that happens to Jimmy gets more and more depressing. He gets fired from the grocery job. He doesn't get any laughs at the comedy clubs. He keeps getting fired from his jobs. His wife leaves him. His grandma can't move on her own. His insurance is canceled. He is unable to buy his grandma's pills. It's all so sad. I only laughed twice and that's when his friend was moving boxes on the cart and they fall over twice. It's sad to see what happens to him and how he reacts to everything.

I watched this movie because I'm a fan of Ethan Hawke. Sad to say, there was little good about it. Frank Whaley always looked strained trying to get his part right, while Ethan appeared relaxed and natural. That's the difference between a want-a-be and an outstanding actor. The high light of the movie was when Ethan Hawke, playing an inept grocery store stocking clerk, kept dumping his load of boxes off the dolly. The part played by Whaley was of a loser want-a-be stand-up comic who could not make the grade and was never funny. The pathetic Whaley character was a thief (stole from his employer), drunk (what he stole was beer), argumentative individual (couldn't hold a job), and general misfit. As to the movie itself, it was a drag, repetitive in its plot with only the local changing. In other words, the plot was recycled every few minutes. In general slow and predictable, a bore to watch, and if you haven't seen it yet, don't waste your time.