The Fifth Floor
The Fifth Floor
R | 15 November 1978 (USA)
The Fifth Floor Trailers

A young woman collapses on the disco dance floor of what's revealed to be strychnine poisoning. Assuming that this is an attempt at suicide, her boyfriend and doctor have her committed to the Fifth Floor, an asylum with obviously crazy inmates and a predatory orderly. The problem is, she's still sane!

Reviews
Jack Spencer

Really only one reason to see this movie, and that is the performance of Bo Hopkins. He makes almost any role he does come alive, especially a villain. I told him that, when I had the chance to meet him several years ago. He didn't exactly agree with me about his role here, but he remembered this movie, and said the production values were very good. The story is enthralling, and you squirm, because you know it can happen to you. Tension throughout, and you do get sucked in, but you feel about the same way at the end as if you drank cheap malt liquor the night before. Tired, and with a bit of a headache. But if you are a Hopkins fan, it is worth a peek.

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adriangr

The Fifth Floor is an engaging piece of work that was much better than I expected. Using a tag line like "From the disco floor to the insane asylum" is asking for trouble but the film deserves better than that.Dianne Hull plays Kelly, a friendly girl who works at a disco club (not sure what as!), who has a sudden seizure one night while dancing and is rushed to hospital. When it is found that she has strychnine poisoning, Kelly claims that she has been poisoned, but alas for her, no-one believes her and she is sent to a psychiatrist as a possible suicide, which, due to a few more misunderstandings, leads her to being incarcerated on the "Fifth Floor", which is a special secure ward for the insane. Can she establish her sanity and get out of the place and back to normality? What I liked about the film is that it plays the scenario of Kelly's plight out quite seriously. The more she complains, accuses the staff of lying and refuses to take treatment ( a very good performance here by Dianne Hull), the more deeply she gets herself trapped. While watching you find yourself thinking: "Yes I guess that's exactly what a mad person would do and say as well", and her plight struck me as all too believable. The biggest spanner in the works for poor Kelly is a corrupt and lascivious orderly called Carl (effectlively played by Bo Hopkins) who likes to sexually assault the younger female inmates and then blame their later accusations on hysteria. He takes a shine to Kelly and the two scenes in which he abuses her are quite unpleasant. Thrown into this are some good minor performances by the other inmates that Kelly befriends, including a pregnant girl called Cathy and a seriously unhappy and troubled woman named Melanie, played with genuine feeling and impressive intensity by Sharon Farrell.So, although the plot is nothing new (sane person committed to an asylum by mistake), the film does a good job of handling it. Although the situation is kept small scale, you can certainly feel for the central character, and with great performances all round and a couple of rather surprisingly brutal scenes, it all goes towards making "The Fifth Floor" a place you really should visit.

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dtucker86

I saw this film as a kid and I remember the advertisments for it on tv made it look like it would be as scary as The Shining. It really isn't scary at all. The actors do a fine job, Dianne Hull (whatever happened to her?) makes a nice damsel in distress. Its funny seeing Robert Englund before he played Freddy Kruger. A young disco dancer is mistakingly committed to an asylum after someone drugs her. It makes you think because there really have been a lot of cases like this. I don't remember what happened in the end, but I don't think it had a happy ending.

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Vince-5

The Fifth Floor is a fun little horror/women-behind-bars hybrid with a great cast. The story, about a go-go dancer railroaded into an asylum, is based on a truly horrifying premise: Under certain circumstances, everything you say or do can be interpreted as a sign of madness. This could've been a very dark, lurid nuthouse shocker, but, perhaps in a bid for respectability, the sleaze factor is considerably played down. The result is a lightweight cult creation that, although lacking in ferocity, still comes across thanks to good acting and a real sense of helpless fear in key scenes. Pattie Brooks sings a very catchy number called "Fly Away" in the opening disco scene. Not bad at all.

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