July 1588 . In the English channel the British fleet has been battling for two days against the mighty Spanish armada . Badly damaged with half their crews killed , the ships of Spain battle their way on up the channel . And the thickest part of the fighting is one of the smallest Spanish ships , the licensed privateer 'Diablo' . As the damaged privateer deserts the Spanish Armada and makes land for repairs near a village on the British coast , terrorizing the local inhabitants . They have to put it near from a village on the coast for repairs . The place is small and isolated and the Spanish military convince the villagers that the British fleet has been defeated and that they are now their conquerors . The hot-blooded as well as shipwrecked crew of cut-throats is led by Captain Robeles (Christopher Lee) .Entertaining pirate movie , plenty of action , thrills , exciting sword-play , luxurious costumes , athletic feats , enjoyable score ; all meld together under Don Sharp's right direction . Combination of spectacular ships battle , sword-play and full of villainy , betrayal , swashbuckling and heroism . Hammer Production built a real Spanish pirate ship for the film planning to reuse it on other flicks . The full-sized galleon was built in some sand pits on a steel structure under the water ; although warned not to have too many people on board at once, one day the tea boat was lifted onto a platform level with the water with too many people getting their tea . The ship capsized throwing most of the cast and crew in the water , thankfully no one was drowned or seriously hurt . In the film appears Hammer ordinary actors such as Andrew Keir , Duncan Lamont , Susan Farmer , Philip Latham , Michael Ripper and , of course , the great Christopher Lee . Interesting script by screenwriter Jimmy Sangster , Hammer's usual , he remarked that this movie's basic premise is similar to that of "The Desperate Hours" in which a gang of criminals holds a family hostage . Well produced by Anthony Nelson Keys at Bray studios , England , with nice production design by Bernard Robinson , in fact "village square" set was also used , only slightly altered , in "The Crimson Blade" . Evocative as well as thrilling musical score by Gary Hughes . Colorful cinematography in Hammer style by Michael Reed . The motion picture was professionally directed by Don Sharp , it premiered in the United States before debuting in Britain and was double-billed with "The Invincible Seven" . In the mid-1960s Sharp was hired by horror specialist Hammer Films and resulted out some well-received thrillers , and horror movies including Kiss of the vampire (1963) , his first for Hammer , Witchcraft (1964) and The curse of the fly (1965) . Don directed Christopher Lee six times , he was his fetish actor . Don worked on a few films as second-unit director , most notably Those magnificent men and the flying machines (1965) and Puppet on a chain (1965) before returning to filmmaking again , and turned out a string of thrillers as The thirty nine steps (1979) , Bear Island (1984) , horror films as Dark places (1974) , Secrets of the phantom caverns (1985) , Guardian of abyss (1988) and comedies . Towards the end of his career he worked in television on mini-series .

As I said in my review for THE PIRATES OF BLOOD RIVER (1962), this is a virtual retread of the script for that film (just as THE TERROR OF THE TONGS [1961] had reworked the central premise of THE STRANGLERS OF BOMBAY [1960] – all four titles, incidentally, comprise Columbia's recent "Icons Of Adventure" DVD set)…or, perhaps, it was closer to what Jimmy Sangster had originally envisaged before John Gilling got to work on it! In any case, the two pirate films don't have just the plot in common – but many of the names associated with BLOOD RIVER resume their duties on DEVIL-SHIP, including composer Gary Hughes as well as several Hammer stalwarts (production designer Bernard Robinson, editor James Needs, not to mention co-stars Christopher Lee, Andrew Keir and Michael Ripper, all of whose characters are practically identical!). This doesn't mean that the film is a cheap rip-off of the earlier effort: it can stand well enough on its own merits, and there are even those who prefer DEVIL-SHIP to BLOOD RIVER; as ever, the company managed to give the whole a semblance of expensive production values when it was typically done on a low-budget.The rest of the cast is generally effective, if not quite as satisfactory as that of BLOOD RIVER – even so, characterization is more fleshed-out this time around: John Cairney does alright by the hero (who, unusually, is a cripple); Suzan Farmer is a lovely heroine (though she gets little to do – but, then, neither did Marla Landi – and in her case, it's Lee who leers at the girl rather than his underlings); Duncan Lamont is imposing as Lee's right-hand man, but his role never really amounts to much; Keir and Ripper were both better served by each's first stab at their respective roles (Ripper, in particular, is here merely to supply the obligatory comic relief). However, we do get a couple of interesting 'new' characters: Farmer's aristocratic father (Ernest Clark) is a sycophant, while Barry Warren – a Spaniard officer detailed with an outfit of pirates-turned-soldiers is an outsider amidst their ranks and, on several occasions, lends a helping hand to the locals in order to defeat them! By the way, the narrative deals with the aftermath of the Spanish Armada's defeat by the British in the late 16th century; a stray vessel, the "Diablo" (hence the film's title), decides to rest furtively on British soil to effect the necessary repairs – however, when they're discovered, the Captain (Lee, of course) decides to risk passing themselves off as conquerors and, in no time at all, has the run of the village! The groveling Clark is all-too-willing in this respect (to the point of inviting Lee into his own house…but, on objecting to the latter's unsavory attentions towards his daughter, is summarily executed!), while Keir offers opposition – and pays the price for this affront with his life. His son, Cairney, naturally seeks revenge – which he attains, with Warren's help, by sabotaging the ship (Lee having ordered the artisans among the locals to carry out the required maintenance). Incidentally, unlike THE PIRATES OF BLOOD RIVER, this does feature reasonable large-scale action with a sea-battle at the very start and a literally explosive climax. The ultimate assessment, then, is that THE DEVIL-SHIP PIRATES is a pretty good adventure flick…though, when it comes to director Sharp's Hammer output, I still feel he did his best work on the far more typical THE KISS OF THE VAMPIRE (1963) – which, if you ask me, is a genuine minor classic of Gothic Horror.

Made in 1964, this action romp (set on land) is one of Hammer's few forays beyond the world of horror.Christopher Lee is on crisply villainous form as Captain Robeles, whose modest privateer Diablo comes off worse when the Spanish Armada gets a sound shoeing and has to limp into hiding in the marshes near an isolated English village.To carry out repairs and escape safely, he and his crew hit on the wizard prank of terrorising the villagers into believing the Spanish won the engagement and that they represent the new authority.It's all done on a shoestring but certainly doesn't look it and boasts all the usual Hammer trademarks of solid if slightly dull hero, heaving bosoms, weak authority figures, cowed locals and a meaty villain.

Like its companion film, "The Pirates of Blood River," this Hammer production is set almost entirely on land. There are probably budgetary reasons for this but the results may be a tad disappointing for those seeking a rousing sea-going adventure.There are compensations -- a competent script, adequate mounting, and a cast of capable performers headed by Christopher Lee. What's more, John Cairney, who plays the village's hotheaded rebel, gets a flogging in the town square while bound, bare-chested, to a whipping post. Alas, only the final five of his allotted twenty-four lashes are shown on film.