(63%) A light hearted comedy western made toward the latter stages of both James Stewart, Henry Fonda's career, and actually westerns in general. The premise is strong and this does a decent job at telling it through good performances along better than average writing. Despite this being very much centred around prostitution it's as squeaky clean as any Disney movie, with very little in terms of sleaze. In fact even the brothel itself is spotless, I've seen dirtier real life hospitals. With its charm, nicely drawn characters, and good entertainment value I wouldn't hesitate to recommend this to all fans of the western genre or just those looking for something decent to pass the time.

The Cheyenne Social Club sounds like a bad idea on a number of levels. For beginners it stars two elderly actors towards the end of their careers in a comedy about prostitution, not to mention Gene Kelly would be one of the last people I would expect to be directing a western. For a long time it remained a movie I doubt I would ever watch yet much to my surprise the film turned out not only to be perfectly dignified but also very funny and surprising endearing. The idea of Jimmy Stewart being the owner of a brothel and becoming a sugar daddy sounds wrong on paper yet somehow it manages to work. The Cheyenne Social Club paints an idealized version of a whore house in which the women are proud of their profession and worship their boss. The movie doesn't shun prostitution and while propaganda might be a strong word I certainly got the impression the movie was voicing its support for the legalisation of prostitution.Henry Fonda is by far the funniest thing in the film; a child in an adult's body living out a completely carefree existence with Stewart being the straight man and the grown up one of the two. Even as soon as the film begins Fonda babbles through the entire opening credits which according to the movie lasts for literally over a thousand miles which helps distract from how ordinarily plain the test in the opening credits are. The relationship between the two is incredibly endearing with one of my favourite moments of the film is the two of them innocently sleeping in the same bed together. It is also very amusing as Fonda just follows Stewart wherever he goes as he has nothing else to do with his time but also because he just likes his company. It's evident through their own screen chemistry that the two where lifelong friends. The film's other major highlight is Stewart and Fonda's discussing of politics (Stewart being a Republican and Fonda a Democrat) mirroring their real life personas and bringing to mind an occasion when their friendship was almost brought to an end when they got engaged in a fist fight over politics in 1947 ("I don't like to dispute you John but didn't you always vote democratic?, Well...that was when I didn't know any better") .The Cheyenne Social Club is the third of three films James Stewart and Henry Fonda starred in together. The first two of which are among the weakest films I've seen from ether actor. Thankfully the third time was the charm; it took 35 years to get these two legendary actors in a great film together but it was worth the wait.

Fun Western comedy with two-towering actors and bemusing situations that happen when an upright cowboy after the death of his brother receives an unusual legacy : The Cheyenne social club and he along with another friend from Texas go to the location . Agreeable film about two nice cowpunchers plenty of humor , thrills and stunning performances . "John", a honest cowpuncher (James Stewart) to which accompanies his inseparable friend "Sullivan" (Henry Fonda), another cowboy from Texas who are longly friends from 10 years ago , at the prospect of inheritance they decide to go in search of the business of his deceased brother . At the long trek takes place some amusing exchange of dialogs among them . After that , they discover the truth as the Club results to be the town's bawdy brothel plenty of joyful girls ( Shirley Jones , Sue Ane Langdon , Elaine Devry as sexpots of bordello) with a great tradition in the region. As Stewart increasing involvement with luscious employees and Fonda helps to operate the bordello . Meanwhile there appears the assortment of bad guys (Robert J Wilke , Charles Tyner) who force shoot'em up on them.Gentle entertainment about a bordello in the Old West with two masters of the performance , James Stewart and Henry Fonda , they are magnificent experts in the art of conjuring laughs of nothing , here are reunited in this atypical but amusing western with a lot of jokes , undistinguished moments and comical attitudes , in addition a multitude of absurd situations. Fun screenplay by James Lee Barret , Western's ordinary , though clichés run through-out , the enjoyable story is enhanced for amusing moments developed among main characters and especially on the relationship between James Stewart and Henry Fonda. The stellar cast is accompanied by some secondary actors very good as Shirley Jones , Robert J Wilke , Robert Middleton , John Dehner and Charles Tyner . It also appreciates a good production design and colorful cinematography in Panavision by William H. Clothier , John Ford's usual .It's a movie highly desirable to spend 103 fun minutes professionally directed by Gene Kelly, an expert dancer and choreographer . Kelly dares to lead this western with acceptable results, and offers us here an entertaining comedy without major skills , but should to make it more dynamic . He directed some films as "Singing in the Rain" , ¨On the town¨ , co-directed by Stanley Donen , and ¨Invitation to the dance¨, ¨Hello Dolly¨ , ¨Guide of married men ¨ , ¨ Cheyenne Social Club turns out to be his only Western . It's a minor and thin effort and is beneath this great trio Fonda-Stewart-Kelly . An object of lesson by old masters who will appeal his fans .

Is "The Cheyenne Social Club" a comedy or action Western? Director Gene Kelly tries to combine the two with very uneven results. Cowboy James Stewart receives a letter telling him that he has inherited property from his late brother so he starts out for Cheyenne along with his buddy, Henry Fonda. It is only after he arrives that Stewart finds out the Cheyenne Social Club is not a boarding house or saloon as he supposed, but, well, something else. Director Kelly plays up the discomfort Stewart feels being the not so proud owner and his futile efforts to close the place down, but most of the jokes in that vein fall flat. That is not to say we can't find humor as, for example, Stewart changing his politics when he fancies himself as a businessman, or Fonda cracking nuts at inopportune moments. Fonda's speeches as the credits are rolling are hilarious. Stewart listens politely until he can't take any more and finally has to tell Fonda to shut up. The movie is at its best when these two old pros are interacting with one another.