The Brighton Strangler does not set out to achieve anything in arduous storytelling, but rather is a cheeky tale that lives in Golden Age "B" movie heaven. Reginald Parker (John Loder) is the lead stage actor in a play called The Brighton Strangler. He has performed the play hundreds of times and has decided he wants to move on because he's played the "Strangler" character for so long. After his final show as the killer, a German blitz bombs the theater almost killing Parker. He is left with a head wound that bungles his mind, leading him to believe he actually is Edward Grey, or The Brighton Strangler. He is then doomed to "act" out his play with innocent people.While the concept is an amusing one and the imagery has some fantastic moments of long stark shadows and hands feeling the rope of a noose, John Loder's performance is just about the most lackluster acting I have ever seen. Everything about him is wooden: his expressions, his tone, and even his posture! It does, however, add to the fun of it all because he looks so silly doing it.Throughout the film there is not really an antagonist opposite of Parker. There is also no suspense drawn from other characters because each victim doesn't figure out what is happening. Parker just tells them what he is going to do. The only person who figures out that something is wrong and then acts upon it doesn't do so until about 10 minutes before the end, probably even less. There is no chase or tension throughout story.While very flawed, The Brighton Strangler is a good fun film that does not try to go beyond its identity. It's a quick easy watch at only 67 minutes. Check it out if you are a fan of old-fashioned pulpy thrillers.Also June Duprez's eyes on the poster are hilarious.

RKO's great artistic team of Silvera and D'Agostino, along with stylish director Nosseck and photographer Hunt, lift the visuals to near artistic heights. Even when the story falters, the dream-like atmosphere carries the ball. It appears stage actor Parker's (Loder) head gets conked during a London air raid. Now he has trouble separating his strangler stage role from everyday reality. Needless to say, this causes problems for him and a couple of corpses he leaves behind. On the whole, Loder is excellent as the schizoid Parker. His generally low-key demeanor proves as disturbing as anything more florid. If there's a problem, it's with the script's treatment of the lovely April (Duprez), who seems impossibly naïve. Like when she goes to the dark roof with Parker even after some of his semi-loony behavior. Still, I love that amusing moment when the English maid tries politely to get her head around American slang.I'm impressed with Nosseck's ability to coordinate a spotty narrative into an atmospheric whole. Looks to me like he's in the Edgar Ulmer (Detour, {1945}) category, working artfully and anonymously in Hollywood's lower rungs. His American career appears limited by mostly innocuous programmers-- unlike Brighton-- which may be why he went back to Germany. Nonetheless, he appears to have a real feel for this sort of Gothic material. Overall, the 60- some minutes is close to a sleeper, except for the spotty script. It also helps show why lowly RKO was the studio of record during the post-war 1940's.

I love British mysteries, and having a mystery done during wartime makes "The Brighton Strangler" even better.The plot is similar to "A Double Life" from 1947, concerning an actor (Ronald Colman) playing Othello who starts strangling women in real life.In this film, an actor, Reginald Parker (John Loder) plays the Brighton Strangler in a long-running play. After closing night, as he's in his dressing room, there's a bombing. The theater is hit, and he's knocked unconscious. When he comes to, he confuses the play with reality, to the extent that he gives his name as Edward Grey, the name of his character. After boarding the train to Brighton, he meets a young WAC (June Duprez) who sees that he's wounded and helps him. He's invited to her home. Little does anyone know that he's following the script of the play.Atmospheric thriller with a great rooftop set at the end. Lots of references to things like clothing coupons and the war.People here are raving about John Loder; I found him fairly one note. I also didn't find the play he appeared in very well directed. The first scene is from the play, and Edward Grey announces to the young woman he's with that he's the Brighton Strangler. There he is, with silk rope in his hand, and she just stands there. . Oh, well, you can't have everything. Really enjoyable.

The most popular play on the West End is "The Brighton Strangler". It is the last performance for Reginald Parker as he wants a rest from being "a strangler" and to spend more time with his fiancée Dorothy Kent (Rose Hobart). She is also writing a new play for him. Parker is a gentle and kind man, but caught in a bomb blast at the theatre, he literally becomes Edward Grey, the character he played in "The Brighton Strangler". He goes to Victoria Station and meets April (June Duprez) who is going to Brighton to visit her parents for Christmas. The word "Brighton" triggers an association in his brain, so he goes there too.He then sets about recreating the play - killing first the Mayor, who he feels sent him to jail - the Mayor (Ian Wolff) doesn't know a thing about it of course. His next victim is Inspector Allison (Miles Mander). April is to meet her husband (she is secretly married but because her parents have recently lost their son in the war she doesn't want to tell them.) She asks Grey to give her an alibi by going to a concert that she is supposed to be attending. He uses the concert as an alibi for himself so he can kill the Inspector and then get back to the concert without causing suspicion. April's husband is called back to his base so April can go to the concert after all but she doesn't see Grey there.The film ends as the film began - with the final scene from the play "The Brighton Strangler". I really enjoyed this film a lot more than "A Double Life" which I found a bit dull.John Loder is good as always - I just loved him in "Non Stop New York" - he plays Reginald Parker. The beautiful June Duprez's most important film was "The Four Feathers" (1939), the technicolor showing off her dazzling beauty. She plays April. Rose Hobart was an American actress whose most famous role was as Muriel Carew in "Dr. Jekyll and Mr Hyde" (1931) - she fitted in well with the English cast as Dorothy Kent.