Back in the hazy days of grip/electric life, I got a call to work as the BB Grip on my 2nd (and last) Abel Ferrara film - "The Blackout". I accepted the gig with one non-negotiable caveat - I would never be willing to enter what I term "the meat grinder" (defined as any space within 150 feet of the madman auteur). "The Blackout" IS Abel Ferrara....albeit a PG-13 version. In a sense, the experience of making the film was an act of performance art...art lived as actual "life" or perhaps life lived as a Bosch nightmare...on the one hand, it was genius; on the other, pure madness. What remains is a snippet of documentary into the soul of AF.

I thought this was an interesting, psychological movie. I agree that some of the scenes were not necessary or especially redeeming, but Matthew Modine's portrait of a confused substance-abusing actor was brilliant - the best thing I've seen him do. There's a scene where he takes a drink of vodka after a year of sobriety that is just incredibly convincing. If you liked (appreciated) Leaving Las Vegas, you should check this one out.

The storyline of this film is not really easy to follow and understand as usual with Ferrara. Actually, he has something very sad to communicate: the end of movies and movie theaters he thinks will be replaced by video. (Internet should help the video killing the movie.) Ferrara does not see it as a bad thing (as I understood) but points it out as a natural evolution of the 'moving pictures' arts. Denis Hopper finally has a great role.

"Video is the future!" So tells us madman Hopper. He could be right, if you take to drugs and booze. Only Abel Ferrare can attract big time actors for sleaze and plotless movies. So open up and enter the void where you may find meaning to this interesting piece of art trash!