THE ACCUSED - 1949 Loretta Young, Bob Cummings, Wendell Corey and Sam Jaffe headline this rather dated noir.Psychology professor Young has a student who is a bit on the forward side. He is always pushing his attentions on Miss Young. Young finds this a bit on the awkward side and suggests he cool it.The young man, Douglas Dick, agrees to behave himself. After class, he offers Young a ride home after seeing she missed her bus. Young accepts but the ride goes nowhere near her place. They end up out on a secluded seaside lover's lane. There Dick becomes rather forceful with his advances. While fighting him off, Young bashes in his head with a handy iron bar. She then makes it look like an accidental death by dumping Dick off a cliff.Soon everyone seems to be knocking on her door, starting with Bob Cummings. Cumming is a lawyer who works for the dead man's family. Cummings is just checking about Dick's grades etc with his instructors. Several days later the body is fished out of the water and a coroner's inquest held.The death is ruled an accident which off course makes Young happy. Police Detective Wendell Corey is not quite so sure and decides to look deeper into the death. Young spends the rest of the picture trying to make sure she covered her tracks, as well as falling for Cummings. Cummings likewise takes a shine to Miss Young.Hanging around being a pest is Detective Corey. He slowly puts together a collection of clues that start to point at Young. Nothing solid, but lots of little clues that keep the cop digging. Helping him in this is forensic expert Sam Jaffe.To cut to the quick, Cummings also tumbles to Young being the killer. But he could care less as he is head over heels for her. Corey charges her and presents his case but knows it is going nowhere with a jury.The film is good looking, but somewhat lacking in the suspense area. The basic story has worn rather thin since 1949. Young as the bookish teacher etc. is old hat now. We know she was only defending herself which eliminates the femme fatale angle.Director William Dieterle did better work on his other film noir, ROPE OF SAND, DARK CITY and THE TURNING POINT. The film is still worth a look, but one is not likely to give it second viewing.

The Accused is directed by William Dieterle and adapted to screenplay by Ketti Frings from the novel "Be Still, My Love" written by June Truesdell. It stars Loretta Young, Robert Cummings, Wendell Corey, Sam Jaffe and Douglas Dick. Music is by Victor Young and cinematography by Milton R. Krasner.Wilma Tuttle (Young) is a college professor who is prompted into an act of self defence when one of her students attacks her sexually. The damage done, Wilma covers up her crime and finds her conscience gnawing away at her, especially as she is actively involved in the police investigation…Good sturdy story is well played out by a good sturdy cast, The Accused makes up for what it lacks in noir visuals with noir infected psychological smarts. Helps that Wilma Tuttle is a strong characterisation in Young's excellent hands, the whole film hinging on the fact that Wilma's crime is perfectly understandable to us viewers, she has our sympathy, more so since she has the chance of love with Cumming's amiable and cunning lawyer.We follow the police investigation through its various strands of science, with Wilma privy to what is going on as well. This puts a devilish kink to proceedings as Lieutenant Ted Dorgan (Corey) is pretty sure he knows what really happened (an inquest had previously ruled the death as an accident caused whilst diving).Further spice comes with the knowledge that Dorgan also has the hots for Wilma, thus this puts Wilma in a whirlpool of fear and fret, conscience battering and the amorous attentions of two male suitors, both of whom are intricately bound to the investigation. Plus she's trying to keep it together at work whilst she's teaching her students psychology!It all builds to a good conclusion, which is nicely open ended, to round production out as an entertaining noirish meller. 7/10

This movie begins quite well,and,unlike some people wrote,it's not that much dated.Douglas Dick is as disturbing a student as he is handsome.But his part is too underwritten and he disappears too soon.What remains is much too predictable: as soon as Bill's guardian appears ,you know what they're up to from mile off;for instance guess with whom,this respectable man,portrayed by Robert Cummings will fall in love with?In a thriller,the hero(or here the heroine) must be in jeopardy:we know early in the story that the teacher is not risking anything ;maybe if they did not show the scene by the sea? maybe?We are left with the Cummings/Corey duel :both actors deserved a better script.Loretta Young plays a very educated professor (she teaches psychology of course) and she 's got to show tricky to frustrate the enemy (that is to say the cops) in his plans.Aren't there better movies to remember Loretta Young ? "heroes for sale" "a man's castle" "the crusades" "the bishop's wife".....

This movie starts in an unusually interesting place. A woman is fleeing some deed, under cover of noir night. It continues to another interesting place. The woman is a psychology instructor, who in 1949 is allowed to speak intelligently & authoritatively on the topic. Then we flashback to the crime. The crime is passable. But unfortunately after that, the movie which started so interesting descends into bland convention and melodrama. Seeking the quickest route to audience identification, the movie selects "romance" as our pathway through things. It makes the movie less engaging by the minute, and really shrinks the possibilities of what it can be. The noose tightens for way too long, forcing the writers to draw out the tension and run it against the romance all the while. The weak frisson just doesn't create much engagement in a viewer. Cummings is not terribly interesting and Wendell Corey plays yet another irksome investigator.