This is the latest in a slew of Euro movies to make it to our shores here, promoted as a mystery thriller because of the faux-pas sense of sophistication from everything European.To its credit, it does keep you guessing. As the premise goes, a serene family of four moves into the suburbs, only for Julia (Ariadna Gil) the mom experiencing things that go bump, even in the day. Loving husband Samuel (Jordi Molla) and kids Felix (Nacho Perez) and Luis (Omar Munoz) do not experience these strange phenomenon, and therefore this leads to tension within the family.What works is the atmosphere built up, that there are many scenes filled with plenty of emptiness Julia experiences in the neighbourhood, and the bewilderment she felt when she slowly discovers that there is no one else to turn to, not even her husband and children. Feeling extremely isolated, she begins to wonder what happened to have brought about the changes to her surroundings, as well as her family.On one hand, you want to sympathize with Julia and her increasing exasperation, and Ariadna Gil's performance enables you to do so. However, it's really a case of more than meets the eye, and you might be increasing as frustrated as the character when you attempt to figure out what is happening as well - is it a psycho babble mystery, or something involving the supernatural, or a conspiracy of sorts? You can warrant a guess, and you'll probably be right, but the way the film progresses and develops, doubts will be cast on your assumptions, right until the very last scenes.If compared to earlier fare like Lemming (happy family in suburbs) and Cache/Hidden (something remotely similar with its CCTV cameras and discovery that you can watch them on TV), The Absent probably is the weakest in terms of storyline, and the least entertaining of the lot. If you're thinking you're up for something quite cerebral, you might end up disappointed.

along the history of cinema, there's been a few films that deceived the viewer, such as hitchcock's "stage fright", alejandro amenábar's "abre los ojos", David fincher's "the game" and this one "ausentes" ("absent"). to begin with, i don't like this kind of films, i feel like somebody is trying to pull my leg.furthermore, after seeing this film one doesn't know what happened, is such a confusing film. kubrick's "the shining" may be a better or a worse movie, but definitely is more honest than this load of pretentious and dubious situations.technically is fine -nice photography, fair performance and so on, but the script is so poor i wonder what did the producers see to carry on and shoot this crap.and this film remarks the 3 guys that wrote the script (calparsoro, loriga and quiroga) are lost in cinema trying to make a masterpiece -or trying to do something to fulfill their stomachs, awaiting for more personal projects.

When I first saw the trailer for this film, I really wanted to see it. I thought some of the director's other works were quite good, but I must say I was disappointed. The plot involves a young woman, who lives with a widowed father and two his two sons. They move into a well-guarded community, yet all is not as it seems; a sort of Twin Peaks. The woman begins to see, or not see, things an people. During the first reel, I had a hypothesis, and thought, "this can't be the whole reason?" Well, the ending lived up, or better DOWN, and gave us what I felt was a truly weak final act. The sound mixing and quality is excellent. Saw it in a THX Certified Theatre, and was impressed.. by the audio, and only the audio. The picture is missing substance.

'The Shining' has wit, visual flair and an iconic performance by Jack Nicholson. 'Ausentes,' however, has none of these things; although it does borrow from its classic forebear; to wit, a man hacking through a door and a woman running around shrieking while clutching a huge kitchen knife. Unlike Stanley Kubrick's great psychological horror film, 'Ausentes' is a work which resonates with a singular lack of genius. It is magnificently, comically awful; it makes the Spice Girls movie look like a work of vital art. 'Ausentes' is the tale of a family that moves to a gated community in the suburbs. All is to be well with the world. They will live in peace and tranquillity; they will calmly go about their business away from those mean old city streets. But no. Ariadna Gill's character Julia starts getting spooked by those things that insist on going bump in the night, by empty supermarkets and doors that close themselves; and her husband Samuel, played by Jordi Molla, switches in an instant from laid-back family man to wild-eyed permanently unshaven nutter, injecting Julia with a drug to keep her under his sudden cosh. Molla, much respected as an actor, is absolutely dreadful in this. Comic rather than menacing, he simply cannot pull off a threatening expression. He just come across as a barroom slime ball who's had one drink too many. So is there anything to redeem this film? No. The script is clunky, the plot non-existent and the cast without merit. Completely without tension and full of be scared now moments, 'Ausentes' is an exercise in how not to make a psychological thriller. It is ridiculous and overblown, but as one of the most unintentionally hilarious films of recent years it's well worth a watch.