I was exposed to this film last night. I feel both like my life is more complete AND like I'll never get back that weird little bit in my soul ever again. I'm not sure I've experienced that phenomena before. This film is gloriously terrible. I'm glad I watched it, despite possibly being scarred for life. "What doesn't kill you makes you stranger". I think they did a fantastic job of doing a terrible job, and the performances were pretty disturbingly well done for the most part, especially the main...guy. I think my favorite part might be the "continuity" bit, which is funny because it was one of the least over-the-top funny moments...for this movie. I was also really disturbed by the number of physically attractive actors in this film considering the bizarre, messed and/or stupid characters they played. It made me uncomfortable in a good/bad/confusing way, which I felt ultimately added to the specatacle.

THIS IS THE MOTHER OF ALL B-MOVIES. It combines the fun and arts of film making with that of complete heresy of what should be seen by the human eye. The film has lovable characters and a message behind the love of twisted b-movies. It is for anyone who thinks outside the standard of what good movie making is and for anyone who appreciates the ridiculousness that can fit into one film all in the name of fun. I haven't seen a movie that satisfied my love for gore and shock value all while making me laugh. It's also a good watch when your drunk. The moral of the story: Don't trust psychotic hermaphroditic Spielburg lovers.

As a long time Troma fan I have enjoyed the Renaissance that the company has enjoyed in the wake of Tromeo & Juliet. After the success of Toxic Avenger (and video success of Class of Nuke em' high) troma had fallen off the chart. Several dismal Toxie sequels and the long wait for Sgt. Kubuki Man NYPD created the impression that Troma had lost their way but Tromeo & Juliet reminded everyone why they had fell in love with the company to begin with. Tromeo raised the bar once again for what you could expect from a Troma offering and with high expectations I watched Terror Firmer and thankfully this movie delivered.Someone is killing people on the set of a Troma film. As the body count rises the crew must rally together to get their blind directors vision to the screen (or at least to the video shelves). From that absurd premise we launch into what I truly believe is the best in house Troma production ever (2nd only to pick up film Cannibal the musical over all) and this movie works as a valentine to the beloved company.Indie-film god, and troma co-founder, Lloyd Kaufman finally responds to the worlds demands and returns to leading man status as Larry Benjamin, director of the newest Toxic Avenger film. Larry tries to get the best out of his inexperienced, though largely enthusiastic crew. Tromeo himself, Will Keenan plays the Spielberg loving crew member who competes for the affections of the pretty Alyce LaTourelle with Trent Haaga. Haaga plays Jerry, a guy who seems to be living out his dream (as well as the dream of most fans) working on a Troma film. With a very likable cast this film can, and often does, takes many detours. From a Seinfeld parody to a odd public service announcement, the story often wanders off in odd directions only to be corralled back by another killing.As you can tell by some of the other reviews, this film is clearly not intended for the mainstream. It was specifically designed to appeal to the faithful, not to win over any new fans. From the lead performance by Lloyd Kaufamn to the tons of cameos by Troma veterans like Lemmy, Joe Fleishaker, Trey Parker and Matt Stone and Lisa Gaye this movie seems to be like Troma doing a victory lap to celebrate the fact that in a industry where independents get chewed up constantly, They are still standing. And their fans are grateful for that.

I find it very difficult to sit through the "normal" Troma film. (This might be the only living example in captivity, by the way, of the words "normal" and "Troma" coexisting side-by-side.) I find them intolerably busy, erratic, and annoying. At the same time, I am utterly fascinated and impressed by the irrepressible Lloyd Kauffman,the "face" of Troma, one of the most charismatic figures in all of cinema. Given these preferences, "Terror Firmer" becomes a Troma film worth watching, because buried deep within this highly fictionalized account of what it takes to put together a Troma film are, one would assume, many, many kernels of truth, isolated and blown up way out of proportion in Troma's over-the-top style.Even more interesting than the film, however, is the director's commentary track by Kauffman himself, which carries the "film within a film" concept to even deeper depth (because you know Kauffman is "performing" throughout).I haven't quite decided whether Kauffman and Troma are the best thing to ever happen for independent cinema or the worst. While Troma proves that it can be done and that such a company can endure, the quality of Troma's product might work against independent cinema by implying that the company's profitability comes from the public's acceptance of low-budget, badly conceived and executed drivel.Hats off to Lloyd Kauffman. Just don't expect me to like what you put out.