Someone steals an ancient Chinese painting from a museum in a high tech operation. It's actually only half of a painting. Long time ago it was cut in half and in a couple of days for the first time there will be an exhibition presenting the complete painting with both halves.A bunch of Westerners are after the stolen part and some lady known as the Empress, as well as some gentle soft-spoken Japanese mean guy. Xiao is part of some government outfit and he's tasked with recovering the stolen painting. He's married, has a son, but his job as secret agent requires him to be a ladies man. Sure enough, all the girls in this movie are after him for some reason.When the sale of the painting is about to take place, Xiao recovers it. But the Japanese guy kidnaps his son in exchange for the painting. But Xiao and his team won't rest until both halves of the painting are safe in time for the exhibition.The story of Switch sounds straight-forward enough but the way it's told is a complete mess. While I'm sure the director is not entirely blameless, the main problem here is the bizarre editing. The entire movie comes across as fragmentary. Every "scene" lasts only a few seconds and then is faded out as we rotate between all the characters in this movie and no point is ever made. There is very little dialogue and very little action. Instead what Switch is all about is empty style. The actors wonder in and out of fancy luxurious LED-lit interiors and a few exteriors in China and Dubai without doing or saying much. Even the main character Xiao doesn't do much but drive around in a certain brand of vehicles and for a good part of the movie we don't even see him, making it a movie without much of a main character. Without trying to sound stereotypical, I had a very hard time distinguishing among the female characters. I think I could identify maybe 4 of them--the wife, some overwatch girl, Xiao's main squeeze when he's undercover, and a girl who likes him but works for the Japanese guy. But I may be wrong. That said, all the girls are beautiful.I'm surprised this movie got international distribution. Despite the budget and excessive opulence, it doesn't have a whole lot going for it. It's not a thrilling movie, it's not an action movie, there's some drama, and CGI scenes look rather cheesy. The movie even engages in some political polemics. It makes the Japanese look pretty bad and it features a hilarious song with some very politically incorrect lyrics that make a mockery of Western "values." What it does have going for it is some of the scenery. Sound is surprisingly very well done. The Japanese guy is surrounded by Cirque-du-Soleil-type acrobats who are also killers. And in the end we get a scene were all these girls confront one of Xiao's girls, don't know which one. That's a cool fighting scene. But for all the fancy sets, the final two confrontations takes place in some really lame settings. The end is also somewhat puzzling.

There is nothing worth to say about this movie, except, don't waste your precious time, not even when you could do it with a fast forward button. Our movie channel just put it on the shelf for on-demand playing, and after hearing so much bad comments about it when it was on the big screen, I made it a challenge for myself to try to sit through it.EPIC FAIL.To the extent that you want to find a way to unsee it, but then you simply can't, because the visuals throughout were so colourful, or even rich, BUT WITHOUT A POINT.I really wanted to give it -10.

There is literally no point to this movie! It's just product placement after product placement. I am not exaggerating. There's no cohesive story that I can see other than there is a coveted painting, the script is laughable, amateur, and melodramatic and the characters are caricatures. I started to wonder if it was based off manga, and when a kid started laughing maniacally in front of a fire, I knew this movie was ****, and it's not a case of not understanding the movie because it's too deep either. It really is just about the aesthetics, and if this movie has any stars, that's why. This was really disappointing! Andy Lau, you've sunk low!

Originally scheduled to be released last October but delayed due to problems with heavy post-production work, not to mention countless editing by the director, the end result is at best a patchy piece of work passing off as a Chinese version of Mission Impossible: Ghost Protocol.Directed and written by newcomer Jay Sun, Switch is a high octane action espionage thriller filled with globe-trotting locations, an array of gizmos mostly in the form of Nokia smartphones, flashy Audi cars and a star studded cast including HK superstar Andy Lau, Taiwan's top model Lin Chiling (Red Cliff) and Chinese actors Zhang Jingchu (Protégé) and Tong Dawei (Treasure Inn).You might think this is going to an exciting, jaw-dropping action extravaganza for the next 112 minutes but like me, your jaw is going to drop for the wrong reasons.After a clumsy prologue which establishes the value of the famous Yuan Dynasty scroll Dwelling in the Fuchun Mountains, we are introduced to several characters - namely our hero, Xiao Jinhan (Andy Lau), a secret agent who is married to an insurance project director Lin Yuyan (Zhang Jingchu; while the villains include the generically named Yamamoto (Tong Dawei), an ambiguous agent, Lisa (Lin Chiling), a weird underworld leader, Empress (Siqin Gaowa) and a bunch of Caucasian thugs. What is supposedly an easy-to-follow, good versus evil action thriller becomes a hot mess under the hands of Jay Sun.Obviously, Sun has no idea how to shoot an intense action scene or at least keep you on the edge of your seat. He prefers to jump from one scene to another without much coherence thrown in. Agent Xiao just propels from the ceiling all of a sudden. And why is Yamamoto so mesmerised by the painting? Oh we are supposed to believe Lisa is also carrying a torch for Agent Xiao. This is no music video mind you and it becomes increasingly frustrating to watch the characters as they spout their lines without much emotion and continuity. There's so much on the screen but everything just seems jarringly off. To his credit, Sun doeshave an eye for visuals; the production design is so rich and colourful, you are better off admiring the artistic touches instead of following the story.This is an absolutely embarrassing gig for Andy Lau - just when you thought the charismatic idol finally has a chance to showcase his acting in productions liked A Simple Life and Detective Dee, Switch only makes him looks nothing more than a walking, fighting mannequin. Tong Dawei equally suffers as the tortured, psychotic villain with a laughingly bad white hairdo while Lin Chiling received the worst treatment of all, she ends up as a irritable moaning, seductive character.Our palms turned sweaty when we watch Tom Cruise hanging off the skyscraper in Dubai; though we never really feel a thing for Agent Xiao when he fight off a few thugs and crashed his car in the grand Atlantis in Dubai as well. Sun tries to imitate even to a certain extent by engaging Hollywood stunt choreographer and 3D experts for this movie. Everything that worked in the Cruise vehicle fails in epic proportions for Switch however. It never picks up from the get-go and simply splutters all the way to the credits.www.moviexclusive.com