This has the feeling of going to the theater and seeing it live. That is because this is exactly what they have done. Because of that it is very good and is not done often enough. There is a silent live action film of Peter Pan done before Disney animated the story which was filmed much like the stage play that was originally done, and it is one of the best adaptions of that story because it was filmed that way.Sweeney Todd is about a wild murderous Barber and has a great Steven Sondheim musical sound track. All of it is here and lots more. The live stage feel is a great perspective and it is invaluable that this television version was done.Angela Lansbury recreates her Tony winning role here and is absolutely great, this shows why she won that award. The actor who plays Sweeney Todd is excellent at it, so good he has done it several times since this version. This show first came to my attention because of the great music. Now that I have seen the story as done here, I better understand the meaning of the music.TCM has done a great service by running this without the commercials except for the Intermission break. It is the best way to see it as the commercial breaks are not needed.

There is not much to say about this story. We all know it is a tale of miscarriage of justice, of sexual greed, of alienation and injustice, and of final revenge that turns sour. This is a typical Victorian story in the line of Jack the Ripper and so many other crimes of that type, and I should say multiple killers or serial killers one century before the FBI invented profiling.This particular production is special since it is a Broadway production of the musical that Tim Burton brought to the silver screen many years later. This particular production was actually brought to TV a long time ago and it is this TV version that they remastered and brought to us in this format. The sound is perfect of course since in the 1980s FM sound also call hi-fi sound was already arrived. The pictures are good though from a TV standard, probably professional, probably Betamax. The remastering was only used to clean up the sound and probably too to densify the resolution. So we can consider we have the best possible rendering of this old production.The interest is to have a stage production from Broadway and from a period when special effects were not yet the norm on the stage. The stage production was supposed to create emotion in the spectators and they mostly only had human means to do so. They only wrapped up the human means in a stage setting that could increase or decrease the realistic effect. They chose to break up that realistic effect with the systematic use of machinery visible to the audience. Constantly elements, some enormous, are moved on the stage, turned around more or less building up structures that are supposed to render the various locations and the various scenes. It is totally artificial and it works perfectly because of the other dimension which is used in the most genial way imaginable.This other dimension is the use of actors, singers and "dancers," in one word stage performers. The music is good but we do not see the musicians. The singers are not opera singers but musical singers and they are good not so much because of their voices but because they use their voices as one element of their performing. That performing is physical and the voices are part of this physicalness. The voices, the physical performing on the stage (movements and other physical contact or absence of contact) and the phenomenal body language and facial expressions, it all is extremely effective to create emotion and density. The situations are deep and heavy because of this performing qualities. It is what has slightly been reduced in the most recent period by the use of special effects. In those old days special effects were hardly available and the actors had to work with their bodies, voices and faces to create those emotions. And that was a time that has unluckily mostly disappeared.In this case we have a real masterpiece because everything is looking artificial and yet the emotions look extremely realistic. That's a stage directing choice that was more or less the only solution at the time if the stage director wanted to produce an emotional and powerful show. This is a real success along that line.Dr Jacques COULARDEAU

I don't think I can add to the praise given to this wonderful production. The musical itself is a masterpiece in its own right, and I honestly loved this production. I loved the darkness and bleakness of the sets, and that while the costumes are nothing fancy they are effective and nice to look at. The score is utterly magnificent, the music is completely memorable and the lyrics are something that I love to quote, the opening chorus, the epiphany, Green Finch and Linnet Bird and the ending stand out especially. The dialogue is darkly humorous, the story is suitably macabre and entertaining and even the make up is good.The performances, both acting and singing were superb. The only person I had a problem with was Betsy Joslyn's Johanna, I just found her singing shrill at times and there were a few moments in Green Finch and Linnet Bird where she was pitchy. Joslyn aside, George Hearn is superlative as Sweeney, funny, chilling and handsome, and what a voice. His Sweeney is by far my favourite Sweeney ever, and the great Angela Lansbury matches him perfectly as Nellie Lovett. Cris Groenendaal was a charming Anthony, and Edmund Lyndeck stands out in a considerable way as Judge Turpin. Even the chorus were great. Overall, if you love Sweeney Todd, this is a must see. 9.5/10 Bethany Cox

Some aspects of this production are good, such as the performances of Angela Lansbury, George Hearn, Cris Groenendaal, and Sal Mistretta. But am I the only one who is distracted by the horrible performance by Betsy Joslyn as Johanna? She is terrible! She slauters the songs with her screechy voice and overacts in a role she clearly doesn't understand. I also think the chorus isn't up to snuff. They drag the tempo and make the worst facial expressions. Overall, I think this production is okay, but Sweeney Todd can be so much more if done correctly. This production doesn't come near the level this material demands. The concert version with George Hearn and Patti LuPone is much better.