It's obvious from the get-go that this Z-grade programmer is formula from start to finish, standard stuff that never gives any surprises even if it has a few bright ideas along the way. You've got all the cardboard cut-out characters, from the con-artist fleecing the rich, the good-hearted tough dame, the wise-cracking stage manager, the dumb businessman, the fragile heroine and the handsome hero. It is also obvious that the good guys will prevail, the bad guys will pay and there will be a few innocent victims along the way. The usually over-the-top Mischa Auer takes it back a few notches to be subtle as he underplays his crooked swami (how I love ya, how I love ya...) to the point of actually making him boring. It is also obvious that when the hard-as-nails tough broad (the one with the heart of gold and liver of gin) puts on an old lady wig, she will instantly convince the heroine that she's her granny and another actor amongst the troop is her dear old dad. All this to get the rich people to invest in phony stocks (at the height of the depression, no less...) and this results in a botched kidnapping and furious chase sequence at the end. All this would be palatable if the quality of the camera work and sound wasn't so shoddy and the acting so melodramatically lame. This was done so much better years later with the campy "You'll Find Out" where Bela Lugosi had a lot of interesting gadgets as well as Karloff and Lorre and the music of Kay Kyser to basically do the same plot, but with more quality.

Again Phyllis Barrington had the female lead in this follow up to "Sinister Hands" but once again she was completely overshadowed, this time by veteran Mae Busch playing an alcoholic singer employed by the sinister Swami in his fake fortune telling racket. Mischa Auer impressed as the mysterious Swami Yomurda in "Sinister Hands" the year before so he was back again in "Sucker Money". In this movie his sinisterness is exposed as downright evil - all owing to the co-director Dorothy Reid. She had been married to Wallace Reid and his death, from narcotics, led her on a one woman crusade to expose the menace of drugs through films. After ten years of films like "Human Wreckage" and "The Red Kimona" she turned to another social evil that was reaching plague proportions in Hollywood - the phoney spiritualism racket!!Jimmy Reeves, reporter (Earl McCarty, a younger dead ringer for Jack Mulhall, star of "Sinister Hands", what happened, wasn't he available??), is ordered by his boss to apply for a job in which actors are wanted - he hopes Jimmy will be able to write an expose on crooked psychics. While there he meets Claire (Phyllis Barrington) whose father is being persuaded to invest in a phoney oil field by another of the Swami's actors. Veteran Mae Busch steals the movie with her portrayal of "Beautiful", an alcoholic ex singer who jumps at the chance of helping Jimmy expose these crooks. Of course Claire recognises Jimmy and feels he is part of the con but when he explains things he is overheard and sets in motion the thrilling climax where Claire is kidnapped and hypnotized and "Beautiful" saves the day by escaping to send an SOS to Jimmy's paper.The theme of fake spiritualism has been shown to better advantage in any film you could name - "Darkened Rooms" (1929), "The Hole in the Wall" (1929), even the later "Bunco Squad" (1950) but Mae Busch makes this one seem better than it is by her professionalism.

I wouldn't have bet a plug nickel that "Sucker Money" would wind up as entertaining and interesting as it turned out to be. It had the look and feel of those 1930's era 'educational' films that purported to warn the viewer about the dangers of illicit drugs, alcohol or sex, but in this case the film was an attempt at exposing the psychic racket. The story actually had decent continuity, even if some of the players presented were extremely over the top, starting with the phony Swami (Mischa Auer), and including characters like Princess Karami (Mona Lisa, why not use her real name?), and the two black bodyguards dressed in their own set of Indian Hindu garb. Seeing them, I knew it was only a matter of time before the flick fell into racial stereotype, and they're shown throwing dice in a subsequent scene, as reporter Jimmy Reeves (Earl McCarthy) notes to the one rolling a winner - "Yo' sho' is lucky, Big Boy"! The thing is, while watching, I got a sense that old Swami was a truly evil guy, and it wouldn't take much for him to dispose of anyone who got in the way of his making a really big score. Which got kind of wasted when he discovered Reeves' real identity as a newspaper reporter, and then just let him roam around fairly freely within the confines of the operation. You would think that Jimmy would be a quick goner, and the Swami and his crowd could have pulled off the twenty thousand dollar heist of old Walton without any further trouble. It also seemed pretty convenient that the law showed up in time to make the save, but this was over seventy years ago, and there wasn't a whole lot of time and effort that went into making a story believable if put under a microscope. Which is OK if it passes the entertainment test, and I think this was a good try if one's not too critical.I really have to thank Mill Creek Entertainment for putting out a package that makes pictures like this available to old time film junkies like myself; without them one would never even know that they existed. This one was part of a two hundred fifty movie set on sixty double sided DVD's as party of their Mystery Collection. The great thing is, by the time you get around to viewing all the movies in the set, you wind up forgetting what the first ones you saw were all about, and you can go ahead and do it all over again!

It's rather unbelievable that anyone would fall for this spiritualist stuff. Here the spiritualist world is simply a movie shown on a regular movie screen, which isn't very other worldly. There are a number of interesting 1930s characters in the movie though, which made it pretty enjoyable to me. It's interesting to contrast their fake "spiritualism" work day personalities with their actual everyday personalities. The 2 black dudes spend their working day being zombie like guards, but then enjoy tossing dice after work. I'd enjoy hanging out with them more than anybody else in the movie.Anyway I always enjoy Misha Auer, who never gets a starring role, as far as I know, except in this movie. I also enjoyed seeing Mona Lisa, in her only talking role. I always wondered what she did after posing for that painting :-)